front cover of The Agony of the Ghost
The Agony of the Ghost
And Other Stories
Hasan Azizul Huq
Seagull Books, 2018
Hasan Azizul Huq is known for his stories that bring a powerful social consciousness to bear on the lives of ordinary people in contemporary Bangladesh—but doing so with surprising twists to what we think of as the typical grounds of realistic fiction. The Agony of the Ghost gathers twelve remarkable stories from his large oeuvre that offer a sense of the range of his insights and approaches. In “Without Name or Lineage,” a man returns home in search of his wife and son after the war, only to find them in ways both unexpected and expected. “The Sorcerer” finds a sorcerer dying without revealing his secrets to three brothers who had been trying to compel him to tell—and strange deaths follow. In “ Throughout the Afternoon,” a disarmingly simple story, a young boy awaits his grandfather’s death. In all the stories, the lives of the most disadvantaged people in Bengali society are revealed in harrowing, unforgettable detail.

front cover of The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art
The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art
Matthew Kirkpatrick
Acre Books, 2019

A strange museum, an even stranger curator, the deceased artist who haunts him, and the mystery surrounding the museum founders’ daughter, lost at sea as a child . . . The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art is by turns a dark comedy, a ghost story, a romance, a whodunit, a family saga, and an exhibition catalog.

Through museum exhibit labels, as well as the interior musings of an elderly visitor wandering through its galleries, the novel’s numerous dramas gradually unfold. We learn of the powerful Seagrave family’s tragic loss of their daughter, the suspicious circumstances surrounding her disappearance during a violent storm, and of the motley conclave of artists (some accomplished, some atrocious) who frequented the Seagrave estate, producing eclectic bodies of work that betray the artists’ own obsessions, losses, and peculiarities. We learn about the curator’s rise to power, his love affair with a deeply troubled ghost—and when a first-time visitor to the museum discovers unexpected connections between the works on exhibit and her painful past, we are plunged into a meditation on the nature of perception, fabrication, memory, and time.


front cover of The Boo Baby Girl
The Boo Baby Girl
Meets the Ghost of Mable's Gable
Jim May
Parkhurst Brothers, Inc., 2014
Horror overcome by humor in a classic tale retold by a modern storyteller

Something of a quest story for the picture book set, this playful horror tale sets young protagonists against “the Ghost of of Mable’s Gable.”  In Jim May’s version of a story from children’s folklore, eighth grade boys swagger but fail, only to be followed by outdone by an unlikely heroine, “the Boo Baby Girl,” a toddler who will not be denied.

front cover of The Businessman
The Businessman
A Tale of Terror
Thomas M. Disch
University of Minnesota Press, 2010
The Businessman presents the sinister tale of Bob Glandier, a morally repulsive Twin Cities executive who murders his estranged wife and attempts to go back to business as usual, until she returns sets about arranging his divine retribution. With help from her dead mother and the ghost of poet John Berryman-thoroughly bored of suburban séances and all too eager to lend a hand-Giselle undertakes the elaborate, righteous, and wickedly amusing haunting of her husband. There is justice in the afterlife after all-at least in Minnesota.

front cover of Everything That Hurt Us Becomes a Ghost
Everything That Hurt Us Becomes a Ghost
Sage Ravenwood
Gallaudet University Press, 2023
Sage Ravenwood is a deaf Indigenous poet whose work deals with the lingering, resurgent trauma of familial violence and the machinations of colonialism. Everything That Hurt Us Becomes a Ghost is a poet’s response to her place in the wider world, exploring grief, anger, tenderness, and defiance. Ravenwood sheds light on Indigenous issues such as MMIW (Missing and Murdered Indigenous Women) and the Native American boarding schools, but she also makes space to center the natural world and her reverence of it. The poems in this collection are unafraid to name rage and pain as driving emotions yet strive for understanding and a way forward to healing.

front cover of The Ghost in the Little House
The Ghost in the Little House
A Life of Rose Wilder Lane
William Holtz
University of Missouri Press, 1995
Laura Ingalls Wilder is one of the most beloved children’s authors of all time, but William Holtz contends that she may not have been the sole author of the Little House series that bore her name. While Laura’s life did serve as the inspiration for the books, Holtz believes that her daughter, Rose Wilder Lane, actually took her mother’s memoirs and refurbished them into the novels that would be read by millions. In this captivating biography, Holtz chronicles Rose’s life from childhood, to travels abroad that began at age seventeen, and finally back home to Missouri in her mid-thirties where she would fine tune her mother’s writing. Holtz does not write to expose Laura as a fraud, but instead The Ghost in the Little House explains that Laura’s books were more of a collaborative effort than anyone knew.

