front cover of Believe What You Can
Believe What You Can
Poems
Marc Harshman
West Virginia University Press, 2016
This collection of poetry by West Virginia Poet Laureate Marc Harshman explores the difficulty of living with an awareness of the eventual death of all living things. Each of its four sections suggests a coping mechanism for this inevitable predicament, from storytelling, to accepting darkness and death as a creative force, to enjoying disruption and chaos, and finally to embracing the mystery of life as the most triumphant story of all.
 
These difficulties come “not quite haphazardly” and not without a “last light”—something “beyond” and as “sweet as apples.” With these moments of grace, Harshman taps into the satisfying richness that comes from unexpected revelations, helping us rise above the fragile recesses of life and death, all while portraying the lost rural worlds of the Midwest and Appalachia in ways untouched by sentiment or nostalgia.
 
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front cover of Dispatch from the Mountain State
Dispatch from the Mountain State
Poems
Marc Harshman
West Virginia University Press, 2025
Dispatch from the Mountain State encompasses the trademark themes of a mature poet—death, despair, dread, and the seeming randomness with which all of these come into life. The dispatches provide, if sometimes obliquely, a keen awareness of the troubled times within which we live, whether the flashpoint be race, the recent pandemic, or the reckless onslaught of the Appalachian mining industry, which is masterfully addressed in the long poem, “The Breach.” Harshman’s distinctive vision remains both surreal and familiar, whether expressed in a sonnet or the more common free-verse characteristic of most of his work.

This collection of over forty poems sings with a fluid voice and dazzles with imagery that surprises and rings true, often underlain by and intertwined with the darker threads of our common living and dying as contemporary Appalachians. It is rare to find a poet like Harshman, who is deeply connected to the life of rural America and yet writes poetry untouched by any sentiment for the old ways found there.
 
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