As a young blind girl, Georgina Kleege repeatedly heard the refrain, “Why can’t you be more like Helen Keller?” Kleege’s resentment culminates in her book Blind Rage: Letters to Helen Keller, an ingenious examination of the life of this renowned international figure using 21st-century sensibilities. Kleege’s absorption with Keller originated as an angry response to the ideal of a secular saint, which no real blind or deaf person could ever emulate. However, her investigation into the genuine person revealed that a much more complex set of characters and circumstances shaped Keller’s life.

Blind Rage employs an adroit form of creative nonfiction to review the critical junctures in Keller’s life. The simple facts about Helen Keller are well-known: how Anne Sullivan taught her deaf-blind pupil to communicate and learn; her impressive career as a Radcliffe graduate and author; her countless public appearances in various venues, from cinema to vaudeville, to campaigns for the American Foundation for the Blind. But Kleege delves below the surface to question the perfection of this image. Through the device of her letters, she challenges Keller to reveal her actual emotions, the real nature of her long relationship with Sullivan, with Sullivan’s husband, and her brief engagement to Peter Fagan. Kleege’s imaginative dramatization, distinguished by her depiction of Keller’s command of abstract sensations, gradually shifts in perspective from anger to admiration. Blind Rage criticizes the Helen Keller myth for prolonging an unrealistic model for blind people, yet it appreciates the individual who found a practical way to live despite the restrictions of her myth.

Dorothy Herrmann's powerful biography of Helen Keller tells the whole story of the controversial and turbulent relationship between Helen and her teacher, Annie Sullivan. Herrmann also chronicles Helen's doomed love affair, her struggles to earn a living, her triumphs at Radcliffe College, and her work as an advocate for the disabled. Helen Keller has been venerated as a saint or damned as a fraud, but Herrmann shows her to have been a beautiful, intelligent, high-strung, and passionate woman whose life was transformed not only by her disabilities but also by the remarkable people on whose help and friendship she relied.

"Fascinating. . . . Stripping away decades of well-meaning sentimentality, Herrmann presents a pair of strong-willed women, who struggled to build their own lives while never forgetting their dependence on each other."—Ron Charles, Christian Science Monitor

"We meet an entirely unexpected Helen Keller—a woman with deep if concealed ambivalence toward her self-sacrificing teacher; a political radical; and a woman longing for romantic love and the fulfilled sexual life of a woman."—Joan Mellen, Philadelphia Inquirer

"Herrmann's portrait of Keller is both fully embodied and unflinchingly candid."—Mary Loeffelholz, Boston Sunday Globe

"This well-proportioned biography of the deaf and blind girl who became a great American crusader rescues its subject from the shackles of sainthood without destroying her as an American hero."—Dennis Drabelle, Cleveland Plain Dealer

"Herrmann's engrossing biography helps us see beyond the public's fascination with how Keller dealt with her disabilities to discover the woman Keller strived to be."—Nancy Seidman, Atlanta Journal-Constitution

"Perhaps the most intimate biography [of Helen Keller]. [Herrmann] gives her back her sexuality [and] imbues her with a true humanity. . . . Helen Keller: A Life has some of the texture and the dramatic arc of a good novel."—Dinitia Smith, New York Times