BiblioVault - Books about Literature and state

Enemies of the People

The Destruction of Soviet Literary, Theater, and F

Katherine Bliss Eaton

Northwestern University Press, 2002

"Katherine Eaton has compiled a collection of essays on the destruction of the arts in Russia in the 1930s. The essays provide information about what we know was lost, and speculation about what might have been lost, in the Stalinist Great Purge"

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How Russia Learned to Write

Literature and the Imperial Table of Ranks

Irina Reyfman

University of Wisconsin Press, 2021

In the eighteenth century, as modern forms of literature began to emerge in Russia, most of the writers producing it were members of the nobility. But their literary pursuits competed with strictly enforced obligations to imperial state service. Unique to Russia was the Table of Ranks, introduced by Emperor Peter the Great in 1722. Noblesse oblige was not just a lofty principle; aristocrats were expected to serve in the military, civil service, or the court, and their status among peers depended on advancement in ranks.
Irina Reyfman illuminates the surprisingly diverse effects of the Table of Ranks on writers, their work, and literary culture in Russia. From Sumarokov and Derzhavin in the eighteenth century through Pushkin, Gogol, Dostoevsky, and poets serving in the military in the nineteenth, state service affected the self-images of writers and the themes of their creative output. Reyfman also notes its effects on Russia’s atypical course in the professionalization and social status of literary work.

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In Stalin's Time

Middleclass Values in Soviet Fiction

Vera S. Dunham

Duke University Press, 1990

This new edition of In Stalin’s Time, which brings back into print Vera Dunham’s 1976 landmark study of popular fiction in the Soviet Union during the Stalin regime, is updated to include new material by the author and a new introduction by Richard Sheldon. Dunham describes how the middle-brow or postwar establishmentarian literature of the Stalinist period was a product of a “Big Deal” intended to propagate values and establish an alliance between the regime and the middle class. Both descriptive and analytical, Dunham’s complex picture of “high totalitarianism” not only reveals insights into the details of Soviet life but illuminates important theoretical questions about the role of literature in the political structure of Soviet society.

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Secular Revelations

The Constitution of the United States and Classic American Literature

Mitchell Meltzer

Harvard University Press, 2005

The United States Constitution, battleground of a politically bifurcated nation, and sponsor of that nation's now threatened cultural unity, is a quintessentially political document. Americans' representatives swear loyalty to it, and her soldiers die for it. Yet no one has ever seriously considered the formative influence this document, so central a force for all Americans, has had on American cultural life. Now, in this ambitious book, Mitchell Meltzer has for the first time demonstrated the extent to which the Constitution is both source and inspiration for America's greatest literary masterworks.

Retelling the history of the Constitution's formation, Meltzer explains how the peculiarly paradoxical form of the Constitution, its "secular revelation," underwent a literary rebirth after the passing of the Founders' generation, and issued in what is strangest and most characteristic in America's classic literature. By combining the secular with the revealed, a Constitutional poetics results that gives rise, in both politics and literature, to the formation of more perfect unions.

Offering powerful new perspectives on Lincoln, Emerson, Whitman, and Melville, Meltzer reveals how the Constitution counterintuitively generated such oft-noted tendencies as these writers' penchant for self-contradiction, their willingness to court radical discontinuity, and their intensely conflicted, romance-directed fictions.

Secular Revelations presents the Constitution in a new role, the inspiration of a great national literature.

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The Soviet Writers' Union and Its Leaders

Identity and Authority under Stalin

Carol Any

Northwestern University Press, 2021

Winner, University of Southern California Book Prize in Literary and Cultural Studies

The Soviet Writers’ Union offered writers elite status and material luxuries in exchange for literature that championed the state. This book argues that Soviet ruler Joseph Stalin chose leaders for this crucial organization, such as Maxim Gorky and Alexander Fadeyev, who had psychological traits he could exploit. Stalin ensured their loyalty with various rewards but also with a philosophical argument calculated to assuage moral qualms, allowing them to feel they were not trading ethics for self‑interest.

Employing close textual analysis of public and private documents including speeches, debate transcripts, personal letters, and diaries, Carol Any exposes the misgivings of Writers’ Union leaders as well as the arguments they constructed when faced with a cognitive dissonance. She tells a dramatic story that reveals the interdependence of literary policy, communist morality, state‑sponsored terror, party infighting, and personal psychology. This book will be an important reference for scholars of the Soviet Union as well as anyone interested in identity, the construction of culture, and the interface between art and ideology.

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