logo for University of Chicago Press
A Ghost in Trieste
Joseph Cary
University of Chicago Press, 1993
Gem of the Adriatic, Trieste sparkled and beckoned through the pages of poets and novelists. Drawn there in search of literary ghosts, of the poet Umberto Saba and the novelists Italo Svevo and James Joyce, Joseph Cary found instead a city with an imaginative life of its own, the one that rises, tantalizing from the pages of this book. The story of Cary's travels, A Ghost in Trieste, is also a tale of discovery and transformation, as the bustling world of port and airplane, baggage and trams and trains becomes the landscape of history and literature, language and art, psychoanalysis and the self.

Here is the crossroads of East and West. A port held in turn by the Romans, the Venetians, the Austrians, the Germans, the Slavs, and finally the Italians, Trieste is the capital of nowhere, fertile source of a unique literary florescence before the First World War. At times an exile home and an exiled city. "I cannot claim to have walked across it all,:" wrote Saba, the poet of Trieste in 1910 of the city Cary crosses and recrosses, seeking the poetry of the place that inspired its literary giants. Trieste's cultural and historical riches, its geographical splendor of hills and sea and mysterious presence unfold in a series of stories, monologues and literary juxtapositions that reveal the city's charms as well as its seductive hold on the writer's imagination. Throughout, literary and immediate impressions alike are elaborated in paintings and maps, and in handsome line drawings by Nicholas Read.

This "clownish and adolescent Parsifal," this Trieste of the "prickly grace," this place "impaled in my heart like a permanent point," this symbol of the Adriatic, this "city made of books" — here the book remakes the city. The Trieste of allusions magically becomes a city of palpable allure, of warmth and trying contradictions and gritty beauty. Part travel diary, part guide book, part literary history, A Ghost in Trieste is a brilliant introduction to an extraordinary time and place. In Joseph Cary, Trieste has found a new poet, and readers, a remarkably captivating companion and guide.

front cover of Ghost Of
Ghost Of
Diana Khoi Nguyen
Omnidawn, 2018
Ghost Of is a mourning song, not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: memory, physical voids, and her family captured around an empty space.

front cover of The Ghost of Bud Parrott
The Ghost of Bud Parrott
a novel
Judson N Hout
Parkhurst Brothers, Inc., 2010

A teen’s life is complicated.  Add an overworked dad, a distraught mom.
Enter an old man from the wrong side of the tracks.
He knows things.  He’s there when you need him.
This happens to someone; it’s not a maybe thing.  People get hurt.  People die.  There’s a dad who loves his kid but works all the time.  When he doesn’t work, he drinks.  When he drinks he’s out of control.

There’s a mom.  She knows dad is overworked, a good man carrying too much responsibility. 

The kid turns to the handy man to learn a man’s skills.  In the old man from the wrong side of the tracks, the kid finds unusual skills and terrible—but true—lessons.  He finds that his own safety comes at a cost to his unfortunate friend.  He finds growing up comes at a cost to himself.  This is the story of such a kid, told by himself after he has lived much of his life, come to terms with his parents’ weaknesses, and learned that seemingly insignificant people carry more pain than he can imagine, though he has already seen plenty.


front cover of The Ghost of Equality
The Ghost of Equality
The Public Lives of D. D. T. Jabavu of South Africa, 1885–1959
Catherine Higgs
Ohio University Press, 1996

Davidson Don Tengo Jabavu was born in the Cape Colony in British southern Africa on October 20, 1885, when a few African men could vote and the prospects for black equality with the ruling whites seemed promising. He died on August 3, 1959, in the Cape Province of the Union of South Africa, eleven years after the apartheid state had begun stripping blacks of their rights and exorcising the ‘ghost of equality’ with a completeness unparalleled in the country’s history. The ‘ghost of equality was the last vestige of the Cape liberal tradition — itself best summed up by the dictum ’equal rights for all civilized men‘ — finally erased in 1959 with the passage of legislation that would, the following year, remove from parliament the last elected white representatives of Africans.…

If D.D.T. Jabavu’s life reveals anything about South Africa’s political history, it is that this history was not monolithic. It was not simply a lengthly confrontation between a black elite represented by the African National Congress and the white segregationist state. Rather, there was a range of black political opinion and activity, of which Jabavu, an active participant in virtually every government-sponsored and every major extraparliamentary conference between 1920 and the late 1940s, represented one prominent historical strain.

