A SCHOLARLY BOOK REPOSITORY31 start with G start with G
Garden as Art: Beatrix Farrand at Dumbarton Oaks features essays and photographs of this remarkable landscape as a living and breathing work of art. Published on the occasion of the centennial of the Dumbarton Oaks Gardens in 2021, the book illuminates the stewardship of one of the most beautiful gardens on earth.
Edited by Thaïsa Way, this volume includes essays from scholars and practitioners as well as photographs by landscape photographer Sahar Coston-Hardy. The essays place the garden in the context of its historical surroundings, explore its archival significance, and reflect on its effects on the world of contemporary design. Accompanying the essays is a collection of newly commissioned photographs by Coston-Hardy that document the seasons and growth in the gardens over the course of a year and that invite the reader to contemplate the art of garden design and the remarkable beauty of the natural world. Archival images of the gardens offer a chronicle of evolving design concepts as well as illustrate how gardens change over time as living works of art. Garden as Art offers an inspiring view of a place that has been remarkably influential in design and the art of landscape architecture.
This study highlights a selection of garden ornaments from Dumbarton Oaks, the Washington, D.C., estate of Mildred and Robert Woods Bliss. Drawings from Beatrix Farrand’s office and excerpts from her Plant Book for Dumbarton Oaks, combined with original period photographs, endeavor to show the stylistic sources, evolution of design, and iconography. Other works were selected that reflect an evolution of thought about the gardens and illustrate the conscious choices that were made in shaping the landscape. As Lanning Roper states in Dumbarton Oaks: A Great American Garden, “The garden ornament deserves special comment. Mrs. Bliss had made a particular study of this subject and wished to show the variety of media that can be used and often effectively combined… All ornaments are carefully placed and one is impressed both by the quality, inconspicuousness and the originality of the conception.” Garden ornaments were logical extensions of the Blisses’ collections of art objects.
Inscriptions play a significant role in the decoration of the grounds and have been included as well. The majority of them relate to the personal lives of Robert and Mildred Bliss and reflect the strong humanist tradition represented by Dumbarton Oaks.
Step into the garden with writer and rural historian Jerry Apps. In this treasure trove of tips, recollections, and recipes, Jerry combines his hard-earned advice for garden success with a discussion of how tending a garden leads to a deeper understanding of nature and the land. From planning and planting to fending off critters and weeds, he walks us through the gardening year, imbuing his story with humor and passion and once again reminding us that working even a small piece of land provides many rewards.
The Gardener’s Guide to Prairie Plants is the one-stop compendium for all gardeners aspiring to use native prairie plants in their gardens. Neil Diboll and Hilary Cox—two renowned prairie gardeners—compile more than four decades’ worth of research to offer a wide-ranging and definitive reference for starting and maintaining prairie and meadow gardens and restorations. Alongside detailed synopses of plant life cycles, meticulous range maps, and sweeping overviews of natural history, Diboll and Cox also include photographs of 148 prairie plants in every stage of development, from seedling to seedhead. North America’s grasslands once stretched from the Blue Ridge to the Rocky Mountains, and from Texas to Manitoba, blanketing the mid-continent with ecologically important, garden-worthy, native species. This book provides all the inspiration and information necessary for eager native planters from across the country to welcome these plants back to their landscapes. The Gardener’s Guide to Prairie Plants is a must-have reference for gardeners, restorationists, and every flora fan with a passion for native plants, prairies and meadows.
It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them.
Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.
This guide to moths, native plants, and their environmental roles is an indispensable resource for gardeners, conservationists, and nature enthusiasts across the midwestern United States.
Gardening for Moths is the first book to show midwestern gardeners and naturalists why they should attract specific moth species to their properties and how to do it. The book’s stunning color photographs and intriguing facts reveal the fascinating world of these insects, inspiring readers to incorporate moth-loving native plants into their landscapes. The authors emphasize the importance of moths and their caterpillars to ecological food webs, widening the book’s appeal to birders and bat lovers as well.
