front cover of A Genealogy of the Gentleman
A Genealogy of the Gentleman
Women Writers and Masculinity in the Eighteenth Century
Mary Beth Harris
University of Delaware Press, 2024
A Genealogy of the Gentleman argues that eighteenth-century women writers made key interventions in modern ideals of masculinity and authorship through their narrative constructions of the gentleman. It challenges two latent critical assumptions: first, that the gentleman’s masculinity is normative, private, and therefore oppositional to concepts of performance; and second, that women writers, from their disadvantaged position within a patriarchal society, had no real means of influencing dominant structures of masculinity. By placing writers such as Mary Davys, Eliza Haywood, Charlotte Lennox, Elizabeth Inchbald, and Mary Robinson in dialogue with canonical representatives of the gentleman author—Joseph Addison and Richard Steele, David Hume, Samuel Johnson, and Samuel Richardson—Mary Beth Harris shows how these women carved out a space for their literary authority not by overtly opposing their male critics and society’s patriarchal structure, but by rewriting the persona of the gentleman as a figure whose very desirability and appeal were dependent on women’s influence. Ultimately, this project considers the import of these women writers’ legacy, both progressive and conservative, on hegemonic standards of masculinity that persist to this day.
 
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The Gentleman from Illinois
Stories from Forty Years of Elective Public Service
Alan J. Dixon
Southern Illinois University Press, 2013
In 1993, Alan J. Dixon’s political career came to an end with a defeat—the first one in his forty-three years of elected service. Beginning his legislative career in 1950 as a Democrat in the Illinois House of Representatives, Dixon also served in the Illinois State Senate, worked as state treasurer and secretary of state, and concluded his political career as a U.S. senator. The Gentleman from Illinois is an insider’s account of Illinois politics in the second half of the twentieth century, providing readers with fascinating stories about the people he encountered and events he participated in and witnessed during his four decades of service.
 
With a degree of candor often unheard of in political memoirs, The Gentleman from Illinois reveals Dixon’s abilities as a storyteller. At times chatty and self-effacing, Dixon pulls no punches when it comes to detailing the personalities of major political figures—such as Mayor Richard J. Daley, Adlai Stevenson, Paul Simon, and presidents of the United States. Indeed, he uses this same honest approach when examining himself, fully describing the setbacks and embarrassing moments that peppered his own life.
 
As a moderate Democrat who regularly crossed party lines in his voting and his views, Dixon also shares his thoughts on the proper way to run a government, the difficulties of passing legislation, the balancing act required to be a statewide official, and other valuable observations on local, state, and national politics. Full of behind-the-scenes insights presented in 121 short vignettes, The Gentleman from Illinois entertains as much as it informs, making it a necessary book for everyone interested in Illinois politics.
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The Gentleman from Ohio
Louis Stokes with David Chanoff
The Ohio State University Press, 2016
Louis Stokes was a giant in Ohio politics and one of the most significant figures in the U.S. Congress in recent times. When he arrived in the House of Representatives as a freshman in 1969, there were only six African Americans serving. By the time he retired thirty years later, he had chaired the House Special Committee on the Kennedy and King assassinations, the House Ethics Committee during Abscam, and the House Intelligence Committee during Iran-Contra; he was also a senior member of the powerful House Appropriations Committee.
 
Prior to Louis Stokes’s tenure in Congress he served for many years as a criminal defense lawyer and chairman of the Cleveland NAACP Legal Redress Committee. Among the Supreme Court Cases he argued, the Terry “Stop and Frisk” case is regarded as one of the twenty-five most significant cases in the court’s history. The Gentleman from Ohio chronicles this and other momentous events in the life and legacy of Ohio’s first black representative—a man who, whether in law or politics, continually fought for the principles he believed in and helped lead the way for African Americans in the world of mainstream American politics.
 
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Gentleman in the Outdoors
Sessions S Wheeler
University of Nevada Press, 1985

