Mercury and the Making of California, Andrew Johnston’s multidisciplinary examination of the history and cultural landscapes of California’s mercury-mining industry, raises mercury to its rightful place alongside gold and silver in the development of the American West.

Gold and silver could not be refined without mercury; therefore, its production and use were vital to securing power and wealth in the West. The first industrialized mining in California, mercury mining had its own particular organization, structure, and built environments. These were formed within the Spanish Empire, subsequently transformed by British imperial ambitions, and eventually manipulated by American bankers and investors. In California mercury mining also depended on a workforce differentiated by race and ethnicity. The landscapes of work and camp and the relations among the many groups involved in the industry—Mexicans, Chileans, Spanish, English, Irish, Cornish, American, and Chinese—form a crucial chapter in the complex history of race and ethnicity in the American West.

This pioneering study explicates the mutual structuring of the built environments of the mercury-mining industry and the emergence of California’s ethnic communities. Combining rich documentary sources with a close examination of the existing physical landscape, Johnston explores both the detail of everyday work and life in the mines and the larger economic and social structures in which mercury mining was enmeshed, revealing the significance of mercury mining for Western history.

This richly illustrated collection of essays, reissued in paperback with a new foreword by Karen L. Cox, examines Confederate memorials from Monument Avenue to Stone Mountain and explores how each monument, with its associated public rituals, testifies to the romanticized narrative of the American Civil War known as the Lost Cause. Several of the fourteen essays highlight the creative leading role played by women’s groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The contributors – who include Karen L. Cox, Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen – trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public – and often emotionally charged – debate about how the South’s past should be remembered.