front cover of Euripides V
Euripides V
Bacchae, Iphigenia in Aulis, The Cyclops, Rhesus
Edited and Translated by Mark Griffith, Glenn W. Most, David Grene, and Richmond Lattimore
University of Chicago Press, 2013
Euripides V includes the plays “The Bacchae,” translated by William Arrowsmith; “Iphigenia in Aulis,” translated by Charles R. Walker; “The Cyclops,” translated by William Arrowsmith; and “Rhesus,” translated by Richmond Lattimore.
 
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
 
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
 
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
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front cover of Iphigenia
Iphigenia
(The diary of a young lady who wrote because she was bored)
By Teresa de la Parra
University of Texas Press, 1994

Winner, Harvey L. Johnson Award, Southwest Council on Latin American Studies, 1994

"...I didn't want to tell you the truth for anything in the world, because it seemed very humiliating to me..." The truth is that Iphigenia is bored and, more than bored, buried alive in her grandmother's house in Caracas, Venezuela. After the excitement of being a beautiful, unchaperoned young woman in Paris, her father's death has sent her back to a forgotten homeland, where rigid decorum governs. Two men—the married man she adores and the wealthy fiancé she abhors—offer her escape from her prison. Which of these impossible suitors will she choose?

Iphigenia was first published in 1924 in Venezuela, where it hit patriarchal society like a bomb. Teresa de la Parra was accused of undermining the morals of young women with this tale of a passionate woman who lacks the money to establish herself in the liberated, bohemian society she craves. Yet readers have kept the novel alive for decades, and this first English translation now introduces its heroine to a wider audience.

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