Until 1927, the wild area of Utah near the Colorado River and below the mouth of the Escalante River was almost unknown archaeologically. The Claflin-Emerson Fund of Harvard’s Peabody Museum was created to provide support for an extended survey of southeastern Utah west of the Colorado River.

One such survey was conducted by author Noel Morss during the summer of 1928, resulting in an unexpected revelation: the Fremont (Dirty Devil) River drainage area being surveyed proved to be host to a prehistoric culture different from all other established Southwestern cultures. Excavations completed the following field season confirmed Morss’s findings. This distinct culture was defined by unique unpainted black or gray pottery, sole use of a primitive moccasin type, elaborate clay figurines, and abundant distinctive pictographs. Though too definite and well developed to be confined to a single drainage, Morss concluded that the Fremont were nonetheless a periphery culture and not an integral part of the mainstream of Southwestern development.

Originally published in 1931 and now featuring a new foreword by Duncan Metcalfe, The Ancient Culture of the Fremont River in Utah has become a classic in Southwestern archaeology, furthering a conversation about the early peoples of southern Utah that continues even today.

In 1927, the Claflin-Emerson expedition of the Peabody Museum began a rapid and extensive archaeological reconnaissance of eastern Utah. The expedition was funded by William H. Claflin and Raymond Emerson, Bostonian businessmen with a deep devotion to the American Indian and a probing interest in the remote and mysterious regions of the American West.

Early expedition surveys and excavations conducted by Noel Morss would lead to a definition of the Fremont culture; later research would augment existing data on the Fremont by adding entirely new traits, disclosing new variations in architecture and basketry, and providing new information on the distribution of previously known traits.

In The Fremont Culture: A Study in Culture Dynamics on the Northern Anasazi Frontier, archaeologist James H. Gunnerson provides the results of his 1950s survey and excavation in the Utah area. He presents a functional synthesis of the Fremont culture and discusses the dynamics of its growth and decline.

Gunnerson’s report also uses the original field notes, maps, plans, photographs, sketches, and unpublished preliminary reports of the Claflin-Emerson expedition. Together, the reports of Morss and Gunnerson offer the most important and complete overview of the expedition available. They are fitting tributes to the men of that expedition, scientists who recognized the importance of an ancient people who once wrested a meager living from the rugged canyon country of the Green and Colorado Rivers.

Fremont is a culture (ca. 300–1300 A.D.) first defined by archaeologist Noel Morss in 1928 based on characteristics unique to the area. Initially thought to be a simple socio-political system, recent reassessments of the Fremont assume a more complex society. This volume places Fremont rock art studies in this contemporary context. Author Steven Simms offers an innovative model of Fremont society, politics, and worldview using the principles of analogy and current archaeological evidence. Simms takes readers on a trip back in time by describing what a typical Fremont hamlet or residential area might have looked like a thousand years ago, including the inhabitants' daily activities. François Gohier's captivating photographs of Fremont art and artifacts offer an engaging complement to Simms's text, aiding us in our understanding of the lives of these ancient people.

Winner of the Utah Book Award in Nonfiction.
Winner of the Society for American Archaeology Book Award for Public Audience.