Psychobiography and Life Narratives explores a number of exciting new approaches to the psychological understanding of individual lives. Eleven prominent scholars in personality and social, developmental, and clinical psychology have contributed chapters presenting innovative perspectives on discerning and developing “the story of my life” that each person tells and lives by.
Five chapters show how differing psychobiographical approaches can illuminate the lives of Richard Nixon, Nathaniel Hawthorne, Eleanor Marx (Karl Marx’s youngest daughter), author and feminist Vera Brittain, psychologist Henry Murray, and Sigmund Freud (whose peculiar relationship to Leonardo da Vinci shaped and distorted the first psychobiography every written). Two chapters concentrate on the analysis of life histories collected from contemporary American adults at mid-life crises, and the remaining three chapters provide bold new conceptual and methodological perspectives from which to view the study of individual lives and life stories.
This landmark volume promises to make a major contribution to the growing literature on biography and personality.

Contributors. Irving E. Alexander, James William Anderson, Leslie A. Carlson, Rae Carlson, Alan C. Elms, Carol Franz, Lynne Layton, Dan P. McAdams, Richard L. Ochberg, George C. Rosenwald, William McKinley Runyan, Abigail G. Stewart, Jacquelyn Wiersma, David G. Winter

Personal testimonies are the life force of human rights work, and rights claims have brought profound power to the practice of life writing. This volume explores the connections and conversations between human rights and life writing through a dazzling, international collection of essays by survivor-writers, scholars, and human rights advocates.
            In We Shall Bear Witness, editors Meg Jensen and Margaretta Jolly assemble moving personal accounts from those who have endured persecution, imprisonment, and torture; meditations on experiences of injustice and protest by creative writers and filmmakers; and innovative research on ways that digital media, commodification, and geopolitics are shaping what is possible to hear and say. The book’s primary sections—testimony, recognition, representation, and justice—evoke the key stages in turning experience into a human rights life story and attend to such diverse and varied arts as autobiography, documentary film, report, oral history, blog, and verbatim theater. The result is a groundbreaking book that sensitively examines how life and rights narratives have become so powerfully entwined. Also included is an innovative guide to teaching human rights and life narrative in the classroom.