The book consists of three main sections, beginning with a thorough overview of moths, including their
- population decline and conservation,
- importance in ecosystems,
- relationship with native plants, and
- predators and defenses
In the next section the authors profile about 140 plant species, providing brief background, natural history, habitat, and growing notes for each along with lists of potential moths the plants may attract.
The third section highlights approximately 150 moth species, ordered taxonomically. These accounts include interesting facts about the life history of both the caterpillar and adult moth of each species. Each account also features a list of the species’ common host plants.
Throughout the volume, inset text boxes provide additional fascinating moth facts. Beautiful photographs (most by the authors) illustrate every included plant and moth species. Select references, online resources, and quick reference tables round out this valuable resource.
On the East Coast, so the story goes, newcomers are asked where they come from; on the West Coast they are asked what they do for a living; in Iowa people ask them, “How's your garden doing?” Maybe this is not a true story, but it does epitomize the importance of gardening for Iowans, blessed as they are with the rich glacial soil so hospitable to corn and soybeans. Rural and urban Iowans alike start planning next summer's garden in midwinter, when their plots are still snow-covered and deep-frozen; by state fair time their trees, shrubs, vegetables—including the ubiquitous zucchini—and flowers are thriving. Veronica Fowler's month-by-month guide to gardening in Iowa is a concise, valuable resource for all novice and experienced gardeners.
Beginning in January, Fowler presents a monthly checklist to allow gardeners to prioritize seasonal tasks. Her winter chapters focus on garden design, cold-weather gardening, and starting plants from seeds; in spring she moves into soil preparation, shopping for plants, wildflower and rose cultivation, and lawn care basics; summer brings landscaping, flowers for cutting, and organic gardening; and fall involves cold frames, winter-harvest vegetables, forcing bulbs and perennials, trees and shrubs, and ground covers and vines best suited for Iowa's climate as well as information on mail-order suppliers, gardens to visit, where to go for help, and garden club memberships. Tips from some of the more than two thousand members of the Federated Garden Clubs of Iowa round out this plentiful harvest of useful advice.
On a day in February when the wind chill is, well, chilling and the forecast calls for more of the same, the arrival of the first garden catalog of the season brings warmth to any gardener. Veronica Fowler's accessible, information-packed book will become part of every gardener's life both indoors and out.
Newcomers to the Southwest usually find that their favorite landscape plants aren't suited to the hot, dry climate. Many authors offer advice on adapting plants to the desert; now Mary Irish tells how gardeners can better adapt themselves to the challenge.
Drawing on her experience with public horticulture in the Phoenix metropolitan area, Irish explores the vexations and delights of desert gardening. She offers practical advice on plants and gardening practices for anyone who lives in the Southwest, from El Paso to Palm Springs, Tucson to Las Vegas.
Irish encourages readers who may be new to the desert—or desert dwellers who may be new to gardening—to stop struggling against heat, aridity, and poor soils and instead learn to use and appreciate the wonderful and well-adapted plants native to the desert. She shares information and anecdotes about trees, shrubs, perennials, agaves, cacti, and other plants that make gardening in the Southwest a unique experience, and provides further information about plants from other desert regions that will easily adapt to the Southwest. In addition to descriptions of plants, Irish also offers tips on planting, watering, pruning, and propagation.
For anyone who has struggled to maintain a patch of green or blanched at their water bill after unproductive irrigation, the answer to an attractive landscape may be as close as the desert around you. And for anyone who has bought a catalog guide to desert plants and not known which to choose, this book can set you on the right path. Mary Irish shows how to take heart in available plants of adaptable beauty in a book to enjoy while waiting for the next planting cycle.
