This boldly original book explores the origins, meanings, and forms of women's aggression. Drawing from in-depth interviews with sixty women of different ages and ethnic and class backgrounds--police officers, attorneys, substance abusers, homemakers, artists--Dana Jack provides a rich account of how women explain (or explain away) their own hidden or actual acts of hurt to others. With sensitivity but without sentimentality, Jack gives readers a range of compelling stories of how women channel, either positively or destructively, their own powerful force and of how they resist and retaliate in the face of others' aggression in a society that expects women to be yielding, empathetic, and supportive.
Arguing that aggression arises from failures in relationships, Jack portrays the many forms that women's aggression can take, from veiled approaches used to resist, control, and take vengeance on others, to aggression that reflects despair, to aggression that may be a hopeful sign of new strength. Throughout the book, Jack shows the positive sides of aggression as women struggle with internal and external demons, reconnect with others, and create the courage to stand their ground. This work broadens our understanding of aggression as an interpersonal phenomenon rooted in societal expectations, and offers exciting new approaches for exploring the variations of this vexing human experience.
Eynat-Confino goes beyond the usual consideration of Craig’s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig’s idea of theater.
She draws not only on the research of contemporary Craig scholars but on material hitherto unavailable—his writings and daybooks and the writings of friends. She ties Craig’s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the über-marionette, a giant puppet. Craig also invented the “Scene,” a kinetic stage, the “screens” that brought him worldwide fame were simply an adaptation of this concept.
Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig’s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring “friendliness—humor—love—ease—peace” to the world.
The perils of aging are many, but the debilitating effects of serious illness loom large. In this stirring memoir, readers will discover a man who improved the lives of many arthritis sufferers before himself succumbing to a cruel debilitating disease. The Man behind the Mask tells the story of Thomas Mallory, who was inspired to become a doctor after undergoing surgery for a high school football injury. He went on to become a renowned surgeon and a pioneer in joint replacement. In 2002, his successful career came to an abrupt halt when he was diagnosed with Parkinson’s disease.
Mallory was one of the first surgeons in the United States to see the potential for joint replacement technology, and in this memoir he describes not only the nuances of introducing hip replacement surgery but also the systems that he established to make it a highly successful operation. He tells how he overcame initial resistance to the procedure and became a respected teacher of the technology, training many surgeons who went on to successful careers, lecturing about his procedure around the world, and also seeing VIP patients who journeyed to Ohio just to be operated on by him.
As a pioneer in this type of operation, Mallory first recognized the value of using prosthetic innovation and development. He became a proponent of modularity in joint replacement surgery, which allowed a surgeon to customize a prosthesis to a patient’s joint in the operating room. His innovations, along with those of Dr. William Head, resulted in the introduction in 1983 of the Mallory-Head Hip System—a technology still in use today and one that has offered relief to thousands of patients.
Tracing the joys and sorrows of his own career, Mallory dispels the myth that surgeons are emotionally invulnerable and cold. He offers his perspective on the pursuit of medicine as a profession, on the doctor-patient relationship, and on litigious challenges to physicians. He also commends the benefits of family and leisure and the blessing of life in general while offering insight into the management of an incurable disease.
In our skeptical era, Thomas Mallory is a shining example of a prominent scientist who has maintained his faith in God throughout the highs and lows of life. The Man behind the Mask is an inspiring account for fellow professionals and general readers, as well as for those who have benefited from the procedures he introduced.
In this, the first English-language biography of Subcommander Marcos, Nick Henck describes the thought, leadership, and personality of this charismatic rebel spokesperson. He traces Marcos’s development from his provincial middle-class upbringing, through his academic career and immersion in the clandestine world of armed guerrillas, to his emergence as the iconic Subcommander. Henck reflects on what motivated an urbane university professor to reject a life of comfort in Mexico City in favor of one of hardship as a guerrilla in the mountainous jungles of Chiapas, and he examines how Marcos became a conduit through which impoverished indigenous Mexicans could communicate with the world.
Henck fully explores both the rebel leader’s renowned media savvy and his equally important flexibility of mind. He shows how Marcos’s speeches and extensive writings demonstrate not only the Subcommander’s erudition but also his rejection of Marxist dogmatism. Finally, Henck contextualizes Marcos, locating him firmly within the Latin American guerrilla tradition.
Every year, about forty million Americans require surgery. Few truly understand what happens to them during the procedure-especially what the anesthesiologist does to ensure their survival and well being. An anesthesiologist disarms your entire nervous system with the most effective drugs for your body chemistry; keeps you alive while you're subjected to manipulations that would otherwise kill you; and ensures your safe return to consciousness. Yet despite their crucial role, anesthesiologists are often the unseen doctors. Under the Mask, written by a compassionate practitioner, demystifies the surgical process with detailed information that will make you a better-informed consumer.
Part One describes the development and current scope of anesthesiology, the medications and techniques used, and what the anesthesiologist does both in and outside the operating room. It explains your-the patient's- rights and advises you how to use the preoperative consultation with the anesthesiologist to your best advantage, specifying what information you need provide and what questions you should ask.
Part Two details the most common surgical and diagnostic procedures requiring anesthesia or conscious sedation. Using clear language, it explains each procedure, the possible risks, and the choices to make if there is more than one option. It also covers the anesthesiologist's crucial role in controlling pain caused by chronic conditions. The last chapter describes the newest anesthetic and pain control techniques available.
The author also helps you understand anesthesiology within the managed care system and explains what you can expect and what to do if you aren't getting what you need. This book enables you to make informed decisions regarding surgical anesthesia and subsequent pain control within the managed care system to protect your well-being and hasten your recovery.READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press