front cover of Ella Elgar Bird Dumont
Ella Elgar Bird Dumont
An Autobiography of a West Texas Pioneer
Edited by Tommy J. Boley
University of Texas Press, 1988

A crack shot, expert skinner and tanner, seamstress, sculptor, and later writer—a list that only hints at her intelligence and abilities—Ella Elgar Bird Dumont was one of those remarkable women who helped tame the Texas frontier. First married at sixteen to a Texas Ranger, she followed her husband to Comanche Indian country in King County, where they lived in a tepee while participating in the final slaughter of the buffalo. Living off the land until the frontier was opened for ranching, Ella and Tom Bird typified the Old West ideals of self-sufficiency and generosity, with a hesitancy to complain about the hard life in the late 1800s.

Yet, in one important way, Ella Dumont was unsuited for life on the frontier. Endowed with an instinctive desire and ability to carve and sculpt, she was largely prevented from pursuing her talents by the responsibilities of marriage and frontier life and later, widowhood with two small children. Even though her second marriage, to Auguste Dumont, made life more comfortable, the realities of her existence still prevented the fulfillment of her artistic longings.

Ella Bird Dumont’s memoir is rich with details of the frontier era in Texas, when Indian depredations were still a danger for isolated settlers, where animals ranged close enough to provide dinner and a new pair of gloves, and where sheer existence depended on skill, luck, and the kindness of strangers. The vividness and poignancy of her life, coupled with the wealth of historical material in the editor’s exhaustive notes, make this Texas pioneer’s autobiography a very special book.

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Empire's Edge
American Society in Nome, Alaska, 1898-1934
Preston Jones
University of Alaska Press, 2006
In 1898, Nome, Alaska, burst into the American consciousness when one of the largest gold strikes in the world occurred on its shores. Over the next ten years, Nome’s population exploded as both men and women came north to seek their fortunes. Closer to Siberia than to New York, Nome’s citizens created their own version of small-town America on the northern frontier. Less than 150 miles from the Arctic Circle, they weathered the Great War and the diphtheria epidemic of 1925 as well as floods, fires, and the Great Depression. They enlivened the Alaska winters with pastimes such as high-school basketball and social clubs. Empire’s Edge is the story of how ordinary Americans made a life on the edge of a continent—a life both ordinary and extraordinary.
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Espíritu Santo de Zúñiga
A Frontier Mission in South Texas
By Tamra Lynn Walter
University of Texas Press, 2007

San Antonio Conservation Society Citation, 2009

In the early part of the eighteenth century, the Spanish colonial mission Espíritu Santo de Zúñiga was relocated from far south Texas to a site along the Guadalupe River in Mission Valley, Victoria County. This mission, along with a handful of others in south Texas, was established by the Spaniards in an effort to Christianize and civilize the local Native American tribes in the hopes that they would become loyal Spanish citizens who would protect this new frontier from foreign incursions.

With written historical records scarce for Espíritu Santo, Tamra Walter relies heavily on material culture recovered at this site through a series of recent archaeological investigations to present a compelling portrait of the Franciscan mission system. By examining findings from the entire mission site, including the compound, irrigation system, quarry, and kiln, she focuses on questions that are rarely, if ever, answered through historical records alone: What was daily life at the mission like? What effect did the mission routine have on the traditional lifeways of the mission Indians? How were both the Indians and the colonizers changed by their frontier experiences, and what does this say about the missionization process?

Walter goes beyond simple descriptions of artifacts and mission architecture to address the role these elements played in the lives of the mission residents, demonstrating how archaeology is able to address issues that are not typically addressed by historians. In doing so, she presents an accurate portrait of life in South Texas at this time. This study of Mission Espíritu Santo will serve as a model for research at similar early colonial sites in Texas and elsewhere.

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front cover of The Evolution of a State, or, Recollections of Old Texas Days
The Evolution of a State, or, Recollections of Old Texas Days
By Noah Smithwick
University of Texas Press, 1983

"I was but a boy in my nineteenth year, and in for adventure when I started out from Hopkinsville, Kentucky, with all my worldly possessions, consisting of a few dollars in money, a change of clothes, and a gun, of course, to seek my fortune in this lazy man's paradise."

Noah Smithwick was an old man, blind and near his ninetieth year, when his daughter recorded these words. He had stayed on in "paradise"—Texas—from 1827 to 1861, when his opposition to secession took him to California. The Evolution of a State is his story of these "old Texas days."

A blacksmith and a tobacco smuggler, Noah Smithwick made weapons for the Battle of Concepción, and he fought in that battle. With Hensley's company, he chased the Mexican army south of the Rio Grande after the Battle of San Jacinto. Twice he served with the Texas Rangers. In quieter times, he was a postmaster and justice of the peace in little Webber's Prairie.

Eyewitness to so much Texas history, Smithwick recounts his life and adventures in a simple, straightforward style, with a wry sense of humor. His keen memory for detail—what the people wore, what they ate, how they worked and played— vividly evokes the sights, sounds, and smells of the frontier.

First published in part by the Dallas Morning News, Smithwick's recollections gained such popularity that they were published in book form, as The Evolution of a State, in 1900. This new edition of a Texas classic makes widely available for the first time in many years this "best of all books dealing with life in early Texas."

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front cover of Explorers and Settlers of Spanish Texas
Explorers and Settlers of Spanish Texas
By Donald E. Chipman and Harriett Denise Joseph
University of Texas Press, 2001

In Notable Men and Women of Spanish Texas, Donald Chipman and Harriett Joseph combined dramatic, real-life incidents, biographical sketches, and historical background to reveal the real human beings behind the legendary figures who discovered, explored, and settled Spanish Texas from 1528 to 1821. Drawing from their earlier book and adapting the language and subject matter to the reading level and interests of middle and high school students, the authors here present the men and women of Spanish Texas for young adult readers and their teachers.

These biographies demonstrate how much we have in common with our early forebears. Profiled in this book are:

  • Alvar Núñez Cabeza de Vaca: Ragged Castaway
  • Francisco Vázquez de Coronado: Golden Conquistador
  • María de Agreda: Lady in Blue
  • Alonso de León: Texas Pathfinder
  • Domingo Terán de los Ríos / Francisco Hidalgo: Angry Governor and Man with a Mission
  • Louis St. Denis / Manuela Sánchez: Cavalier and His Bride
  • Antonio Margil de Jesús: God's Donkey
  • Marqués de San Miguel de Aguayo: Chicken War Redeemer
  • Felipe de Rábago y Terán: Sinful Captain
  • José de Escandón y Elguera: Father of South Texas
  • Athanase de Mézières: Troubled Indian Agent
  • Domingo Cabello: Comanche Peacemaker
  • Marqués de Rubí / Antonio Gil Ibarvo: Harsh Inspector and Father of East Texas
  • Bernardo Gutiérrez de Lara / Joaquín de Arredondo: Rebel Captain and Vengeful Royalist
  • Women in Colonial Texas: Pioneer Settlers
  • Women and the Law: Rights and Responsibilities
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front cover of The Extraordinary Work of Ordinary Writing
The Extraordinary Work of Ordinary Writing
Annie Ray's Diary
Jennifer Sinor
University of Iowa Press, 2002

Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing “ordinary writing,” the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness.

Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.

The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.

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