“This gripping and wide-ranging book explores how our efforts at communication with nonhumans tangle with complex questions of desire, affection, fear, and hope—all that lies beyond the domain of human reason. Eschewing the pastoral and accelerationist tendencies of posthumanism, Steingo’s method is focused squarely on the social injustices of modernity. His prose displays a restless critical mood that never fails to illuminate and provoke. An outstanding read.”
— Michael Gallope, author of "The Musician as Philosopher: New York’s Vernacular Avant-Garde, 1958-1978"
“Why is it that dreams of communication with animals, aliens, and other human adjacents invariably turn to music? Gavin Steingo has an answer, and it has all the charm and none of the flakiness that usually accompany such dreams. Witty, rational, and healthy-minded, he calls for both love and meaning. Humanity needs this book.”
— John Durham Peters, author of "Speaking into the Air: A History of the Idea of Communication"
"In its interdisciplinarity, Steingo’s research benefits multiple overlapping fields, including sound studies, musicology, science and technology studies, the environmental humanities, cultural studies, bioacoustics, and human-animal studies, and his monograph would make an excellent addition to graduate teaching in these research areas."
— Journal of the Royal Musical Association
" . . . an excellent monograph . . . highly recommended."
— Music & Letters