BiblioVault - Books about Forgotten Story

The Nazi, the Painter and the Forgotten Story of the SS Road

G. H. Bennett

Reaktion Books, 2012

In 2006 a long-forgotten canister of film was discovered in a church in Devon, a county located in the southwestern corner of the United Kingdom. No one knew how it had gotten there, but its contents were tantalizing—the grainy black and white footage showed members of the German SS and police building a road in Ukraine and Crimea in 1943. The BBC caused a sensation when it aired the footage, but the film gave few clues to the protagonists or their task.

World War II historian G. H. Bennett pieces together the story of the film and its principal characters in The Nazi, the Painter and the Forgotten Story of the SS Road. In his search for answers, Bennett unearthed an overlooked chapter of the Holocaust: a wartime German road-building project led by Walter Gieseke, the Nazi policeman who ended up running the SS task force, that served the dual purpose of exterminating Jewish and other lives while laying the infrastructure for a utopian Nazi haven in the Ukraine. Bennett tells the story of the road and its builders through the experiences of Arnold Daghani, a Romanian artist who was one of the few Jewish laborers to survive the project. Daghani describes the brutal treatment he endured, as well as the beating, torture, and murder of his fellow laborers by the Nazis, and his postwar efforts to bring the perpetrators to justice.

Recovering an important but lost episode in the history of World War II and the Holocaust, The Nazi, the Painter and the Forgotten Story of the SS Road is a moving and at times horrifying chronicle of suffering, deprivation, and survival.

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Nazis of Copley Square

The Forgotten Story of the Christian Front

Charles R. Gallagher

Harvard University Press, 2021

Winner of a Catholic Media Association Book Award

The forgotten history of American terrorists who, in the name of God, conspired to overthrow the government and formed an alliance with Hitler.

On January 13, 1940, FBI agents burst into the homes and offices of seventeen members of the Christian Front, seizing guns, ammunition, and homemade bombs. J. Edgar Hoover’s charges were incendiary: the group, he alleged, was planning to incite a revolution and install a “temporary dictatorship” in order to stamp out Jewish and Communist influence in the United States. Interviewed in his jail cell, the front’s ringleader was unbowed: “All I can say is—long live Christ the King! Down with Communism!”

In Nazis of Copley Square, Charles Gallagher provides a crucial missing chapter in the history of the American far right. The men of the Christian Front imagined themselves as crusaders fighting for the spiritual purification of the nation, under assault from godless Communism, and they were hardly alone in their beliefs. The front traced its origins to vibrant global Catholic theological movements of the early twentieth century, such as the Mystical Body of Christ and Catholic Action. The front’s anti-Semitism was inspired by Sunday sermons and by lay leaders openly espousing fascist and Nazi beliefs.

Gallagher chronicles the evolution of the front, the transatlantic cloak-and-dagger intelligence operations that subverted it, and the mainstream political and religious leaders who shielded the front’s activities from scrutiny. Nazis of Copley Square is a grim tale of faith perverted to violent ends, and a warning for those who hope to curb the spread of far-right ideologies today.

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Nazis of Copley Square

The Forgotten Story of the Christian Front

Charles R. Gallagher

Harvard University Press

Winner of a Catholic Media Association Book Award

“A great, but deeply unsettling, revelation…This book is more than an account of Boston in wartime. It is a warning.”—Boston Globe

“The rare book by a scholar that is such a page-turner it is hard to put down…A potent brew of spy story, detective story, and frank, fearless account of how a significant wing of the Roman Catholic Church in the United States spawned a movement aimed at defending Hitler and sabotaging America’s war effort.”—David I. Kertzer, author of The Pope and Mussolini

“[A] well told, expertly researched, and much-needed history of the Christian Front, an organization that presages today’s far-right activity…Riveting.”—Commonweal

On January 13, 1940, FBI agents burst into the homes of seventeen members of the Christian Front, seizing guns, ammunition, and homemade bombs. J. Edgar Hoover’s charges were incendiary: the group, he alleged, was planning to incite a revolution and install a “temporary dictatorship” to stamp out Jewish and Communist influence in the United States. Interviewed in his jail cell, the front’s ringleader was unbowed: “All I can say is—long live Christ the King! Down with Communism!”

In this brilliant work of historical reconstruction, Charles Gallagher provides a crucial missing chapter in the history of the American far right. The men of the Christian Front imagined themselves to be crusaders fighting for the spiritual purification of the nation, and they were hardly alone in their beliefs.

Nazis of Copley Square chronicles the evolution of the front, the transatlantic cloak-and-dagger intelligence operations that subverted it, and the political and religious leaders who shielded it from scrutiny. A riveting tale of faith perverted to violent ends, it offers a potent warning to those who hope to curb the spread of far-right ideologies today.

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Nickelodeons and Black Vaudeville

The Forgotten Story of Amanda Thorp

Kathi Clark Wong

University of Tennessee Press, 2023

In an era of online streaming, it may be difficult to recognize the importance of a woman who in 1908 established the first silent movie theater in Richmond, Virginia: the Dixie nickelodeon. But Amanda Thorp, an independent, self-made woman, was on the ground floor of a popular culture that would grow to be enormously influential in our modern era. In Nickelodeons and Black Vaudeville: The Forgotten Story of Amanda Thorp, Kathi Clark Wong’s extensive archival research uncovers Thorp’s impressive contributions not only to moviegoing and its growth in America, but also perhaps even more surprisingly, Thorp’s support of early Black vaudeville in the Jim Crow South.

Movie theater entrepreneurs like Thorp, who got her start at her Wonderland Theater in Bucyrus, Ohio, helped create our culture’s insatiable appetite for film. But it was after she established the Dixie in Richmond, that Thorp—a White woman—also saw a market for providing Black-centric entertainment. She converted the Dixie to all-Black patronage and began to bring in scores of Black vaudeville acts. Later, she built the Hippodrome Theater, in the heart of Richmond’s now-historic Jackson Ward, expressly for Black entertainment. Though she eventually left the field of Black entertainment behind, Thorp developed other movie venues in Richmond that brought in tens of thousands of (White) moviegoers over the years and which were widely admired for their elaborate trappings.

Thanks to Wong’s research, contemporary readers can now benefit from the story of Amanda Thorp, a woman who amidst severe gender role constraints not only claimed social capacity on the crest of a rapidly growing industry but also, almost inadvertently, contributed to the success of early Black vaudeville, a subject which thus far has not received the scholarly attention it deserves.

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