This book, however, is about more than D.D.T. Javavu’s politics; it is about his public life, or perhaps more accurately, his public lives. The book is arranged thematically, divided according to the parts Jabavu played: student, teacher, Methodist, and politician.

— from the introduction by the author


front cover of The Ghost of John Wayne
The Ghost of John Wayne
and Other Stories
Ray Gonzalez
University of Arizona Press, 2001

The vast Texas borderland is a place divided, a land of legends and lies, sanctification and sinfulness, history and amnesia, haunted by the ghosts of the oppressed and the forgotten, who still stir beneath the parched fields and shimmering blacktops. It is a realm filled with scorpion eaters and mescal drinkers, cowboys and Indians, Anglos and Chicanos, spirit horses and beat-up pickups, brujos and putas, aching passion and seething rage, apparitions of the Virgin and bodies in the Rio Grande.

In his first collection of short fiction, award-winning poet, editor, and anthologist Ray Gonzalez powerfully evokes both the mystery and the reality of the El Paso border country where he came to manhood.

Here, in a riverbed filled with junked cars and old bones, a young boy is given a dark vision of a fiery future. Under the stones of the Alamo, amid the gift shops and tour buses, the wraiths of fallen soldiers cry out to be remembered. By an ancient burial site at the bottom of a hidden canyon, two lovers come face to face with their own dreams and fears.

In these stories, Ray Gonzalez is a literary alchemist, blending contemporary culture with ancient tradition to give a new voice to the peoples of the border.


front cover of The Ghost of Karl Marx
The Ghost of Karl Marx
Ronan de Calan and Donatien Mary
Diaphanes, 2015
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

                In The Ghost of Karl Marx, the philosopher is saddened when the town weavers must sell their cloth cheaply to compete with machines. The farmers too cannot sell their crops and have no money to buy new seeds. Forced to leave their work, the townspeople form an angry crowd in front of the factories, but what is to be done when there are so many hungry people and so few jobs to pay for food to eat? Concealed in one of the weavers’ sheets, the philosopher makes a solemn vow to give this story a happy ending by finding the Market, that infernal magician, and ridding the town of him once and for all.
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.

front cover of The Ghost of Meter
The Ghost of Meter
Culture and Prosody in American Free Verse
Annie Finch
University of Michigan Press, 2000

The Ghost of Meter: Culture and Prosody in American Free Verse provides a new strategy for interpreting the ways in which metrical patterns contribute to the meaning of poems. Annie Finch puts forth the theory of "the metrical code," a way of tracing the changing cultural connotations of metered verse, especially iambic pentameter. By applying the code to specific poems, the author is able to analyze a writer's relation to literary history and to trace the evolution of modern and contemporary poetries from the forms that precede them.

Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.

Author bio:
Annie Finch, poet, editor, and critic, has published twenty books of poetry and poetics including Spells: New and Selected Poems, The Body of Poetry: Essays on Women, Form, and the Poetic Self,  An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, A Poet's Craft: A Comprehensive Guide to Making and Sharing Your Poetry, and The Ghost of Meter: Culture and Prosody in American Free Verse.  Based in New York, Dr. Finch travels widely to teach and perform her poetry and is the founder of, where she teaches poetry, meter, and more. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.


front cover of The Ghost of Monsieur Scarron
The Ghost of Monsieur Scarron
Janet Lewis
Ohio University Press, 2013

This historical novel is the third and final book in American poet and fiction writer Janet Lewis’s Cases of Circumstantial Evidence series, based on legal case studies compiled in the nineteenth century. In The Ghost of Monsieur Scarron, Lewis returns to her beloved France, the setting of The Wife of Martin Guerre, her best-known novel and the first in the series. As Swallow Press executive editor Kevin Haworth relates in a new introduction, Monsieur Scarron shifts the reader into the center of Paris in 1694, during the turbulent reign of the Sun King, Louis XIV. The junction of this time and place gives Monsieur Scarron an intriguing political element not apparent in either The Wife of Martin Guerre or The Trial of Sören Qvist.

