The eleven books of poetry by Venantius Fortunatus include well-loved hymns, figure poems, epigrams on miracles, and elegies in the voices of abandoned or exiled women. The sixth-century poet began his career in northern Italy before moving to Gaul, where he wrote for the remainder of his life—praising kings and elites of the Merovingian dynasty and describing the natural scenery and society of his adopted homeland during the transition from late antiquity to the early Middle Ages. In his lively and inventive style, Fortunatus also addressed verses to religious figures such as his patron Gregory of Tours and to holy women such as Radegund, founder of the Convent of the Holy Cross in Poitiers, and Agnes, the convent’s first abbess.

Fortunatus’s imaginative metaphors and wry, self-mocking humor ensure his place in the canon of Christian Latin poets. This volume presents for the first time in English translation all of his poetry, apart from a single long saint’s life in verse.

In a young American republic seeking to define itself in relation to European cultural and political models past and present, it was assumed that the history of Europe’s peoples could be tracked across time over the longue durée. From this perspective, even the barbarous long-haired kings of the distant Merovingian era helped to define the political and cultural identity of a France—and, indeed, a Europe—whose actions Americans recognized as relevant to their own republic. Americans saw medieval parallels not only in the actions of successive French regimes, but in contemporary transatlantic issues of anxiety, including the adjudication of claims of political legitimacy and the debate over the perpetuation of racial slavery. That early American writers located their own meanings in the history of Merovingian Francia is indicative of a less linear, and more diverse and transnational, historiography than previously recognized.