front cover of Ghosts of Glen Canyon
Ghosts of Glen Canyon
History beneath Lake Powell
C Gregory Crampton
University of Utah Press, 2009
Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.
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front cover of Glen Canyon
Glen Canyon
An Archaeological Summary
Jesse D Jennings
University of Utah Press, 1998

In 1956, Congress passed legislation that provided authorization and funds for emergency research to be conducted in Glen Canyon in response to the threat of losses posted by the construction of the Glen Canyon Dam in northern Arizona. For eight years, scientists worked against the clock to record the archaeology, geology, history, and paleontology of the region before the waters of Lake Powell covered the area.

In this highly interpretive summary, Jesse Jennings preserves the achievements of the salvage team and explains how the finds affected previous conclusions. Maps and photographs capture archaeological artifacts as well as the landscape of the area. This book also highlights the larger consequences of the massive salvage project — among them the stimulation of additional Southwest research, the applications of techniques made in response to emergency situations, and a valuable perspective on the Pueblo culture. Because this area is becoming increasingly controversial, with a raging debate over whether Lake Powell should be drained, Glen Canyon: An Archaeological Summary stands as more than a model of salvage archaeology. It is also a record and testament of the rich history of Glen Canyon.

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front cover of Glen Canyon Country, The
Glen Canyon Country, The
A Personal Memoir
Don D Fowler
University of Utah Press, 2011

In his new book, The Glen Canyon Country, archaeologist Don D. Fowler shares the history of a place and the peoples who sojourned there over the course of several thousand years. To tell this story, he weaves his personal experience as a student working on the Glen Canyon Salvage Project with accounts of early explorers, geologists, miners, railroad developers, settlers, river runners, and others who entered this magical place. The book details the canyon’s story via historical and scientific summaries, biographical sketches, personal memoir, and previously unpublished photos of the land and its explorers.

 Readers will experience the intrigue and beauty of the Canyon while following not only the story of an individual but also of Glen Canyon itself. Infused with the breadth and depth of a lifetime of archaeological experience, The Glen Canyon Country is the definitive account of the prehistory and history of a significant river corridor and the surrounding land.
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front cover of Glen Canyon Dammed
Glen Canyon Dammed
Inventing Lake Powell and the Canyon Country
Jared Farmer
University of Arizona Press, 1999
Growth is a major issue in the contemporary American West, especially as more and more towns and states turn to tourism to spark their economies. But growth has a flip side—loss—about which we seldom think until something is irrevocably gone. Where once was Glen Canyon, with its maze of side-canyons leading to the Colorado River, now is Lake Powell, second largest reservoir in America, attracting some three million visitors a year. Many who come here think they have found paradise, and for good reason: it's beautiful. However, the loss of Glen Canyon was monumental—to many, a notorious event that remains unresolved.