The Ghost of Monsieur Scarron begins in a small bookbinder’s shop on a modest Paris street, but inexorably expands to encompass a tumultuous affair, growing social unrest, and the conflicts between a legal system based on oppressive order and a society about to undergo harsh changes. With its domestic drama set against a larger political and historical backdrop, Monsieur Scarron is considered by some critics and readers to be the most intricately layered and fully realized book of Lewis’s long career. Originally published in 1959, Monsieur Scarron has remained in print almost continuously ever since.


front cover of The Ghost of Namamugi
The Ghost of Namamugi
Charles Lenox Richardson and the Anglo-Satsuma War
Robert Fletcher
Amsterdam University Press, 2019
In 1862, a British merchant was killed by samurai at Namamugi, a quiet village near Yokohama. One year later, a British fleet bombarded Kagoshima to extract reparations, reducing much of this south-western city to ash. This captivating re-telling, locates the story firmly within the wider context of British imperial expansion in East Asia.

front cover of The Ghost of the Executed Engineer
The Ghost of the Executed Engineer
Technology and the Fall of the Soviet Union
Loren Graham
Harvard University Press, 1993

Stalin ordered his execution, but here Peter Palchinsky has the last word. As if rising from an uneasy grave, Palchinsky’s ghost leads us through the miasma of Soviet technology and industry, pointing out the mistakes he condemned in his time, the corruption and collapse he predicted, the ultimate price paid for silencing those who were not afraid to speak out. The story of this visionary engineer’s life and work, as Loren Graham relates it, is also the story of the Soviet Union’s industrial promise and failure.

We meet Palchinsky in pre-Revolutionary Russia, immersed in protests against the miserable lot of laborers in the tsarist state, protests destined to echo ironically during the Soviet worker’s paradise. Exiled from the country, pardoned and welcomed back at the outbreak of World War I, the engineer joined the ranks of the Revolutionary government, only to find it no more open to criticism than the previous regime. His turbulent career offers us a window on debates over industrialization. Graham highlights the harsh irrationalities built into the Soviet system—the world’s most inefficient steel mill in Magnitogorsk, the gigantic and ill-conceived hydroelectric plant on the Dnieper River, the infamously cruel and mislocated construction of the White Sea Canal. Time and again, we see the effects of policies that ignore not only the workers’ and consumers’ needs but also sound management and engineering precepts. And we see Palchinsky’s criticism and advice, persistently given, consistently ignored, continue to haunt the Soviet Union right up to its dissolution in 1991.

The story of a man whose gifts and character set him in the path of history, The Ghost of the Executed Engineer is also a cautionary tale about the fate of an engineering that disregards social and human issues.


front cover of Ghost of the Ozarks
Ghost of the Ozarks
Murder and Memory in the Upland South
Brooks Blevins
University of Illinois Press, 2012
In 1929, in a remote county of the Arkansas Ozarks, the gruesome murder of harmonica-playing drifter Connie Franklin and the brutal rape of his teenaged fiancée captured the attention of a nation on the cusp of the Great Depression. National press from coast to coast ran stories of the sensational exploits of night-riding moonshiners, powerful "Barons of the Hills," and a world of feudal oppression in the isolation of the rugged Ozarks. The ensuing arrest of five local men for both crimes and the confusion and superstition surrounding the trial and conviction gave Stone County a dubious and short-lived notoriety.
Closely examining how the story and its regional setting were interpreted by the media, Brooks Blevins recounts the gripping events of the murder investigation and trial, where a man claiming to be the murder victim--the "Ghost" of the Ozarks--appeared to testify. Local conditions in Stone County, which had no electricity and only one long-distance telephone line, frustrated the dozen or more reporters who found their way to the rural Ozarks, and the developments following the arrests often prompted reporters' caricatures of the region: accusations of imposture and insanity, revelations of hidden pasts and assumed names, and threats of widespread violence. Locating the past squarely within the major currents of American history, Ghost of the Ozarks: Murder and Memory in the Upland South paints a convincing backdrop to a story that, more than 80 years later, remains riddled with mystery.

front cover of The Ghost Trio
The Ghost Trio
Clyde Derrick
Omnidawn, 2022
A story set in Prague that crosses the lines between the living and the dead.
The great love of your life is dead, but that doesn’t stop him from communicating with you—or luring you to join him in the afterlife. To remain safe in this world, you accept the help of a professional medium who develops his own emotional agenda.
The Ghost Trio that emerges takes us to pre- and post-World War II Prague where a poignant and chilling love triangle finds its resolution. There we meet great Czech creators of the past including Leoš Janácek and Karel Capek. Inspired by the ghost stories of Henry James and Daphne du Maurier, Clyde Derrick introduces three characters whose passions defy time and the accepted boundaries between the dead and the living. The author, who has lived in and visited purportedly haunted sites in advance of writing this novella, contends that this story and its characters found him. Meanwhile, his portrayal of two Pragues—one poised to fall to Hitler’s army, the other muted by Communist oppression—offers us insights into the past and reminds us to stay vigilant against dangerous politics. The Ghost Trio is a spiritual excursion in which we ponder the limitations and hazards of romantic love as well as the possibility of other lives in other times.
The Ghost Trio is the winner of the 2020 Omnidawn Fabulist Fiction Chapbook / Novelette Contest, chosen by Molly Gloss.

