The conquests of Alexander the Great transformed the Greek world into a complex of monarchies and vying powers, a vast sphere in which the Greek city-states struggled to survive. This is the compelling story of one city that despite long periods of subjugation persisted as a vital social entity throughout the Hellenistic age.
Christian Habicht narrates the history of Athens from its subjugation by the Macedonians in 338 B.C. to the battle of Actium in 31 B.C., when Octavian's defeat of Mark Antony paved the way for Roman dominion over the Hellenistic world. For nearly three centuries Athens strove unsuccessfully for sovereignty; its foreign policies were shaped by the dictates first of the Macedonian monarchy and later of the Roman republic. Yet the city never relinquished control of internal affairs, and citizen participation in its government remained strong. Habicht lucidly chronicles the democracy's setbacks and recoveries over these years as it formed and suffered the consequences of various alliances. He sketches its continuing role as a leader in intellectual life and the arts, as Menander and other Athenian playwrights saw their work produced throughout the Greek world; and the city's famous schools of philosophy, now including those of Zeno and Epicurus, remained a stellar attraction for students from around the Mediterranean. Habicht has long been in the forefront of research on Hellenistic Athens; in this authoritative yet eminently readable history he distills that research for all readers interested in the ancient Mediterranean world.
This book—the first full-length study of the “last and most beautiful” apology against paganism, Theodoret’s Therapeutic for Hellenic Maladies—combines close readings of the text with detailed analysis of Theodoret’s arguments against Greek religion, philosophy, and culture and the ways in which that Greek influence interacts with other diverse ideas, practices, and developments in the fifth-century Roman empire.
The book’s larger underlying themes—the continuing debate between Christianity and Hellenism, and the relationship between classical and Christian literature—offer insights into more general late Roman and early Byzantine religious and cultural attitudes and issues, including the relations between pagan and Christian paideia, the cult of the martyrs, and the role of Christianity in the Roman empire.
Ever since the International Monetary Fund’s first bailout of Greece’s sinking economy in 2010, the phrase “Greek debt” has meant one thing to the country’s creditors. But for millions who claim to prize culture over capital, it means something quite different: the symbolic debt that Western civilization owes to Greece for furnishing its principles of democracy, philosophy, mathematics, and fine art. Where did this other idea of Greek debt come from, Johanna Hanink asks, and why does it remain so compelling today?
The Classical Debt investigates our abiding desire to view Greece through the lens of the ancient past. Though classical Athens was in reality a slave-owning imperial power, the city-state of Socrates and Pericles is still widely seen as a utopia of wisdom, justice, and beauty—an idealization that the ancient Athenians themselves assiduously cultivated. Greece’s allure as a travel destination dates back centuries, and Hanink examines many historical accounts that express disappointment with a Greek people who fail to live up to modern fantasies of the ancient past. More than any other movement, the spread of European philhellenism in the eighteenth and nineteenth centuries carved idealized conceptions of Greece in marble, reinforcing the Western habit of comparing the Greece that is with the Greece that once was.
Today, as the European Union teeters and neighboring nations are convulsed by political unrest and civil war, Greece finds itself burdened by economic hardship and an unprecedented refugee crisis. Our idealized image of ancient Greece dangerously shapes how we view these contemporary European problems.
This small book, the last work of a world-renowned scholar, has established itself as a classic. It provides a superb overview of the vast historical process by which Christianity was Hellenized and Hellenic civilization became Christianized.
Werner Jaeger shows that without the large postclassical expansion of Greek culture the rise of a Christian world religion would have been impossible. He explains why the Hellenization of Christianity was necessary in apostolic and postapostalic times; points out similarities between Greek philosophy and Christian belief; discuss such key figures as Clement, Origen, and Gregory of Nyssa; and touches on the controversies that led to the ultimate complex synthesis of Greek and Christian thought.
The exploits of Alexander the Great were so remarkable that for centuries after his death the Macedonian ruler seemed a figure more of legend than of history. Thinkers of the European Enlightenment, searching for ancient models to understand contemporary affairs, were the first to critically interpret Alexander’s achievements. As Pierre Briant shows, in the minds of eighteenth-century intellectuals and philosophes, Alexander was the first European: a successful creator of empire who opened the door to new sources of trade and scientific knowledge, and an enlightened leader who brought the fruits of Western civilization to an oppressed and backward “Orient.”
In France, Scotland, England, and Germany, Alexander the Great became an important point of reference in discourses from philosophy and history to political economy and geography. Voltaire, Montesquieu, and Robertson asked what lessons Alexander’s empire-building had to teach modern Europeans. They saw the ancient Macedonian as the embodiment of the rational and benevolent Western ruler, a historical model to be emulated as Western powers accelerated their colonial expansion into Asia, India, and the Middle East.
For a Europe that had to contend with the formidable Ottoman Empire, Alexander provided an important precedent as the conqueror who had brought great tyrants of the “Orient” to heel. As The First European makes clear, in the minds of Europe’s leading thinkers, Alexander was not an aggressive militarist but a civilizing force whose conquests revitalized Asian lands that had lain stagnant for centuries under the lash of despotic rulers.
“Fowler’s . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture.”—J. J. Pollitt, American Journal of Archaeology
“Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others—that is, the major figures of the time—are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler’s sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text.”—Christine Mitchell Havelock
“The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision.”—Jeffrey Buller, Classical Outlook
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