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An Artist's Journey
Lettres d'un bachelier es musique, 1835-1841
Franz Liszt
University of Chicago Press, 1989
In these eloquent and intensely personal writings, Franz Liszt sketches the cities, people, and scenes of his travels in the 1830s and explores ideas about art and its ideal place in the world. During six years of wandering through Switzerland, France, Italy, Austria, and Germany (four of them together with Countess Marie d'Agoult), the composer saw the greatest art and most fabulous landscapes of Europe and crossed paths with celebrated singers and artists, renowned intellectuals, infamous socialites, and both reigning and deposed aristocracy. The article/essays that emerged from this period are both public and private: though written for the Paris press, they are the closest that Liszt came to autobiography. Some of these writings are travel articles; some are essentially reports of a music correspondent; still others are personal and confessional; and some are really essays on the nature of art. All offer precious insight into the musical, social, and intellectual life in the major European capitals seen through the eyes of one of the most well-read and influential musical personalities of the period.
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The Letters of Franz Liszt to Olga von Meyendorff, 1871–1886
In the Mildred Bliss Collection at Dumbarton Oaks
Franz Liszt
Harvard University Press, 1979

These letters of Franz Liszt are a part of the Dumbarton Oaks Collection bequeathed to Harvard University by Mrs. Robert Woods Bliss in 1969. Written during the last sixteen years of Liszt’s life, they are addressed to the Baroness Olga von Meyendorff, who shared his interests, though not always his views, in a broad field of disciplines—music, philosophy, theology, politics, literature—as well as his concern for persons both prominent and familial.

The translation by William R. Tyler, who from 1969 to 1977 was Director of Dumbarton Oaks, is provided with notes and an Introduction by Edward N. Waters, widely recognized authority on Liszt and formerly Chief of the Music Division of the Library of Congress.

Composed with warmth and humor, and not infrequently with some asperity, the letters reveal Liszt to have been an ardent, generous, and modest man, loyal and devoted to family and friends, pupils and colleagues alike.

Though it was first intended to publish the letters in their original French as well as in translation, the cost of such a publication proved to be prohibitive. However, copies of the letters, or, when necessary, the letters themselves may be consulted by qualified readers at Dumbarton Oaks.

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