Each of the seven villages in Amana relied on the food prepared in its communal kitchens, and each kitchen depended on its communal garden for most of the dishes served (the kitchens in Rettig’s hometown produced more than four hundred gallons of sauerkraut in 1900). Rettig begins by describing the evolution of communal gardening in old Amana, focusing especially on planting, harvesting, and storing vegetables from asparagus to egg lettuce to turnips. With the passing of the old order in 1932, the number of the society’s large vegetable gardens and orchards dwindled, but Larry Rettig and his wife, Wilma, still grow some of the colonies’ heirloom varieties in their fourth-generation South Amana vegetable garden. In 1980 they founded a seed bank to preserve them for future generations.
Rettig’s chapters on modern vegetable and flower gardening in today’s Amana Colonies showcase his Cottage-in-the-Meadow Gardens, now listed with the Smithsonian in its Archives of American Gardens. Old intermingles with new across his gardens: heirloom lettuce keeps company with the latest cucumber variety, a hundred-year-old rose arches over the newest daylilies and heucheras, and ancient grapevines intertwine with newly planted wisteria, all adding up to a rich array of colorful plantings.
Rettig extends his gardening advice into the kitchen and workroom. He shares family recipes for any number of traditional dishes, including radish salad, dumpling soup, Amana pickled ham, apple bread, eleven-minute meat loaf, and strawberry rhubarb pie. Moving into the workroom, he shows us how to make hammered botanical prints, Della Robbia centerpieces, holiday wreaths, a gnome home, and a waterless fountain. Touring his gardens, with their historic and unusual plants, will make gardeners everywhere want to reproduce the groupings and varieties that surround Larry and Wilma Rettig’s 1900 red brick house.
Nauseef emphasizes the need for careful planning and design to create comfortable, low-maintenance spaces that bring homeowners outside. Her designs solve problems such as a lack of privacy, shade, or sun; plan for water use; replace troublesome nonnative plants with native plants that attract pollinators; and enable homeowners to enjoy living sustainably on their land. Colorful photographs of projects around the Midwest show the wide range of possibilities, from newly created gardens using only native plants to traditional gardens that mix nonnative with native species. Whether you have a city yard, a suburban lot, or a rural acreage, there are ideas here for you, along with examples of well-designed landscapes in which native plants enhance paths, patios, pergolas, and steps.
Providing information on planting and maintaining native plants and prairies as well as seed and plant sources, organizations, and public arboretum and prairie sites, this book enables every gardener to master a new palette of plants and landforms. However small our personal landscapes, together they can slow the loss of many species of plants and wildlife and bring native flowers and grasses back where they belong. Ecologists, landscape architects and designers, master gardeners, landscape contractors, teachers, and home gardeners—everyone dedicated to conserving and improving our environment—will benefit from Nauseef’s approach.
With Gardening with Perennials horticulturalist and garden writer Noel Kingsbury brings a global perspective to the Lurie oasis through a wonderful introduction to the world of perennial gardening. He shows how perennials have much to offer home gardeners, from sustainability—perennials require less water than their annual counterparts—to continuity, as perennials’ longevity makes them a dependable staple.
Kingsbury also explains why Lurie is a perfect case study for gardeners of all locales. The plants represented in this urban oasis were chosen specifically for reliability and longevity. The majority will thrive on a wide range of soils and across a wide climatic range. These plants also can thrive with minimal irrigation, and without fertilizers or chemical control of pests and diseases. Including a special emphasis on plants that flourish in sun, and featuring many species native to the Midwest region, Gardening with Perennials will inspire gardeners around the world to try Chicago-style sustainable gardening.
Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.
With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur’an; Plato’s Academy and Epicurus’s Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt—all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.
Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison’s earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility—and its enduring importance to humanity.
"I find myself completely besotted by a new book titled Gardens: An Essay on the Human Condition, by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."—Julia Keller, Chicago Tribune
"This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."—Tom Turner, Times Higher Education
"When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight. Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I’m not sure that I’d sell my shirt for any living critic. But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study Forests: The Shadow of Civilization, published in 1992, has the true quality of literature, not of criticism—it stays with you, like an amiable ghost, long after you read it.
“Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, ‘gardeners, including Capek, understand that life is a subset of gardening.’”—Jonathan Bate, The Spectator
Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.