front cover of Instructions for Seeing a Ghost
Instructions for Seeing a Ghost
Steve Bellin-Oka
University of North Texas Press, 2020

front cover of Jeffrey Introduces Thirteen More Southern Ghosts
Jeffrey Introduces Thirteen More Southern Ghosts
Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 2015
A commemorative facsimile edition of the beloved and best-selling second book in famed national folklorist Kathryn Tucker Windham’s southern ghosts series

Jeffrey was the resident apparition in the Selma, Alabama, home of nationally-known folklorist Kathryn Tucker Windham and the inspiration for Windham’s best-selling collection of macabre tales that reveal two hundred years of Alabama’s ghostly secrets, Thirteen Alabama Ghosts and Jeffrey. One of the most popular books ever published in the state, generations of Alabama children and students have been thrilled and chilled by Windham’s spectral legends.
Following the overwhelming success of Thirteen Alabama Ghosts and Jeffrey, Windham and Jeffrey began to journey across the South assembling a second collection of ghastly tales that repeat Windham’s winning combination of traditional folklore, Southern history and culture, and family-friendly story-telling. In Jeffrey Introduces Thirteen More Southern Ghosts, Windham’s disembodied friend roams the states of Kentucky, Tennessee, Georgia, Mississippi, Louisiana, and Florida to recall thirteen more timeless, spine-tingling tales of baneful and melancholy spirits that spook the most stoic heart.
Opening this volume is “The Girl Nobody Knew.” One midsummer night in the genteel Kentucky mineral spring resort of Harrodsburg, a beautiful lady arrived at the town’s grand hotel. The belle danced late into the night with the town’s smitten gallants only to expire suddenly with the notes of the last quadrille. The spooked residents of Harrodsburg guard a grave you can see to this day. Readers then visit the world-famous Bell Witch of Robinson County, Tennessee. Jeffrey also makes his first trip to old New Orleans to reveal a revenant in residence on Royal Street before continuing his ghostly progress across Dixie.
This new edition returns Jeffrey Introduces Thirteen More Southern Ghosts to its original format in jacketed cloth full of original, black-and-white illustrations in a handsome keepsake edition perfect for gift-giving and for families, folklorists of all ages, and libraries. 

front cover of Jeffrey's Latest Thirteen
Jeffrey's Latest Thirteen
More Alabama Ghosts, Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 2016
A deluxe, commemorative edition of a beloved collection of ghostly stories from famed southern author and folklorist Kathryn Tucker Windham’s home state of Alabama

Accompanied by her faithful companion, Jeffrey, a friendly spirit who resided in her home in Selma, Alabama, Kathryn Tucker Windham traveled the South, visiting the sites of spectral legends in Mississippi, Georgia, and Tennessee, among other places. In Jeffrey’s Latest Thirteen: More Alabama Ghosts, a sequel to her landmark Thirteen Alabama Ghosts and Jeffrey, Windham introduces readers to thirteen more of Jeffrey's ghostly acquaintances, each with the charm and universal appeal that has created hundreds of thousands of Jeffrey fans.
Among the other hair-raising tales in this collection, Windham spotlights the apparitions of academia. From the three Yankee soldiers who haunt the University of Alabama’s Civil War–era Little Round House to the Confederate soldier who resides in the University Chapel at Auburn University, Alabama’s institutions of higher learning seem to have more than a few paranormal pupils.
Photographs of the sites about which Windham writes are one of the best-loved features of her series of “Jeffrey the Ghost” books. Jeffrey’s Latest Thirteen features the image of a beautiful child who, though not photographed in life, reappeared long enough to be photographed with his bereaved father's borrowed camera. Bewitched readers will find the startling photograph of the child in the next-to-last chapter, just pages before he book’s photograph of Windham’s own spectral muse, Jeffrey.
This commemorative edition returns Windham’s thrilling classic to its original 1982 keepsake quality and includes a new afterword by the author’s children.

front cover of Luminaries
Kristin Keane
Omnidawn, 2021
Agnes has been drifting away from herself. People look through her, her husband doesn’t understand her, and lately, she’s begun losing the sensations in her body. When a tube of shoplifted lipstick awakens her back to life, an impulse for stealing emerges that leads her to a court-ordered service at a camp for grieving children. While initially hoping only that the time there will help her give up stealing, Agnes soon learns that she can use objects to connect grieving children with the spirits of their parents. She must navigate the choice between using her compulsion for her own pleasure and helping the bereaved. Luminaries is about the things we take and about the things that are taken from us. It asks what it means to exist in lives filled with loss, to reach for the things we hope will restore us, and the risks we’re willing to take to ward off yearning—both in our material lives and social lives.

