Brian Sousa leaves sentiment and saudade behind in Almost Gone, a linked collection spanning four generations of a Portuguese immigrant family. In this hardscrabble world, the youth struggle with the secrets left behind by their elders, as their parents fought through the pain and joy of assimilation. Told through various perspectives, Almost Gone is a working-class tale of survival that finds no easy answers, but cuts straight to the bone.

In his fifth poetry collection, Gaspar's poems are spacious and awake, in touch with faith and anxiety, and unafraid to wander. These poems are multi-layered with Judeo-Christian allusions and metaphysical images of faith.

Renata Ferreira's poems were composed in the final years of Portugal's fascist regime, exposing and subverting the government's draconian edicts against women's rights, sexual freedoms, political dissent, and progressive thought. While she worked in the resistance as a clandestine writer, passing hand-typed bulletins and banned literature throughout Lisbon, her poetry is unmistakably ardent, tender, fraught, erotic, and Sapphic. Presenting the poems of this Portuguese-­American writer and detailing their surprising rediscovery in 2015, Frank X. Gaspar fuses genres, flouts borders, and brings to life a voice that had been silenced by history and happenstance. As his inventive narrative unfolds, Ferreira emerges, whole and mysterious, offering up her history, her passions, and her art.