BiblioVault - Books about Kind

History as a Kind of Writing

Textual Strategies in Contemporary French Historiography

Philippe Carrard

University of Chicago Press, 2017

In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography.

Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.

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How I Became the Kind of Writer I Became

An Experiment in Autoethnography

Charles Bazerman

University Press of Colorado, 2024

In his exploration of his development as one of the most prolific and thoughtful writers in the field of writing studies, Charles Bazerman considers how, like all writers, he has been shaped in distinctive and unique ways by his literate experiences. “Each of our stories is particular,” he writes, calling this book “my experiment in saying what I can from my perspective about my development as a writer.” How I Became the Kind of Writer I Became poses questions about the lifespan development of writing and, in particular, how writing emerges within the “conditions, relations, and needs of life.” Observing that his autoethnography does not offer a norm or an ideal, Bazerman calls attention to the need for more of these kinds of reflections. “We need many such stories from many kinds of writers,” he notes, “reflecting on what opportunities, needs, experiences, and resources came their way and how they iteratively solved the problem of what to write and how to write it, as they saw it.” As the first book in the Lifespan Writing Research book series, Bazerman’s work serves as both a model for reflective inquiry and a call for additional work in this area.

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In Kind

Maggie Queeney

University of Iowa Press, 2023

Part wunderkammer, part grimoire, Maggie Queeney’s In Kind is focused on survival. A chorus of personae, speaking into and through a variety of poetic forms, guide the reader through the aftermath of generations of domestic, gendered, and sexual violence, before designing a transformation and rebirth. These are poems of witness, self-creation, and reclamation.

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It’s All a Kind of Magic

The Young Ken Kesey

Rick Dodgson

University of Wisconsin Press, 2013

Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo’s Nest and Sometimes a Great Notion, Ken Kesey said he was “too young to be a beatnik and too old to be a hippie.” It’s All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, farming, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson.

Based on meticulous research and many interviews with friends and family, Rick Dodgson’s biography documents Kesey’s early life, from his time growing up in Oregon through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society.

With the success of One Flew Over the Cuckoo’s Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the “world capital of madness.” There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a “hippie” lifestyle before anyone knew what that meant. Tom Wolfe’s book The Electric Kool-Aid Acid Test mythologized Kesey’s adventures in the 1960s.

Illustrated with rarely seen photographs, It’s All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who—through talent, instinct, and fearless spectacle—made his life into a performance, a wild magic act that electrified American and world culture.

“Rick Dodgson has pored over Kesey’s published and unpublished writings, interviews, and historical records to write a colorful biography of this charismatic American character. The resulting portrayal challenges assumptions about Kesey’s place in the counterculture.”—Journal of American History

“Dodgson’s painstaking research unearths hidden gems of Kesey’s life that marked him as a fascinating figure.”—H-Net

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A Kind of Alaska

Women in the Plays of O'Neill, Pinter, and Shepard

Ann C. Hall

Southern Illinois University Press, 1993

In an effort to define what constitutes a feminist reading of literary works, Ann C. Hall offers an analytic technique that is both a feminist and a psychoanalytic approach, applying this technique to her study of women characters in the modern dramatic texts of Eugene O’Neill, Harold Pinter, and Sam Shepard.

This is the first study to treat these three writers in tandem, and while Hall uses the work of Jacques Lacan, Luce Irigaray, and other psychoanalytic feminist critics in her close readings of specific dramatic texts, she also brings in commentaries by critics, directors, performers, and historians. Her technique thereby provides us with a new and significant method for addressing female characters as written by male playwrights, a task that she argues is not only a valid and necessary part of feminist dramatic criticism but a part of theatrical production as well.

From Pinter’s play A Kind of Alaska, Hall extracts a metaphor for the patriarchal oppression of women, contextualizing such oppression through an examination of O’Neill’s madonnas, Pinter’s whores, and Shepard’s female saviors as they are represented in O’Neill’s Iceman Cometh, Long Day’s Journey into Night, and A Moon for theMisbegotten; Pinter’s Homecoming, No Man’s Land, Betrayal, and A Kind of Alaska; and Shepard’s Buried Child, True West, and A LieoftheMind.

Since the works of O’Neill, Pinter, and Shepard continue to be performed to popular acclaim, Hall hopes that a better understanding of the female characters in these plays will influence the performances themselves.

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A Kind of Dream

Stories

Kelly Cherry

University of Wisconsin Press, 2014

Life is A Kind of Dream. So is the art we make in response to life. In A Kind of Dream, five generations of an artistic family explore the ups and downs of life, discovering that for an artist even failure is success, because the work matters more than the self.
            The selves in this book include Nina, a writer, and her husband, Palmer, a historian, who, having settled into marriage and family life, are now faced with the bittersweetness of late life; BB and Roy, who make a movie in Mongolia; Tavy, Nina’s adopted daughter, a painter in her twenties who meets her birth mother for the first time; and Tavy’s young daughter, Callie, a budding violinist. Other vivid characters confront the awful fact of violence in America; try to cope with political ineptitude; and one devises his own code of sexual morality. Perhaps the most important character is Nina's dog, a salt-and-pepper cairn terrier of uncommon wisdom.
            Fame, death, rash self-destruction, laughter, the excitement of making good art, love, marriage, being a mother, being a father, the appreciation of beauty, and always life—life itself, life in all its shapes and guises—it’s all here.
            A Kind of Dream is the culminating book in a trilogy Kelly Cherry began with My Life and Dr. Joyce Brothers and The Society of Friends. Each book stands alone, but together they take us on a Dantean journey from midlife to Paradise. Cherry’s prose is hallmarked by lyric grace, sly wit, the energy of her intelligence, and profound compassion for and understanding of her characters. Set in Madison, Wisconsin, A Kind of Dream reveals a surprisingly wide view of the world and the authority of someone who has mastered her art. It is a book to experience and to reflect upon.

Best Books for General Audiences, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

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The Kind of Things Saints Do

Laura Valeri

University of Iowa Press, 2002

From the Anglo-American woman who makes a spectacle of herself trying to be Cuban in Miami to the estranged son leading his father on a hostile hike in New Mexico, Valeri's characters carry a heavy load of desire and anger. Proud, loud, and hungry for whatever comes next, each person desperately searches for an understanding that lessens his or her burden. The saints here are pure only in their anger, desperation, and desire to be loved, holy only in their quest to keep going.

These stories grow through subtle shifts—the bad becomes not so bad, the worst livable. It is the saintly moments of unexpected understanding that shape the collection: one gigolo's lover picks up another at a bus stop and they agree on his worthlessness, the love-worn man reminds the newly divorced woman of her physical power, the estranged son shelters his father from an unexpected storm.

Valeri navigates the reader through the bones and scars of those who ache with wanting something else and become a little older and a little wiser for it. The Kind of Things Saints Do is a collection of human imperfections and missed connections that grows into a kaleidoscope of aspiration and hope.

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