front cover of Chronic Failures
Chronic Failures
Kidneys, Regimes of Care, and the Mexican State
Ciara Kierans
Rutgers University Press, 2020
Chronic Failures: Kidneys, Regimes of Care and the Mexican State is about Chronic Kidney Disease (CKD) and the relentless search for renal care lived out in the context of poverty, inequality and uneven welfare arrangements. Based on ethnographic research conducted in the state of Jalisco, this book documents the routes uninsured Mexican patients take in order to access resource intensive biotechnical treatments, that is, different modes of dialysis and organ transplantation. It argues that these routes are normalized, bureaucratically, socially and epidemiologically, and turned into a locus for exploitation and profit.  Without a coherent logic of healthcare access, negotiating regimes of renal care has catastrophic consequences for those with the least resources to expend in that effort. In carrying both the costs and the burden of care, the practices of patients without entitlement offer a critical vantage point on the interplay between the state, markets in healthcare and the sick body.
 
[more]

front cover of How a Revolutionary Art Became Official Culture
How a Revolutionary Art Became Official Culture
Murals, Museums, and the Mexican State
Mary K. Coffey
Duke University Press, 2012
A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum—Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality.
[more]

front cover of Looking Like the Enemy
Looking Like the Enemy
Japanese Mexicans, the Mexican State, and US Hegemony, 1897–1945
Jerry García
University of Arizona Press, 2014
At the beginning of the twentieth century, thousands of Japanese citizens sought new opportunities abroad. By 1910, nearly ten thousand had settled in Mexico. Over time, they found work, put down roots, and raised families. But until now, very little has been written about their lives. Looking Like the Enemy is the first English-language history of the Japanese experience in Mexico.
 
Japanese citizens were initially lured to Mexico with promises of cheap and productive land in Chiapas. Many of the promises were false, and the immigrants were forced to fan out across the country, especially to the lands along the US border. As Jerry García reveals, they were victims of discrimination based on “difference,” but they also displayed “markers of whiteness” that linked them positively to Europeans and Americans, who were perceived as powerful and socially advanced. And, García reports, many Mexicans looked favorably on the Japanese as hardworking and family-centered.
 
The book delves deeply into the experiences of the Japanese on both sides of the border during World War II, illuminating the similarities and differences in their treatment. Although some Japanese Mexicans were eventually interned (at the urging of the US government), in general the fear and vitriol that Japanese Americans encountered never reached the same levels in Mexico.
 
Looking Like the Enemy is an ambitious study of a tumultuous half-century in Mexico. It is a significant contribution to our understanding of the immigrant experience in the Western Hemisphere and to the burgeoning field of borderlands studies.
[more]

front cover of A Mexican State of Mind
A Mexican State of Mind
New York City and the New Borderlands of Culture
Melissa Castillo Planas
Rutgers University Press, 2020
A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in  New York City, with members of  a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
 
[more]

front cover of The Monterrey Elite and the Mexican State, 1880–1940
The Monterrey Elite and the Mexican State, 1880–1940
By Alex M. Saragoza
University of Texas Press, 1988

After the Revolution of 1910, a powerful group of Monterrey businessmen led by the Garza-Sada family emerged as a key voice of the Mexican private sector. The Monterrey Elite and The Mexican State is the first major historical study of the "Grupo Monterrey," the business elite that transformed Monterrey into a premier industrial center, the "Pittsburgh" of Mexico.

Drawing on archival resources in the United States and Mexico and the work of previous scholars, Alex Saragoza examines the origins of the Monterrey elite. He argues that a "pact" between the new state and business interests was reached by the 1940 presidential elections—an accord that paved the way for the "alliance for profits" that has characterized relations between the Mexican state and capitalists since that time.

More than a standard business history, this study delves into both the intimate social world of the Garza-Sadas and their allies and the ideas, beliefs, and vision of the Monterrey elite that set it apart from and often against the Mexican government. In so doing, The Monterrey Elite and the Mexican State reveals the underlying forces that led to the most historic battle between the private sector and the Mexican state: the dramatic showdown in 1936 between the Garza-Sadas and then President Lázaro Cárdenas in Monterrey, Nuevo León.

[more]

front cover of Tepoztlán and the Transformation of the Mexican State
Tepoztlán and the Transformation of the Mexican State
The Politics of Loose Connections
JoAnn Martin
University of Arizona Press, 2005
During the 1980s and ’90s, Mexico weathered an economic crisis, witnessed electoral upheaval, and saw the dismantling of state subsidies to farmers and the privatization of nationally owned industries. This book considers how popular movements found fresh footing in this new political-economic landscape as villagers in Tepoztlán fought to keep communal lands out of the hands of outsiders, the state, and—increasingly—global capitalists. Examining social movement politics from the margins rather than the center, JoAnn Martin revisits the famous Redfield-Lewis debate on Tepoztlán to argue that the gossip seen by Oscar Lewis as undermining community coherence is really a form of political practice. During more than fifteen years of research, she observed the metamorphosis of a movement founded as a revolutionary popular struggle into what she terms a “politics of loose connections,” in which temporary alliances, flexible identities, and shifting rhetoric are adapted to the demands of the moment. Martin examines contemporary land struggles with an emphasis on the Comité para la Defensa de Tierra and its attempts to weave together strands of an invented tradition, contemporary agrarian reform law, and revolutionary ideology. She shows how Tepoztecan politics borrows discourses from the Mexican state; she then tells how this process shaped local politics in the midst of the contested 1988 national presidential election when local actors elaborated a discourse of democracy as a technique for disciplining gossip, and in 1991 when Tepoztecans began to draw on the support of international environmental NGOs. Throughout her analysis, Martin explores how Tepoztecan politics unfolds in the climate of mistrust first nurtured by the role of the state in local politics and later by the demands of working with U.S. and Western European environmentalists. Martin shows that the politics of loose connections is above all else a style of political participation that has proved adaptive in the contemporary political landscape, and that understandings of politics have been dogged by a conception of connections that may well be obsolete in the contemporary world. Her study is a balanced re-evaluation of Tepoztlán that reveals how politics succeeds through loose connections, a strategy that may be instructive for others seeking to survive in either local or global coalitions.
[more]


Send via email Share on Facebook Share on Twitter