Luminaries is the winner of the Omnidawn Fabulist Fiction Novelette/Chapbook Prize, selected by Kellie Wells.

front cover of The Machine in the Ghost
The Machine in the Ghost
Digitality and Its Consequences
Robin Boast
Reaktion Books, 2017
We live in a digital age, buy and sell in a digital economy, and consume—oh do we consume—digital media. The digital lies at the heart of our contemporary, information-heavy, media-saturated lives, and although we may talk about the digital as a cultural phenomenon, the thing itself—digitality—is often hidden to us, a technology that someone else has invented and that lives buried inside our computers, tablets, and smartphones. In this book, Robin Boast follows the video streams and social media posts to their headwaters in order to ask: What, exactly, is the digital?
Boast tackles this fundamental question by exploring the origins of the digital and showing how digital technology works. He goes back to 1874, when a French telegraph engineer, Jean-Maurice-Émile Baudot, invented the first means of digital communication, the Baudot code. From this simple 5-bit code, Boast takes us to the first electronic computers, to the earliest uses of graphics and information systems in the 1950s, our interactions with computers through punch cards and programming languages, and the rise of digital media in the 1970s.Via various and sometimes unanticipated historical routes, he reveals the foundations of digitality and how it has flourished in today’s explosion of technologies and the forms of communication and media they enable, making real the often intangible force that guides so much of our lives.

front cover of Spirits and Wine
Spirits and Wine
Susan Newhof
University of Michigan Press, 2014

"A graceful, elegantly told ghost story that is at times frightening, at times heartwarming, often quite funny, and always an engrossing and fascinating read."
---Rodney Vaccaro, Emmy Award–winning Hollywood screenwriter and producer

"I started Friday night and got up Saturday morning with a desire to get back to it to finish. In my experience, if I wake up and the first thing on my mind is getting back to a book, it's a good book."
---Bryan Uecker, co-owner of The Book Nook & Java Shop, Montague, Michigan

"A spellbinding mystery of timeless love, loss, and a house that held all the answers. I couldn't put it down." 
---Judith Evans Thomas, coauthor of the Born to Shop travel books

"Living in a 100-year old Michigan farmhouse myself, I was totally pulled into the real possibilities Newhof's characters found themselves in. Ghosts and real life haunts made for a compelling read."
---Robbyn Smith van Frankenhuyzen, author of the series Hazel Ridge Farm Stories

"Spirits and Wine is a can't-put-down novel that feels less like fiction and more like sharing a glass of wine with your best friends who go on to disclose the deeply disturbing, deadly things occurring in the lovely old house they planned to restore. Susan Newhof writes truthfully and with beautiful care, evoking the icy appeal of a small lakeshore town in Michigan while revealing the wretched secrets that cling to one dwelling. After reading this harrowing tale in one sitting, I am dying to ask the author---did these menacing events really happen . . . to you?"
---Jerrilyn Farmer, author of the best-selling Madeline Bean Mysteries

"If only the walls could talk---and they do in Susan Newhof's thrilling Spirits and Wine. Readers, be prepared for an absorbing adventure into John and Anna's journey to solve a century-old mystery wrapped within the walls of their newly purchased 'dream home.' Told creatively in tandem, the couple's story of life in pursuit of truth will leave you wondering just where the fact ends and the fiction begins. Keep the lights on and enjoy!"
---Beckey Burgoyne, author of Perfectly Amanda: Gunsmoke's "Miss Kitty"---To Dodge and Beyond 
It's a mystery and a ghost story, all wrapped up in one.

A newly married couple buys an old house in a small lakeshore town in West Michigan and finds it haunted by the dramatic secrets of its past inhabitants. As the couple settles in, disturbing events prompt them to investigate who those residents were, what happened to them, and why one spirit remains active. Could the Spanish influenza epidemic in the region, which resulted in the deaths of an unprecedented number of young, healthy adults in Michigan and elsewhere in 1918---19, and the resulting slew of orphans, have something to do with the spirit now haunting their house?

