The first study to focus exclusively on the use in the Hebrew Bible of soundplay to allude to and interpret earlier literary traditions

This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions.

• Demonstrates that allusive soundplay was a productive compositional technique in ancient Israel
• Identifies examples of innerbiblical allusion that have not been identified before
• A robust methodology for identifying soundplay in innerbiblical allusions

Editorial Techniques in the Hebrew Bible: Toward a Refined Literary Criticism presents and applies a model for understanding and reconstructing the diachronic development of the Hebrew Bible through historical criticism (or the historical-critical method). Reinhard Müller and Juha Pakkala refine the methodologies of literary and redaction criticism through a systematic investigation of the evidence of additions, omissions, replacements, and transpositions that are documented by divergent ancient textual traditions. At stake is not only historical criticism but also the Hebrew Bible as a historical source, for historical criticism has been and continues to be the only method to unwind those scribal changes that left no traces in textual variants.

A new perspective on editorial activity in the Hebrew Bible for research and teaching

Evidence of Editing lays out the case for substantial and frequent editorial activity within the Hebrew Bible. The authors show how editors omitted, expanded, rewrote, and compiled both smaller and larger phrases and passages to address religious and political change. The book refines the exegetical method of literary and redaction criticism, and its results have important consequences for the future use of the Hebrew Bible in historical and theological studies.

Features:

• Hebrew, Greek, and Aramaic examples of editorial activity
• Clear explanations of the distinctions between textual, literary, and redaction criticism
• Fifteen chapters attesting to continual editorial activity in the Torah, the Prophets, and the Writings

Now in paperback!

This groundbreaking book, which builds on the author's earlier work in On Gendering Texts, studies how, by what means, and to what extent human love, desire and sex, and possibly even "sexuality"; are gendered in the Hebrew Bible. The investigation looks into the construction of male and female bodies in language and ideologies; the praxis and ideology of sex, procreation, and contraception; deviation from socio-sexual boundaries (e.g. incest, rape, adultery, homosexuality, prostitution); eroticism and "pornoprophetics."

Features:

• Paperback format of an essential Brill monograph
• A classification and gendering of the linguistic and semantic data
• Discussion of wider sociological and theological implications

Exegetically noteworthy and culturally-theologically relevant

Violence in its wide range of horrifying expressions is real in people’s lives, and biblical interpreters must take violence in the world seriously to arrive at relevant ideas about the place of the Bible in the world. Each essay addresses people’s experiences of violence in the study of the Bible through the context of la violencia, the Spanish noun referring to the brutal, repressive, and murderous policies of state-sponsored violence practiced in many South and Central American and Caribbean countries during the twentieth century that external powers such as the USA often endorsed and fostered. The volume represents an important contribution to biblical studies and to the field of Latina/o studies. The contributors are Cheryl B. Anderson, Pablo Andiñach, Nancy Bedford, Lee Cuéllar, Steed V. Davidson, Serge Frolov, Renata Furst, Julia M. O’Brien, Todd Penner, José Enrique Ramírez, Ivoni Richter Reimer, and Susanne Scholz.

Features:

• Twelve essays by scholars living and working on the American continent
• Articles reveal the complex historical, political, and cultural conditions on the American continent that have contributed to our understanding of violence in the Bible
• Focus on themes of racial, social, and cultural violence

Multifaceted insights into female life in prophetic contexts

Both prophets and prophetesses shared God’s divine will with the people of Israel, yet the voices of these women were often forgotten due to later prohibitions against women teaching in public. This latest volume of the Bible and Women series focuses on the intersection of gender and prophecy in the Former Prophets (Joshua to 2 Kings) as well as in the Latter Prophets of the Hebrew Bible. Essays examine how women appear in the iconography of the ancient world, the historical background of the phenomenon of prophecy, political and religious resistance by women in the biblical text, and gender symbolism and constructions in prophetic material as well as the metaphorical discourse of God. Contributors Michaela Bauks, Athalya Brenner-Idan, Ora Brison, L. Juliana Claassens, Marta García Fernández, Irmtraud Fischer, Maria Häusl, Rainer Kessler, Nancy C. Lee, Hanne Løland Levinson, Christl M. Maier, Ilse Müllner, Martti Nissinen, Ombretta Pettigiani, Ruth Poser, Benedetta Rossi, Silvia Schroer, and Omer Sergi draw insight into the texts from a range of innovative gender-oriented approaches.

We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah.

Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.

What were ancient scribes doing when they copied a manuscript of a literary work? This question is especially problematic when we realize that ancient scribes preserved different versions of the same literary texts. In Scribal Memory and Word Selection: Text Criticism of the Hebrew Bible, Raymond F. Person Jr. draws from studies of how words are selected in everyday conversation to illustrate that the same word-selection mechanisms were at work in scribal memory. Using examples from manuscripts of the Hebrew Bible, Person provides new ways of understanding the cognitive-linguistic mechanisms at work during the composition/transmission of texts. Person reveals that, while our modern perspective may consider textual variants to be different literary texts, from the perspective of the ancient scribes and their audiences, these variants could still be understood as the same literary text.

An innovative collection of inner-biblical, intertextual, and intercontextual dialogues