With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur’an; Plato’s Academy and Epicurus’s Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt—all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.
Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison’s earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility—and its enduring importance to humanity.
"I find myself completely besotted by a new book titled Gardens: An Essay on the Human Condition, by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."—Julia Keller, Chicago Tribune
"This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."—Tom Turner, Times Higher Education
"When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight. Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I’m not sure that I’d sell my shirt for any living critic. But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study Forests: The Shadow of Civilization, published in 1992, has the true quality of literature, not of criticism—it stays with you, like an amiable ghost, long after you read it.
“Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, ‘gardeners, including Capek, understand that life is a subset of gardening.’”—Jonathan Bate, The Spectator
This fascinating two-volume set includes a photographic reproduction of an anonymous seventeenth-century Italian gardener’s notebook from Dumbarton Oaks’s Rare Books Collection.
The notebook is a record of the planting of three flower gardens at San Lorenzo. It is now believed that the gardens were created for Margherita de’ Medici Farnese, duchess of Parma and Piacenza. The notebook provides insight into the creation of a seventeenth-century garden, from identifying flowers to planning flowerbeds. In turn, these sketches reveal the gardener’s own intentions and reflections on the designs.
Ada Segre’s accompanying study of the notebook is a groundbreaking example of garden archaeology. She considers its provenance and connection to the world of the duchess and her gardens. Segre also evaluates the importance of the manuscript as an object and as a source of information on garden design and practice in Italy during the mid-seventeenth century. Three computer-generated recreations of the garden’s planting beds are included with the reproduction.
Gardens have exerted a deep influence on the culture of cities. Considering each city as a whole, this book presents the profoundly different roles of gardens in cultural development and social life.
Private and princely gardens, from Roman antiquity to approximately 1850, are considered, whether in China, India, the Ottoman Empire, Europe, or the United States. Turning to the subject of planning, the dire lack of a municipal garden policy is examined in contemporary Marrakech. In-depth evaluations of parks and garden planning reveal the successes and limitations of different policies in Stockholm, Tokyo, Kerala (India), historic Suzhou (China), and the U.S. New Towns of the 1960s. This book unveils an exciting domain of interplay between public and private action that is little known by citizen groups, city planners, and managers.
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality.
Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today.
Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere.
Gardens of Heaven and Earth is a lyrical study that investigates the nature of experience, the limitations of language and ideas of the garden as both a relationship to be experienced and as a symbolic language to be read. Discussing gardens in relation to the life and writings of Emanuel Swedenborg, this short work brings a fresh perspective to the roles that gardens have played in delighting and sustaining the human condition throughout the ages.
This volume is augmented by three black-and white-illustrations and also contains a chronology of Swedenborg’s life and works, an inventory of Swedenborg’s own garden in Stockholm, a bibliography, and an index.
McLaughlin gives you all the tricks and tips you need to grow the sustainable garden of your dreams. Drawing from established traditions, such as permaculture and French intensive gardening, and McLaughlin’s hard-earned experience, The Good Garden is a joyful guide for newbies and experienced gardeners alike. It will teach you the fundamentals, including how to choose the right plant varieties for your microclimate, and proven methods to fight pests without chemicals. You will also discover the nuances of developing a green thumb, from picking species to attract specific types of pollinators to composting techniques based on time available. Lovely four-color photography will show you good gardening in action.
Most importantly, The Good Garden will help you foster a sense of meaning in your garden. Maybe the goal is to reduce food miles and plastic waste by growing delicious berries. Maybe it’s to meet neighbors who also care about the planet through a seed-swap. Maybe it’s a quiet moment patting the bunny whose manure will replace toxic fertilizers in the soil. A good garden offers endless possibilities and The Good Garden offers a wealth of knowledge and inspiration.