They are determined to discover the truth about their house, even if it jeopardizes their own safety.


front cover of Tamarack River Ghost
Tamarack River Ghost
A Novel
Jerry Apps
University of Wisconsin Press, 2012
When journalist Josh Wittmore moves from the Illinois bureau of Farm Country News to the newspaper’s national office in Wisconsin, he encounters the biggest story of his young career—just as the paper’s finances may lead to its closure.
    Josh’s big story is that a corporation that plans to establish an enormous hog farm has bought a lot of land along the Tamarack River in bucolic Ames County. Some of the local residents and officials are excited about the jobs and tax revenues that the big farm will bring, while others worry about truck traffic, porcine aromas, and manure runoff polluting the river. And how would the arrival of a large agribusiness affect life and traditions in this tightly knit rural community of family farmers? Josh strives to provide impartial agricultural reporting, even as his newspaper is replaced by a new Internet-only version owned by a former New York investment banker. And it seems that there may be another force in play: the vengeful ghost of a drowned logger who locals say haunts the valley of the Tamarack River.

front cover of Thirteen Alabama Ghosts and Jeffrey
Thirteen Alabama Ghosts and Jeffrey
Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 1969

One of the best-known and widely shared books about the South, Thirteen Alabama Ghosts and Jeffrey has haunted the imaginations of generations of delighted young readers since it was first published in 1969. Written by nationally acclaimed folklorists Kathryn Tucker Windham and Margaret Gillis Figh, the book recounts Alabama’s thirteen most ghoulish and eerie ghost legends.
Curated with loving expertise, these thirteen tales showcase both Windham and Figh’s masterful selection of stories and their artful and suspenseful writing style. In crafting stories treasured by children and adults alike, the authors tell much more than ghost tales. Embedded in each is a wealth of fact and folklore about Alabama history and the old South. “I don’t care whether you believe in ghosts,” Windham was fond of saying. “The good ghost stories do not require that you believe in ghosts.”
Millions of readers cherish memories of being chilled as teachers and parents read them unforgettable stories like “The Unquiet Ghost at Gaineswood,” about the ghost of Evelyn Carter, who fills this Demopolis antebellum mansion with midnight musical lamentations because her body wasn’t returned to her native Virginia, and “The Phantom Steamboat of the Tombigbee,” about the wreck of the steamboat Eliza Battle, which caught fire on the way to Mobile and sank one February night in 1858. People who live along the river say the flaming steamboat wreck still rises on cold nights, its cotton cargo blazing across the waves while its terrified survivors cry for help from the icy water.
The title’s “Jeffrey” refers to a friendly ghost who resides in the Windham home and who served as Windham’s unofficial collaborator in this work and the subsequent books in this popular series, all of which are now available in high-quality reproductions of their spooky originals.


front cover of Thirteen Georgia Ghosts and Jeffrey
Thirteen Georgia Ghosts and Jeffrey
Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 1987

Petrifying the Peach State, hosts of haints have beset the state of Georgia throughout its storied history. In Thirteen Georgia Ghosts and Jeffrey, best-selling folklorist Kathryn Tucker Windham, along with her trusty spectral companion Jeffrey, introduce thirteen of Georgia’s most famous ghost stories.
Windham won hearts across the nation in her regular radio broadcasts and many public appearances. The South’s most prolific raconteur of revenants, Windham, giving new meaning to the phrase “ghost-writer,” does more than tell ghost stories—she captures the true spirit of the place.
Evoking Georgia’s colonial era, “The Eternal Dinner Party” explains why the sounds of an elegant dinner soirée still waft from the grove of Savannah’s Bonaventure estate. At the onset of the Revolution, the Tattnall family abandoned Bonaventure and slipped away to England. Young Josiah Tattnall eventually returned to fight in the Revolution, restored Bonaventure, and later became Georgia’s governor. One holiday eve, when the mansion was bedecked with magnolia and holly and crowded with visitors, a fire too large to control swept through the old house. Tattnall, exhibiting his cool head and impeccable manners, ordered the massive dinner table carried out to the garden where he enjoined his holiday revelers to continue their stately meal. The melancholy strains of Tattnall’s dinner guests still echo through Bonaventure’s ancient oaks on moonlight nights.
In “The Ghost of Andersonville,” Windham takes visitors near the woebegone Confederate prisoner-of-war camp. A plaque there still recounts the tale of Swiss immigrant and Confederate captain Henry Wirz. Convicted—many thought wrongly—of war crimes, Wirz’s restless ghost still perambulates the highways of south Georgia. Writing for the Georgia Historical Commission, Miss Bessie Lewis quips in her preface to this beloved collection, “Who should be better able to tell of happenings long past than the ghosts of those who had a part in them?”
A perennial favorite, this commemorative edition restores Thirteen Georgia Ghosts and Jeffrey to the ghastly grandeur of its original 1973 edition.


