In 1930, a remote corner of southwest Arkansas witnessed the discovery of cinnabar, the ore from which mercury is extracted. Upon the arrival of “the metal of a thousand uses,” a wave of hope and ambition swept through the foothills of the Ouachita Mountains as mercury mining promised economic revival for the struggling state. Despite the known dangers of the industry, Arkansans greeted the prospect of a mercury boom with unbridled enthusiasm, seeing it as a potential solution to their economic woes amid the Great Depression.

In The Metal of a Thousand Uses: Mercury Mining in Arkansas, 1930–1946, Terry S. Reynolds charts the dramatic rise and fall of the state’s mercury mining district, from the euphoria of discovery to the logistical and financial challenges of industrialization. Drawing on deep archival research, Reynolds explores the experiences of the miners and managers whose fates became bound to the companies that sought to commercialize mercury refining in the Ouachita Mountains. The result is a vivid account of a little-known chapter in American mineral-resource history.

From this experience, Lawrence J. Ouellet has the advantage of a rare perspective and a profound understanding of the two fundamental questions he asks in this book: Why do truck drivers work so hard even when it doesn't result in more money or other material gains? and How do truckers make sense of their behavior to themselves and to the outside world? A vivid ethnography of trucking culture, Pedal to the Metal documents and analyzes truckers' lives and work ethic, exploring the range of identities truckers create for themselves—the renegade cowboy, the company man, the voyeur, the lone king of the road. To explain truckers' motivations, Ouellet examines the meaning of work and the motivation for excelling despite long, unsupervised hours on the road. He finds that their occupational pride results in extraordinary efforts on the job and, subsequently, a positive sense of self. Driving skill allows truckers to improve their hauling times, which they proudly track to the minute, and to increase their productivity and income. Truckers' knowledge of the industry's structure and the idiosyncrasies of their own company allows them to improve their ability to get and carry out assignments, to maneuver around a traditional concept of rank and seniority, and to recreate to their advantage the pervasive cultural myths that the public expects should dictate a trucker's behavior. Whether capturing the pleasure and enchantment of trucking—driving under moon-lit skies across a snow-covered mountain range—or the miseries of boredom, bad weather, and exhausting schedules, Ouellet exhibits deep appreciation and passion for his subject.

A historic collection of metal art from ancient Iran, featuring images of more than 150 objects described in detail and fully illustrated, some with X-rays.

Medieval metalwork is one of the artistic highlights of the Iranian world, as well as of the Département des Arts de l’Islam at the Louvre in Paris, which holds more than one hundred and fifty objects from this period. A new approach to the study of a historic collection, Precious Material: The Arts of Metal in the Medieval Iranian World is a comprehensive overview of the production of metal in medieval Iran. Although this is one of the most important collections in the world, the objects, some well-known but many more unpublished, have never been studied or published as an ensemble. This volume includes a presentation of the collection through the lens of its centers of manufacture, a full technical analysis, as well as the functions and contexts in which the pieces were used. Each object is fully described and illustrated in color with close-up or X-ray images, and many inscriptions have been translated and are included in the catalog entries.