Norman Mailer - American Writers 73 was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This pamphlet series has been hailed by critics, teachers, and librarians as an ideals means of introducing both students and general readers to American writers of all periods. Choice has commented: "For the small library this series offers at small cost introductions by reputable critics o dozens of significant authors, and the larger the library the greater the number of undergraduate students looking for a place to start on some writer." The New York Times Book Review has called the pamphlets "extraordinarily good," pointing out that "they are just long enough (forty-eight pages) to permit a real survey of an author's work and short enough to attract the casual reader, the anxiety-ridden student, and the professor desperate for the straight word on an unfamiliar writer."

Six American Novelists of the Nineteenth Century was first published in 1968.This volume, based on material from the University of Minnesota Pamphlets on American Writers, provides concise critical introductions to six nineteenth-century American novelists of major importance. The novelists discussed and the contributing authors are “James Fenimore Cooper” by Robert E. Spiller, “Nathaniel Hawthorne” by Hyatt H. Waggoner, “Herman Melville” by Leon Howard, “Mark Twain” by Lewis Leary, “William D. Howells” by William M. Gibson, and “Henry James” by Leon Edel. Biographical information about the writers is included with the critical discussions of their work. A selected bibliography for each novelists lists his works and critical and biographical writing about him.In his introduction to the volume Professor Foster offers a perspective view of the genius of nineteenth century American literature, a literature of innovative vision which he calls unique in its time. “Only one other national literature of the nineteenth century was so marked by intensity, idiosyncrasy, and the spirit of discovery as America’s - that of Russia,” Professor Foster writes. “If their typical postures in relation to ‘Europe’ were different, American and Russian writers of the nineteenth century nevertheless had in common something far more significant: the uniquely dramatic subject matter, bequeathed them by history, of a nation’s self-discovery and self-creation. This was epic material; and fiction, especially the novel, was the aptest means of imaginatively encompassing it.”