In this compelling interdisciplinary study of what has been called the "century of illegitimacy," Lisa Zunshine seeks to uncover the multiplicity of cultural meanings of illegitimacy in the English Enlightenment. Bastards and Foundlings pits the official legal views on illegitimacy against the actual everyday practices that frequently circumvented the law; it reconstructs the history of social institutions called upon to regulate illegitimacy, such as the London Foundling Hospital; and it examines a wide array of novels and plays written in response to the same concerns that informed the emergence and functioning of such institutions. By recreating the context of the national preoccupation with bastardy, with a special emphasis on the gender of the fictional bastard/foundling, Zunshine offers new readings of "canonical" texts, such as Steele's The Conscious Lovers, Defoe's Moll Flanders, Fielding's Tom Jones, Moore's The Foundling, Colman's The English Merchant, Richardson's Clarissa and Sir Charles Grandison, Burney's Evelina, Smith's Emmeline, Edgewort's Belinda, and Austen's Emma, as well as of less well-known works, such as Haywood's The Fortunate Foundlings, Shebbeare's The Marriage Act, Bennett's The Beggar Girl and Her Benefactors, and Robinson's The Natural Daughter.

Hawthorne’s greatest romance, The Scarlet Letter, is often simplistically seen as a timeless tale of desire, sin, and redemption. In his introduction, Michael J. Colacurcio argues that The Scarlet Letter is a serious historical novel. If Hawthorne’s fiction rigorously and faithfully subjects Hester and Dimmesdale to the limits of seventeenth-century possibility, it nonetheless looks forward to the better, brighter world of Margaret Fuller and Fanny Fern, of Charles Fourier and John Humphrey Noyes.

The John Harvard Library edition reproduces the authoritative text of The Scarlet Letter in the Centenary Edition of the Works of Nathaniel Hawthorne.