In this richly detailed account of mass media images, David Ruth looks at Al Capone and other "invented" gangsters of the 1920s and 1930s. The subject of innumerable newspaper and magazine articles, scores of novels, and hundreds of Hollywood movies, the gangster was a compelling figure for Americans preoccupied with crime and the social turmoil it symbolized. Ruth shows that the media gangster was less a reflection of reality than a projection created from Americans' values, concerns, and ideas about what would sell.

We see efficient criminal executives demonstrating the multifarious uses of organization; dapper, big-spending gangsters highlighting the promises and perils of the emerging consumer society; and gunmen and molls guiding an uncertain public through the shifting terrain of modern gender roles. In this fascinating study, Ruth reveals how the public enemy provides a far-ranging critique of modern culture.

This is the true tale of two brothers, sons of a successful Jewish contractor, who along with an MIT graduate and a minister’s daughter once competed for headlines with John Dillinger, Pretty Boy Floyd and Bonnie and Clyde. The gang was led by the angry, violent, yet often charismatic Murton Millen, a small-time hoodlum and aspiring race-car driver. With his younger brother, Irv, and later joined by neighborhood buddy and MIT graduate Abe Faber, Murt launched a career of increasingly ambitious robberies. But it was only after his sudden marriage to the beautiful eighteen-year-old Norma Brighton that the gang escalated to murder. Their crime wave climaxed at a Needham, Massachusetts, bank on February 2, 1934, when Murt cut down two local police officers—Francis Haddock and Forbes McLeod—with a Thompson submachine gun stolen from state police. The killings, the dogged investigation by two clever detectives, and the record-setting trial with seventeen psychiatrists were national news. In Depression-era America this Boston saga of sex, ethnicity, and bloodshed made the trio and their “red-headed gun moll” infamous. Gorenstein’s account explores the Millen, Faber, and Brighton families and introduces us to cops, psychiatrists, newspaper men and women, and ordinary citizens caught up in the extraordinary Tommy Gun Winter of 1934.