Photojournalism has long been the medium of urgency and social change. It has profoundly affected American public opinion, going back at least to Mathew Brady's images from the Civil War. In American Photojournalism: Motivations and Meanings, Claude Cookman explores the history and future of the medium through the work of such exemplary photojournalists as Jacob Riis, Dorothea Lange, Weegee, Margaret Bourke-White, W. Eugene Smith, Gordon Parks, Rich Clarkson, and Carol Guzy, among others. The traditional approach to studying American photojournalism explains the what and who of photojournalism--what events and developments occurred, what notable images were taken, and who took them. Without neglecting these concerns, American Photojournalism emphasizes the why. Cookman argues convincingly that contemporary photojournalism is grounded in the desire to witness and record history, and the embrace of a universal humanism. Unafraid to engage questions of truth and intentionality, American Photojournalism will only become more relevant as the medium evolves.
Lesser draws on a wide range of sources, including films, oral histories, wanted posters, advertisements, newspapers, photographs, police reports, government records, and diplomatic correspondence. He focuses on two particular cultural arenas—erotic cinema and political militancy—which highlight the ways that Japanese Brazilians imagined themselves to be Brazilian. As he explains, young Nikkei were sure that their participation in these two realms would be recognized for its Brazilianness. They were mistaken. Whether joining banned political movements, training as guerrilla fighters, or acting in erotic films, the subjects of A Discontented Diaspora militantly asserted their Brazilianness only to find that doing so reinforced their minority status.
Throughout Front Yard America, Schroeder inquires into the functions, values, and meanings that Americans have found in the domestic landscapes of back yards and front yards, walls and fences, porches and patios.
German Memorials, Motifs, and Meanings offers a unique cultural history of German memorialization. The book focuses not on a single, isolated era, but rather on enduring memorial motifs—enchanted stones, magical trees, raised fists, stone circles, and similar evocative symbols derived from myth, folklore, Christianity, national iconography, and post-Holocaust imagery. It thus takes a long-duration perspective, sweeping across the centuries to explore abiding themes such as death, rebirth, and redemption; violence and reconciliation; and sacrifice, identity, and community. Along with a consideration of the historical and social circumstances of each memorial and its motifs, author Jennifer Hansen-Glucklich answers the questions of why and how these cultural markers survive the passage of time and how they endure amidst cultural, social, and political upheavals that include the rise and fall of empires, catastrophes of war and occupation, and genesis of new national identities. She uniquely focuses on lesser-known or unknown memorials found either in smaller German cities or tucked away in villages and hamlets.
These memorials tell colorful, often ambiguous and problematic stories in contrast to the vaunted monuments of Germany’s post-WWII era, such as Berlin’s Memorial to the Murdered Jews of Europe. Through vivid descriptions and deep analysis of the narratives and aesthetics of key monuments and motifs, Hansen-Glucklich details the remarkable story of German memorial culture from medieval times to the present day.
German Memorials, Motifs, and Meanings offers a unique cultural history of German memorialization. The book focuses not on a single, isolated era, but rather on enduring memorial motifs—enchanted stones, magical trees, raised fists, stone circles, and similar evocative symbols derived from myth, folklore, Christianity, national iconography, and post-Holocaust imagery. It thus takes a long-duration perspective, sweeping across the centuries to explore abiding themes such as death, rebirth, and redemption; violence and reconciliation; and sacrifice, identity, and community. Along with a consideration of the historical and social circumstances of each memorial and its motifs, author Jennifer Hansen-Glucklich answers the questions of why and how these cultural markers survive the passage of time and how they endure amidst cultural, social, and political upheavals that include the rise and fall of empires, catastrophes of war and occupation, and genesis of new national identities. She uniquely focuses on lesser-known or unknown memorials found either in smaller German cities or tucked away in villages and hamlets.
These memorials tell colorful, often ambiguous and problematic stories in contrast to the vaunted monuments of Germany’s post-WWII era, such as Berlin’s Memorial to the Murdered Jews of Europe. Through vivid descriptions and deep analysis of the narratives and aesthetics of key monuments and motifs, Hansen-Glucklich details the remarkable story of German memorial culture from medieval times to the present day.
Meanings of Antiquity is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order.
As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China’s glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan’s most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years.
Drawing on extensive ethnographic research, Wolford compares the development of the movement in Brazil’s southern state of Santa Catarina and its northeastern state of Pernambuco. As she explains, in the south, most of the movement’s members were sons and daughters of small peasant farmers; in the northeast, they were almost all former plantation workers, who related awkwardly to the movement’s agenda of accessing “land for those who work it.” The MST became an effective presence in Pernambuco only after the local sugarcane economy had collapsed. Worldwide sugarcane prices dropped throughout the 1990s, and by 1999 the MST was a prominent political organizer in the northeastern plantation region. Yet fewer than four years later, most of the region’s workers had dropped out of the movement. By delving into the northeastern workers’ motivations for joining and then leaving the MST, Wolford adds nuance and depth to accounts of a celebrated grassroots social movement, and she highlights the contingent nature of social movements and political identities more broadly.
The present volume explores the ever-evolving understandings and diverse manifestations of the Hebrew notion of torah in early Jewish and Christian literature and the different roles torah played within those communities, whether in Judea or in the Hellenistic and early Roman diaspora. This collection of essays is purposefully wide-ranging, with contributors exploring and rethinking some of the most basic scholarly assumptions and preconceptions about the nature of torah in light of new critical approaches and methodologies. Contributors include Gabriele Boccaccini, Francis Borchardt, Calum Carmichael, Federico Dal Bo, Lutz Doering, Oliver Dyma, Paula Fredriksen, Robert G. Hall, Magnar Kartveit, Anne Kreps, David Lambert, Michael Legaspi, Jason A. Myers, Juan Carlos Ossandón Widow, Anders Klostergaard Petersen, Patrick Pouchelle, Jeremy Punt, Michael L. Satlow, Joachim Schaper, William Schniedewind, Elisa Uusimäki, Jacqueline Vayntrub, Jonathan Vroom, James W. Watts, Benjamin G. Wright III, and Jason M. Zurawski.
Transitions: Legal Change, Legal Meanings illustrates the various intersections, crises, and shifts that continually occur within the law, and how these moments of change interact with and comment on contemporary society.
This anthology interrogates two salient concepts in studying the black experience. Ushered in with the age of New World encounters, modernity emerged as brutal and complex, from its very definition to its manifestations. Equally challenging is blackness, which is forever dangling between the range of uplifting articulations and insidious degradation. The essays in Western Fictions address the conflicting confluences of these two terms. Questioning Eurocentric and mainstream American interpretations, they reveal the diverse meanings of modernities and blackness from a wide range of milieus of the black experience. Interdisciplinary and wide-ranging in thematic and epochal scope, they use theoretical and empirical studies of a range of subjects to demonstrate that, indeed, blackness is relevant for understanding modernities and vice versa.
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