To understand how we got here and how the legal cannabis industry might become more environmentally sustainable, Grass Roots looks at the history of marijuana growing in the American West, from early Mexican American growers on sugar beet farms to today’s sophisticated greenhouse gardens. Over the past eighty years, federal marijuana prohibition has had a multitude of consequences, but one of the most important is also one of the most overlooked—environmental degradation. Grass Roots argues that the most environmentally negligent farming practices—such as indoor growing—were borne out of prohibition. Now those same practices are continuing under legalization.
Grass Roots uses the history of cannabis as a crop to make sense of its regulation in the present, highlighting current efforts to make the marijuana industry more sustainable. In exploring the agricultural history of cannabis, There are many social and political histories of cannabis, but in considering cannabis as a plant rather than as a drug, Grass Roots offers the only agriculturally focused history to date.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the grass-pinks and companions he includes information on 16 species, 2 additional varieties, and 7 hybrids.
Grass-pinks, with their showy pink to white flowers, are some of the most conspicuous wild orchids encountered in the prairies, bogs, and open wetlands of eastern North America. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plant with the striking photos in the backpack-friendly laminated guide should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
Featured in the 2018 film The Gardener, Les Quatre Vents in Charlevoix County, Quebec, has been acclaimed as the most aesthetically satisfying and horticulturally exciting landscape experience in North America. This twenty-acre garden seamlessly combines traditional and novel elements into a splendid composition, adorned with unexpected touches and perfectly compatible with its natural surroundings.
The Greater Perfection, first published in 2001, illustrates the delights, diversions, and surprises that await the garden’s visitors. Francis H. Cabot’s account of the challenges he faced in developing Les Quatre Vents reveals the fascinating process behind the creation of a world-class garden that has become a mecca for horticultural enthusiasts around the globe. Winner of the 2003 Annual Literature Award of the Council on Botanical and Horticultural Libraries and featuring stunning full-color images by five leading garden photographers, The Greater Perfection is one of the most beautiful books on gardens to appear in years. This new printing includes a foreword by Marianne Cabot Welch, Cabot’s daughter, that further contextualizes the gardens and explores how a place rooted in the past can confront the future.
One of the most serious threats to indigenous plants is the introduction of invasive non-native species by landscapers after new developments are built. In this unique guide, ecologist Margaret B. Gargiullo presents a detailed look at the full scope of flora that is native to this region and available for propagation. Geared specifically for landscape architects, designers, land managers, and restorationists, this book offers practical advice on how to increase the amount of indigenous flora growing in the mepolitan area, and in some cases, to reintroduce plants that have completely disappeared.
More than one hundred line drawings of plants and their specific habitats, ranging from forests to beaches, help readers visualize the full potential for landscaping in the area. A separate entry for each plant also provides detailed information on size, flower color, blooming time, and its possible uses in wetland mitigation, erosion control, and natural area restoration. Some plants are also highlighted for their ability to thrive in areas that are typically considered inhospitable to greenery.
Easily searchable by plant type or habitat, this guide is an essential reference for everyone concerned with the region's natural plant life. Since most of the plants can also be grown well beyond the New York City metropolitan area, this book will also be useful for project managers doing restoration work in most of southern New England and the mid-Atlantic region, including Pennsylvania, Delaware, and Maryland.
As the horticultural epicenter of the United States, Philadelphia and the surrounding towns, suburbs, and countryside are blessed with more public gardens in a concentrated area than almost any other region in the world. Stretching from Trenton, New Jersey through Philadelphia and down to Newark, Delaware, this area (often called the Delaware Valley) offers more horticultural riches than a visitor can possibly see even in a coupl of weeks of hectic garden-hopping.
In A GUIDE TO THE GREAT GARDENS OF THE PHILADELPHIA REGION you will find:
Detailed coverage of almost 100 gardens
Maps to indicate where area gardens are in relation to each other to plan day trip itineraries
Key information about each major garden, including hours, fees, time needed for a tour, history, acreage, and special features
Over a dozen gardens that have never before been featured in any garden guidebook
Arranged by interest, to help guide readers to gardens that will most meet their needs
Notations about historical houses, cafes/restaurants, gift shops, and chidren's features at each major garden
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