front cover of Between Silences
Between Silences
A Voice from China
Ha Jin
University of Chicago Press, 1990
"Mixing autobiography with invented other voices, this book is an extraordinary meditation on what it means to have lived the history of China in the second half of the twentieth century. At its best, Ha Jin's language is as accessible, penetrating, and mysterious as Pound's Cathay. This is a profound book, an event."—Frank Bidart

"In these poems Ha Jin gives voice to the millions whose lives were altered and whose tongues were silenced by the Cultural Revolution. . . .If Ha Jin speaks in tongues in these poems, we feel him behind those voices—the hidden director behind the scenes—never as a presence filled with stridency and self-congratulation; he brings a great empathy and compassion to his depiction of the fallible men and women whose acts and attitudes together make up history."—Roger Gilbert, Hungry Mind Review
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front cover of The Writer as Migrant
The Writer as Migrant
Ha Jin
University of Chicago Press, 2008
Novelist Ha Jin raises questions about language, migration, and the place of literature in a rapidly globalizing world.

Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin’s own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov—who, like Ha Jin, adopted English for their writing—are enlisted to explore a migrant author’s conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie—refracting and refining the very idea of a literature of migration.

Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin’s mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.
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