front cover of Georges Perec's Geographies
Georges Perec's Geographies
Material, Performative and Textual Spaces
Edited by Charles Forsdick, Andrew Leak, and Richard Phillips
University College London, 2019
Georges Perec (1936–82) was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work as a novelist, filmmaker, and essayist is its intrinsically geographical nature. With many major projects on space and place, Perec’s writing speaks to a variety of geographical, urban, and architectural concerns—both in a substantive way, including a focus on cities, streets, and homes, and in a methodological way, as in his experiments with urban observation and exploration.

Georges Perec’s Geographies explores Perec’s geographical interests. The book is divided into two parts: Part I, “Perec’s Geographies,” explores space and place within Perec’s films, radio plays, and literature, from descriptions of actual streets to the fictional places within his work. Part II, “Perecquian Geographies,” explores geography in works directly inspired by Perec, including writing, photographs and photo essays, soundscapes, theater, and dance. Extending Perecquian criticism beyond literary and French studies to disciplines including geography, urban studies, and architecture, Georges Perec’s Geographies offers a complete and systematic examination that will be of interest not only to Perec scholars but also to students and researchers across these subjects.
 
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front cover of Jean-Paul Sartre
Jean-Paul Sartre
Andrew Leak
Reaktion Books, 2006
“What I have just written is false. True. Neither true nor false, like everything one writes about madmen, about men.” With these sentences, Jean-Paul Sartre undermines the truthfulness of his own autobiography, Les Mots. Undeterred by such circumlocutions, Andrew Leak here cuts through Sartre’s own disavowals to unearth the man behind the literary and philosophical giant.       

This biographical study integrates Sartre’s works into his personal life, revealing the intimate contexts in which his philosophy developed. From Sartre’s beginnings as a bright and precocious student, Leak explores how he struggled against the repressive strictures of bourgeois expectations, endured cruelty at the hands of schoolmates, and forged his conflicted personality within a fragmented family life. The book probes his particularly influential relationships with a range of people—from Simone de Beauvoir to Gaston Gallimard—and how Sartre was transformed by historical events, in particular his service in World War II.

Telling anecdotes, personal correspondence, and archival photographs expose how Sartre’s own challenges emerged as predominant themes in his works—such as the  often blurred delineation between the real and imaginary, and his preoccupation with definitions of “madness” in the individual. Leak’s astute and provocative examination of Sartre himself challenges the philosopher’s assertion about the limits of knowledge of the other.
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