front cover of Thirteen Mississippi Ghosts and Jeffrey
Thirteen Mississippi Ghosts and Jeffrey
Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 2015
A deluxe, commemorative edition of famed southern author and folklorist Kathryn Tucker Windham’s introduction to Mississippi’s thirteen most famous haunted houses and ghostly visitations

For as long as Mississippi has existed (and then some), flocks of phantoms have haunted the mortal inhabitants of the Magnolia State. In Thirteen Mississippi Ghosts and Jeffrey, best-selling folklorist Kathryn Tucker Windham, along with her trusty spectral companion Jeffrey, introduces thirteen of the state’s most famous ghost stories.
Although stories about Mississippi’s spirits seemingly outnumber the ghosts themselves, Windham observes that “Southern ghost tales are disappearing because people no longer sit around on the porch on summer nights and tell stories. The old folks who grew up with these stories are dying now, and the stories are dying with them.”
Fortunately for us, Windham was a writer dedicated to preserving these tales in print. The veteran author spent many years tracking down these stories and chronicling the best ones. From the ghost of Mrs. McEwen still wearing her beloved cameo pin and keeping a watchful eye over Featherston Place, her home in Holly Springs, where, she swore, she would stay forever, to the ghostly visage fixed permanently on the bedroom window pane of Catherine McGehee, who searched the horizon ardently for her unrequited love to come to her as promised at Cold Spring Plantation in Pinckneyville, Windham’s stories cover the breadth and depth of Mississippi—at times more moonlight than magnolia.
An enduring classic, this commemorative edition restores Thirteen Mississippi Ghosts and Jeffrey to the ghastly grandeur of its original 1974 edition.

front cover of Thirteen Tennessee Ghosts and Jeffrey
Thirteen Tennessee Ghosts and Jeffrey
Commemorative Edition
Kathryn Tucker Windham
University of Alabama Press, 2016
A deluxe, commemorative edition of famed southern author and folklorist Kathryn Tucker Windham’s introduction to the Volunteer State’s most enduring ghost stories

In Thirteen Tennessee Ghosts and Jeffrey, beloved and best-selling folklorist Kathryn Tucker Windham presents a spine-tingling collection of Tennessee’s eeriest ghost tales. Accompanied by her faithful companion, Jeffrey, a friendly spirit who resided in her home, Windham traveled from the mysterious muds of Memphis to the haunted hollow’s of east Tennessee to collect the spookiest collection of Volunteer State revenants ever written.
In these perennial favorites, Windham captures the gentle folk humor of native Tennesseans as well as fascinating facts about the state’s rich history. In “The Dark Legend,” Windham recounts the story of explorer Merriwether Lewis, who met an untimely end on the Natchez Trace 1809 and whose spirit, it is said, still treads through Tennessee’s forests. Windham also visits central Tennessee’s Chapel Hill, where people who know the town say those who stand on the train tracks on dark, lonely nights can often see a disembodied light floating along the tracks. Neighbors say it’s the ghost of a headless flagman who returns to cavort with night-time guests.
High in Tennessee’s Appalachian mountains, Windham encounters Martin, the phantom fiddler of Johnson County. Legend has it that in life Martin’s musical skills so mesmerized the snakes of the Stone Mountains that they would slither from their dens to listen tamely to his fiddling. Intrepid visitors to the rocky tops of northeast Tennessee’s mountains say you can still hear Martin’s ghost fiddling in the hollows.
This handsome, new commemorative hardback edition returns Windham’s suspenseful classic to its original keepsake quality and includes a new afterword by the author’s children. 

front cover of The Thirty-Foot Elvis
The Thirty-Foot Elvis
A novel
Jane F. Hankins
Parkhurst Brothers, Inc., 2013
Set in the 1980s, when Bill Clinton was governor of Arkansas, this Flaggesque exploration of Southern characters is filled with plot twists, character surprises, New Orleans parties and true love. The second volume in the Peavine Chronicles Series, Hankins undergirds the narrative with a whimsical spirituality and delivers belly-laugh reading enjoyment with an afterglow.

Send via email Share on Facebook Share on Twitter