BiblioVault - Books about Information Theory

Code

From Information Theory to French Theory

Bernard Dionysius Geoghegan

Duke University Press, 2022

In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With Code, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization.

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Digital Communication Modulation, Coding, and Information Theory

Kim Winick

Michigan Publishing Services, 2025

The modern era of digital communication dates to Claude Shannon’s three seminal papers appearing in 1948 and 1949 in the Bell System Technical Journal. Digital communication advanced rapidly in the following years and generated a large number of technologies, including cell phones, Wi-Fi, fiber optic communication, MP3 players, JPEG-encoded photographs, high-definition television (HDTV), etc. With increasing demands for remote and high-speed digital access to data and real-time video, advances are likely to continue for the foreseeable future. The topics covered in this book constitute a “first course” on digital communication because with a few exceptions, primarily related to the multipath propagation effects and fading, only the point-to-point additive white Gaussian noise channel is considered. This was one of the first channels to be seriously studied in the modern era of digital communication that began with Shannon. From a practical perspective, modulation and coding for the deep-space channel motivated much of the early work in this field. The material covered in this textbook is still widely used and forms the basis for subsequent and ongoing advancements in the field. Broadly speaking, the fundamentals covered in this textbook are the notion of information, entropy, lossless data compression, error-correcting methods in the presence of noise, the fundamental limits of reliable communication, channel capacity, optimum decision theory and optimum receiver principals, common modulation types, the relationship between bandwidth and dimensionality, system performance using modulation and coding, and the fundamental trade-off between energy-efficiency and bandwidth-efficiency.

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Distant Horizons

Digital Evidence and Literary Change

Ted Underwood

University of Chicago Press, 2019

Just as a traveler crossing a continent won’t sense the curvature of the earth, one lifetime of reading can’t grasp the largest patterns organizing literary history. This is the guiding premise behind Distant Horizons, which uses the scope of data newly available to us through digital libraries to tackle previously elusive questions about literature. Ted Underwood shows how digital archives and statistical tools, rather than reducing words to numbers (as is often feared), can deepen our understanding of issues that have always been central to humanistic inquiry. Without denying the usefulness of time-honored approaches like close reading, narratology, or genre studies, Underwood argues that we also need to read the larger arcs of literary change that have remained hidden from us by their sheer scale. Using both close and distant reading to trace the differentiation of genres, transformation of gender roles, and surprising persistence of aesthetic judgment, Underwood shows how digital methods can bring into focus the larger landscape of literary history and add to the beauty and complexity we value in literature.

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Furious

Technological Feminism and Digital Futures

Caroline Bassett

Pluto Press, 2019

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world, ask the authors of Furious, when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

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Furious

Technological Feminism and Digital Futures

Caroline Bassett

Pluto Press, 2019

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world, ask the authors of Furious, when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

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How to Think about Information

Dan Schiller

University of Illinois Press, 2006

It is common wisdom that the U.S. economy has adapted to losses in its manufacturing base because of the booming information sector, with high-paying jobs for everything from wireless networks to video games. We are told we live in the Information Age, in which communications networks and media and information services drive the larger economy. While the Information Age may have looked sunny in the beginning, as it has developed it looks increasingly ominous: its economy and benefits grow more and more centralized--and in the United States, it has become less and less subject to democratic oversight.

Corporations around the world have identified the value of information and are now seeking to control its production, transmission, and consumption. In How to Think about Information, Dan Schiller explores the ways information has been increasingly commodified as a result and how it both resembles and differs from other commodities. Through a linked series of theoretical, historical, and contemporary studies, Schiller reveals this commodification as both dynamic and expansionary, but also deeply conflicted and uncertain. He examines the transformative political and economic changes occurring throughout the informational realm and analyzes key dimensions of the process, including the buildup of new technological platforms, the growth of a transnationalizing culture industry, and the role played by China as it reinserts itself into an informationalized capitalism.

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Travelling Facts

The Social Construction, Distribution, and Accumulation of Knowledge

Edited by Caroline Baillie, Elizabeth Dunn, and Yi Zheng

Campus Verlag, 2004

Travelling Facts explores the production and distribution of facts : their life cycles as well as the material networks through which they travel. Acknowledging that facts are fallible and originate primarily in isolated laboratories and field sites, the volume includes discussions about how facts are reassembled into practical knowledge, how they translate locally, and what lessons may be learned from those who attempt to regulate fact production and circulation in the face of the marked acceleration and expansion of digital technologies worldwide.

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