front cover of Didymus the Blind and His Circle in Late-Antique Alexandria
Didymus the Blind and His Circle in Late-Antique Alexandria
Virtue and Narrative in Biblical Scholarship
Richard A. Layton
University of Illinois Press, 2004
This is the first comprehensive study in the English language of the commentaries of Didymus the Blind, who was revered as the foremost Christian scholar of the fourth century and an influential spiritual director of ascetics.
 
The writings of Didymus were censored and destroyed due to his posthumous condemnation for heresy. This study recovers the uncensored voice of Didymus through the commentaries among the Tura papyri, a massive set of documents discovered in an Egyptian quarry in 1941.
 
This neglected corpus offers an unprecedented glimpse into the internal workings of a Christian philosophical academy in the most vibrant and tumultuous cultural center of late antiquity. By exploring the social context of Christian instruction in the competitive environment of fourth-century Alexandria, Richard A. Layton elucidates the political implications of biblical interpretation.
 
Through detailed analysis of the commentaries on Psalms, Job, and Genesis, the author charts a profound tectonic shift in moral imagination as classical ethical vocabulary becomes indissolubly bound to biblical narrative. Attending to the complex interactions of political competition and intellectual inquiry, this study makes a unique contribution to the cultural history of late antiquity.
 
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Romantic Rebels
Essays on Shelley and His Circle
Kenneth Neill Cameron
Harvard University Press, 1973

The rebels of the Romantic period speak more directly to the issues of today than any other group of writers of the past. Mary Wollstonecraft exposed the problem of women's rights; her husband William Godwin protested against war, economic and social imbalances, and cruel penal practices; their daughter Mary Shelley produced the original science fiction, Frankenstein, and introduced into the novel radical social and antireligious views. Shelley campaigned in Ireland for Irish separation, wrote pamphlets on parliamentary reform, and propounded an egalitarian world; Byron addressed himself to problems of social injustice and lost his life as a result of his participation in the Greek war of independence. Leigh Hunt, the first radical, crusading journalist, battled all forms of injustice from child labor to army flogging; Thomas Love Peacock's lively, satiric novels excoriated sham.

Their rebellion carried into their personal lives: Mary Wollstonecraft, Shelley, and Byron openly flouted the laws of marital relations, and several adopted unconventional dress. The rebels paid dearly for their public and private views. Shelley was deprived of his children, Byron was driven into exile, and Leigh Hunt was imprisoned.

The lives and works of these major Romantics are sketched in a concise and lively way in these twelve essays, which are derived from Shelley and His Circle, Volumes I through IV. The collection provides a cohesive picture of some of the Romantics whose lives interlocked in the early 1800's.

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Sir Gardner Wilkinson and His Circle
By Jason Thompson
University of Texas Press, 1992

Following in the footsteps of Napoleon's army, Europeans invaded Egypt in the early nineteenth century to gaze in wonder at the massive, inscrutable remains of its ancient civilizations. One of these travelers was a twenty-four-year-old Englishman, John Gardner Wilkinson. His copious observations of ancient and modern Egyptian places, artifacts, and lifeways, recorded in such widely read publications as Manners and Customs of the Ancient Egyptians and Handbook for Travellers in Egypt, made him the leading early Victorian authority on ancient Egypt and paved the way for thc scientific study of Egyptology.

In this first full-scale biography of Wilkinson (1797-1875), Jason Thompson skillfully portrays both the man and his era. He follows Wilkinson during his initial sojourn in Egypt (1821-1833) as Wilkinson immersed himself in a contemporary Egyptian lifestyle and in study of its ancient past. He shows Wilkinson in his circle of friends—among them Edward William Lane, Robert Hay and Frederick Catherwood. And he traces how Wilkinson continued to use his Egyptian material in the decades following his return to England.

With the rise of professional Egyptology in the middle and later nineteenth century, Sir Gardner Wilkinson came to be viewed as an amateur and his popularity diminished. Drawing upon recently opened sources, Thompson returns Wilkinson to his rightful place within centuries of Egyptian scholarship and assesses both the vision and the limitations of his work. The result is a compelling portrait of a Victorian "gentleman-scholar" and his cultural milieu.

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