The Art of Urbanism explores how the royal courts of powerful Mesoamerican centers represented their kingdoms in architectural, iconographic, and cosmological terms. Through an investigation of the ecological contexts and environmental opportunities of urban centers, the contributors consider how ancient Mesoamerican cities defined themselves and reflected upon their physical—and metaphysical—place via their built environment. Themes in the volume include the ways in which a kingdom’s public monuments were fashioned to reflect geographic space, patron gods, and mythology, and how the Olmec, Maya, Mexica, Zapotecs, and others sought to center their world through architectural monuments and public art.

This collection of papers addresses how communities leveraged their environment and built upon their cultural and historical roots as well as the ways that the performance of calendrical rituals and other public events tied individuals and communities to both urban centers and hinterlands. Twenty-three scholars from archaeology, anthropology, art history, and religious studies contribute new data and new perspectives to the understanding of ancient Mesoamericans’ own view of their spectacular urban and ritual centers.

This volume had its beginnings in the two-day colloquium, "Rethinking Chichén Itzá, Tula and Tollan," that was held at Dumbarton Oaks. The selected essays revisit long-standing questions regarding the nature of the relationship between Chichen Itza and Tula. Rather than approaching these questions through the notions of migrations and conquests, these essays place the cities in the context of the emerging social, political, and economic relationships that took shape during the transition from the Epiclassic period in Central Mexico, the Terminal Classic period in the Maya region, and the succeeding Early Postclassic period.

Chichén Itzá and Tula have long been conceived as “twin cities”—paired political capitals that share so many aspects of architectural plan, sculptural repertory, and iconographical motifs that they represent a unique case of cultural contact and artistic convergence in ancient Mesoamerica. This volume (originally published in 2007) revisits long-standing questions regarding the relationship between Chichén Itzá and Tula. Hailed as a “must read,” it quickly became a fundamental source for all Mesoamericanists.

Rather than approaching these cities through earlier notions of migrations and conquests, the volume considers their roles in the social, political, and economic relationships that emerged during the transition from the Epiclassic to the Early Postclassic period. The seventeen contributors utilize archaeological, art historical, anthropological, epigraphical, and ethnohistorical methods to demonstrate that the rise and florescence of the “twin cities” was the result of their success in adapting to complex processes of cultural change. These adaptations, along with the development of new types of political systems and the use of innovative visual and symbolic systems, permitted Chichén Itzá and Tula to emerge as dominant powers in Mesoamerica between the Epiclassic and Early Postclassic periods.