front cover of Good and Bad Hair
Good and Bad Hair
Gaskins, Bill
Rutgers University Press, 1997

In a time when image is indeed everything, our personal appearance has a tremendous effect on nearly every aspect of our lives on a daily basis. Our choice of hairstyle can mean the difference between acceptance and rejection by groups and individuals. The choices made by African Americans are particularly charged, often affecting the wearer and the viewer in unique and sometimes life-altering ways.

Good and Bad Hair emerges out of photographer Bill Gaskins's traveling photo exhibition of the same name. The book features 60 evocative photographs of African American men, women, and children, documenting contemporary black hairstyles and their role as a feature of African American culture.

On one level, the photographs present readers with a variety of popular and personal approaches to wearing one's hair. On another level, they isolate what amounts to a bold, assertive departure from the common definition of American beauty that excludes the physical features of many people of African descent. This narrow definition of beauty has created a race-based measurement for what is considered "good" and "bad" hair. Gaskins's pictures identify African Americans from different regions of the United States who expressively symbolize their sense of self and often their sense of an African or black identity through their hair.

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front cover of Hair Raising
Hair Raising
Beauty, Culture, and African American Women
Rooks, Noliwe M
Rutgers University Press, 1996
We all know there is a politics of skin color, but is there a politics of hair?In this book, Noliwe Rooks explores the history and politics of hair and beauty culture in African American communities from the nineteenth century to the 1990s. She discusses the ways in which African American women have located themselves in their own families, communities, and national culture through beauty advertisements, treatments, and styles. Bringing the story into today's beauty shop, listening to other women talk about braids, Afros, straighteners, and what they mean today to grandmothers, mothers, sisters, friends, and boyfriends, she also talks about her own family and has fun along the way. Hair Raising is that rare sort of book that manages both to entertain and to illuminate its subject.
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front cover of New Growth
New Growth
The Art and Texture of Black Hair
Jasmine Nichole Cobb
Duke University Press, 2022
From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.
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