front cover of Gentleman in the Shadows
Gentleman in the Shadows
Benjamin C. Evans Jr. and the Central Intelligence Agency
Douglas A. Wissing
Indiana Historical Society Press, 2019
Gentleman in the Shadows is a biography of Benjamin C. Evans Jr., a Central Intelligence Agency executive who operated at the top levels of the U.S. intelligence community during the darkest days of the Cold War. After serving as a covert case officer in revolutionary Havana, Cuba, and then managing The Asia Foundation, a sprawling CIA front organization, Evans was promoted to the CIA headquarters’ seventh floor, where the executive directorate team managed world-changing intelligence missions. A socially adept administrator, Evans was the CIA Executive Secretary for seven Directors of Central Intelligence under four presidential administrations. Evans was part of the tumultuous period that included America’s crusade to democratize Occupied Japan, the Korean War, nuclear standoffs with the Soviet Union, the anti-Castro counterrevolutionary movement that climaxed in the Bay of Pigs invasion, the Vietnam War, Watergate, and the Family Jewels furor after the CIA’s dirty secrets were revealed. Through his marriage, Evans was a member of America’s elite, which figured so prominently in the U.S. intelligence services. Born and raised in a prosperous family in Crawfordsville, Indiana, Evans was imbued with conservative Hoosier values that celebrated servant-leadership. Following his graduation from the U.S. Military Academy at West Point, Evans’s social savvy and encultured mores stood him in good stead in Occupied Japan, where he served as aide-de-camp to General Eugene Harrison, a decorated World War II intelligence officer and Occupation administrator. It was in Occupied Japan that Evans and the general’s stepdaughter, Jan King, fell in love, and later married. When President Harry Truman recognized he needed a foreign intelligence service, General Harrison was on the commission that established what came to be the CIA. Not too many years later, Harrison and his cohorts insured that his son-in-law Evans, by then a respected military intelligence officer, was offered a position in the agency.CIA families not uncommonly led double lives of sequestered thoughts, unasked questions, and intimate deception. An empathetic family man, Evans paid a psychological price for his emotionally isolated life in the clandestine service.Gentleman in the Shadows is a biography of Benjamin C. Evans Jr., a Central Intelligence Agency executive who operated at the top levels of the U.S. intelligence community during the darkest days of the Cold War. After serving as a covert case officer in revolutionary Havana, Cuba, and then managing The Asia Foundation, a sprawling CIA front organization, Evans was promoted to the CIA headquarters’ seventh floor, where the executive directorate team managed world-changing intelligence missions. A socially adept administrator, Evans was the CIA Executive Secretary for seven Directors of Central Intelligence under four presidential administrations. Evans was part of the tumultuous period that included America’s crusade to democratize Occupied Japan, the Korean War, nuclear standoffs with the Soviet Union, the anti-Castro counterrevolutionary movement that climaxed in the Bay of Pigs invasion, the Vietnam War, Watergate, and the Family Jewels furor after the CIA’s dirty secrets were revealed. Through his marriage, Evans was a member of America’s elite, which figured so prominently in the U.S. intelligence services. Born and raised in a prosperous family in Crawfordsville, Indiana, Evans was imbued with conservative Hoosier values that celebrated servant-leadership. Following his graduation from the U.S. Military Academy at West Point, Evans’s social savvy and encultured mores stood him in good stead in Occupied Japan, where he served as aide-de-camp to General Eugene Harrison, a decorated World War II intelligence officer and Occupation administrator. It was in Occupied Japan that Evans and the general’s stepdaughter, Jan King, fell in love, and later married. When President Harry Truman recognized he needed a foreign intelligence service, General Harrison was on the commission that established what came to be the CIA. Not too many years later, Harrison and his cohorts insured that his son-in-law Evans, by then a respected military intelligence officer, was offered a position in the agency.CIA families not uncommonly led double lives of sequestered thoughts, unasked questions, and intimate deception. An empathetic family man, Evans paid a psychological price for his emotionally isolated life in the clandestine service.
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front cover of Ladies & Gentleman, The Original Music
Ladies & Gentleman, The Original Music
Of The Hebrew Alphabet And Weekend In Mustarra
Curt Leviant
University of Wisconsin Press, 2002
Filled with Curt Leviant's signature blend of humor and drama, these two enchanting and original novellas lure readers into a dazzling storybook world.
    "Ladies and Gentlemen, the Original Music of the Hebrew Alphabet" is set in Budapest during the Communist era. The story focuses on the tenuous seesaw between Dr. Isaac Gantz, a musicologist, and engineer Ferdinand Friedman, a Holocaust survivor who believes that he possesses one of the greatest manuscripts of the ages, a Rosetta Stone of Judaica. Friedman is willing to share it—but there is a "but." In pursuing this prize, Gantz enters a world of strange human relationships filled with doubts and surprises. A vibrant cast of characters adds dimension to this gripping story in which Jewish folklore, music, and history coalesce.
    "Weekend in Mustara" unfolds on the fictional island of Mustara in southern Europe, a mountainous, totalitarian country that tolerates Judaism. Its few Jews cling to their heritage, embodied in their beautiful but sparsely attended synagogue and their museum, where a great memorial book is inscribed with the names of all Mustara Jews martyred during World War II. A scholar of medieval Hebrew manuscripts comes to the island, searching for traces of Yehuda Halevi, the great Hebrew poet of the Spanish Golden Age. He is soon enmeshed among elusive personalities and tangled loyalties, but only when he finds himself displaced in time—in a kind of theater of the absurd—are the purposes of his journey finally realized.
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Magnus Felix Ennodius
A Gentleman of the Church
S. A. H. Kennell
University of Michigan Press, 2000
Magnus Felix Ennodius (474-521), deacon of Milan and bishop of Pavia in the turbulent years after the fall of the Roman Empire in the West, was a prolific writer of letters, poetry, speeches, and pamphlets on the controversies that beset the church in his day. In the Middle Ages, he was read as a model of style and source of canon law. More recently, however, Ennodius' writings have been denigrated as the vapid product of a frivolous mind more concerned with form than content. Magnus Felix Ennodius: A Gentleman of the Church sets the record straight by restoring Ennodius to his social and literary context. Ennodius stands revealed as a man on the cusp of the ancient and medieval worlds, his thought still shaped according to classical norms, but his writings informed with a sensibility that prefigures that of the Christian Middle Ages. As the only book-length study of Ennodius, here the author explores all aspects of Ennodius' life and literary production to augment the collective understanding of him on two major fronts, rhetoric and meaning, so that he can take his place as an important author and historical figure. Deeply insightful, and refreshingly original, the author breaks new ground in studying this period of history, so often overshadowed by the classical and middle ages that immediately precede and succeed it.
S. A. H. Kennell is Adjunct Professor of Classics, Memorial University of Newfoundland.
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front cover of A Player and a Gentleman
A Player and a Gentleman
The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor
Edited by Amy E. Hughes and Naomi J. Stubbs
University of Michigan Press, 2018

Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.

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