Focusing on the saddening, maddening example of Glen Canyon, Jared Farmer traces the history of exploration and development in the Four Corners region, discusses the role of tourism in changing the face of the West, and shows how the "invention" of Lake Powell has served multiple needs. He also seeks to identify the point at which change becomes loss: How do people deal with losing places they love? How are we to remember or restore lost places? By presenting Glen Canyon as a historical case study in exploitation, Farmer offers a cautionary tale for the future of this spectacular region. In assessing the necessity and impact of tourism, he questions whether merely visiting such places is really good for people's relationships with each other and with the land, suggesting a new ethic whereby westerners learn to value what remains of their environment. Glen Canyon Dammed was written so that the canyon country's perennial visitors might better understand the history of the region, its legacy of change, and their complicity in both. A sobering book that recalls lost beauty, it also speaks eloquently for the beauty that may still be saved.
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front cover of The Glen Canyon Reader
The Glen Canyon Reader
Mathew Barrett Gross
University of Arizona Press, 2003
Stretching for 170 miles across northern Arizona and southern Utah, Lake Powell is both a vacationer's paradise and the second-largest reservoir in the Western Hemisphere. Yet few visitors to the lake today are aware of the lost world that lies beneath its crystal waters. Once an enchanted landscape of sandstone cliffs and secret crevices, Glen Canyon has been but a memory since the damming of the Colorado River near Page, Arizona, in 1963. Often called "the place no one knew," Glen Canyon was in fact explored by thousands of visitors—including dozens of writers—before the dam's completion. River runner Mathew Gross has combed the literature of Glen Canyon to assemble this wide-ranging look at the history of this now-submerged natural treasure, the first book to bring together these voices of remembrance. Beginning with the first known written report of Glen Canyon in an eighteenth-century missionary journal, Gross has selected accounts of the canyon from both before and after the dam. Included are some of the West's best-known writers—Zane Grey and Katie Lee, Edward Abbey and Ellen Meloy—as well as Pulitzer Prize winners John McPhee and Wallace Stegner. Other authors range from David Brower, director of the Sierra Club when the dam was built, to Floyd Dominy, the federal bureaucrat responsible for the dam. The Glen Canyon Reader is a book that may be read straight through as entertaining and informative history. But as Gross suggests, "Perhaps more pleasurable is to flip through these pages, to poke around and explore, as one would have done in Glen Canyon . . . to visit and revisit the places contained in this book, these cool glens and embracing alcoves and hidden grottos, these canyons and dreams and ghosts that will always, always be with us."
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front cover of A New Form of Beauty
A New Form of Beauty
Glen Canyon Beyond Climate Change
Photographs by Peter Goin, Essays by Peter Friederici
University of Arizona Press, 2016
In Glen Canyon waters rose, inundating petroglyphs and creating Lake Powell. Now the Colorado River basin is experiencing the longest dry spell in modern history—one that shows alarming signs of becoming the new normal.
 
In A New Form of Beauty photographer Peter Goin and writer Peter Friederici tackle science from the viewpoint of art, creating a lyrical exploration in words and photographs, setting Glen Canyon and Lake Powell as the quintessential example of the challenges of perceiving place in a new era of radical change. Through evocative photography and extensive reporting, the two document their visits to the canyon country over a span of many years. By motorboat and kayak, they have ventured into remote corners of the once-huge reservoir to pursue profound questions: What is this place? How do we see it? What will it become?
 
Goin’s full-color photographs are organized in three galleries—Flora and Fauna, Artifacts, and Low Water—interspersed with three essays by Friederici, and an epilogue gallery on Fire. The book includes two foldout photographs, which allow readers to fully see Lake Powell at high water and low water points

Contemplating humanity’s role in the world it is creating, Goin and Friederici ask if the uncertainties inherent in Glen Canyon herald an unpredictable new future for every place. They challenge us to question how we look at the world, how we live in it, and what the future will be.
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front cover of There Was a River
There Was a River
Bruce Berger
University of Arizona Press, 1994
On October 7, 1962, Bruce Berger and three friends embarked on what may have been the last trip taken through the Colorado River's Glen Canyon before the floodgates were closed at Glen Canyon Dam and Lake Powell began to fill. After thirty years, one can grieve for what was lost and then, like Berger, take another look around.

The Southwest Berger sees is an unusual, even odd, place, with inhabitants that are just as strange. In this collection of essays he introduces us to people and places that define a region and a way of life. We meet eccentric desert dwellers like Cactus Pete, who claimed to have mapped the mountains of Venus long before NASA penetrated its clouds. We chart the canals of Phoenix, which have created a Martian landscape out of an irrigation system dating back to the ancient Hohokam; stay at a "wigwam" motel in Holbrook, whose kitsch appeals even to Hopis; and dim our lights for the International Dark-Sky Association's efforts to keep night skies safe for astronomy.

Focusing on the interaction of people with the environment, Berger reveals an original vision of the Southwest that encompasses both city and wilderness. In a concluding essay centering on the sale of his mother's estate in Phoenix, he concedes that "our intention to leave the desert alone has resulted, unwittingly, in loss after loss, simply by our being here." Sometimes there are losses—a canyon, a house—but Berger attunes us to the prodigies of change.
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