For the last two centuries, literature has tested the authority of the individual and the community. During this time, in David Bromwich’s words, “A motive for great writing…has been a tension, which is felt to be unresolvable, between the claims of social obligation and of personal autonomy. That these had to be experienced as rival claims was the discovery of Burke and Wordsworth. Our lives today and our choices are made in a culture where any settlement of the contest for either side is bound to be provisional. There is nothing to approve or regret in such a situation; it is the way things are; and in a time like ours, it is what great writing lives on.”

With a historical as well as an interpretative emphasis, Bromwich explores this tension. He shows why the public-mindedness of the eighteenth century is as limited a model for readers now as the individualism of the nineteenth century. Calling attention to the ambivalence of the great writers, he cites Emerson’s sense of the conflict between “spirit” and “commodity” and Burke’s conviction that human nature is at once given and chosen. Elsewhere, he describes the attenuation of social concern even in the truest modern followers of the romantics as in the conscious turn away from Wordsworth’s morality in poems by Stevens and Frost. Other topics include Keats’s politics, Whitman’s prose, William Cobbett’s journalism, and the standards of the Edinburgh Review.

In some widely discussed general essays, Bromwich addresses such issues as the uses of biography, the idea that authors create their own worlds, and the political ambitions of recent literary theory. His own criticism is powerfully eclectic, combining history, philosophy, biography, and a subtle awareness of how literature performs its work of implication. He brings to the task an authentic understanding of intellectual culture and the ability to leap from textual detail to cultural observation with an understated grace.

As in his other writing, Bromwich aims to join aesthetic theory and moral thought. He rethinks the relationship between genius and talent, and defines genius in terms of its capacity to bring about change, rather than simply its quality of inward and spiritual uniqueness. His sustained defense here of that conception, and his elegant argument for a new approach to criticism generally, make this thoughtful book a controversial one as well.

“An insightful and breathtaking exploration of humanity’s evolutionary baggage that explains some of our species’ greatest successes and failures.” —Yuval Noah Harari, author of Sapiens

The ancient inheritance that made us who we are—and is now driving us to ruin.

Each of us is endowed with an inheritance—a set of evolved biases and cultural tools that shape every facet of our behavior. For countless generations, this inheritance has taken us to ever greater heights: driving the rise of more sophisticated technologies, more organized religions, more expansive empires. But now, for the first time, it’s failing us. We find ourselves hurtling toward a future of unprecedented political polarization, deadlier war, and irreparable environmental destruction.

In Inheritance, renowned anthropologist Harvey Whitehouse offers a sweeping account of how our biases have shaped humanity’s past and imperil its future. He argues that three biases—conformism, religiosity, and tribalism—drive human behavior everywhere. Forged by natural selection and harnessed by thousands of years of cultural evolution, these biases catalyzed the greatest transformations in human history, from the birth of agriculture and the arrival of the first kings to the rise and fall of human sacrifice and the creation of multiethnic empires. Taking us deep into modern-day tribes, including terrorist cells and predatory ad agencies, Whitehouse shows how, as we lose the cultural scaffolding that allowed us to manage our biases, the world we’ve built is spiraling out of control.

By uncovering how human nature has shaped our collective history, Inheritance unveils a surprising new path to solving our most urgent modern problems. The result is a powerful reappraisal of the human journey, one that transforms our understanding of who we are, and who we could be.

We all hope that we will be cared for as we age. But the details of that care, for caretaker and recipient alike, raise some of life’s most vexing questions. From the mid-nineteenth to the mid-twentieth century, as an explosive economy and shifting social opportunities drew the young away from home, the elderly used promises of inheritance to keep children at their side. Hendrik Hartog tells the riveting, heartbreaking stories of how families fought over the work of care and its compensation.

Someday All This Will Be Yours narrates the legal and emotional strategies mobilized by older people, and explores the ambivalences of family members as they struggled with expectations of love and duty. Court cases offer an extraordinary glimpse of the mundane, painful, and intimate predicaments of family life. They reveal what it meant to be old without the pensions, Social Security, and nursing homes that now do much of the work of serving the elderly. From demented grandparents to fickle fathers, from litigious sons to grateful daughters, Hartog guides us into a world of disputed promises and broken hearts, and helps us feel the terrible tangle of love and commitments and money.

From one of the bedrocks of the human condition—the tension between the infirmities of the elderly and the longings of the young—emerges a pioneering work of exploration into the darker recesses of family life. Ultimately, Hartog forces us to reflect on what we owe and are owed as members of a family.