*Winner of the MEMO Palestine Book Awards 2017*

Spanning several decades, Ella Shohat's work has introduced conceptual frameworks that fundamentally challenged conventional understandings of Palestine, Zionism and the Middle East, focusing on the pivotal figure of the Arab-Jew. This book gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material.

Defying the binarist and Eurocentric Arab-versus-Jew rendering of the Israeli/Palestinian conflict, Shohat's work has dared to engage with the deeper historical and cultural questions swirling around colonialism, Orientalism and nationalism. Shohat's paradigm-shifting work unpacks such fraught issues as the anomalies of the national/colonial in Zionist discourse; the narrating of Jewish pasts in Muslim spaces; the links and distinctions between the dispossession of the Nakba and the dislocation of Arab-Jews; the traumatic memories triggered by partition and border-crossing; the echoes within Islamophobia of the anti-Semitic figure of 'the Jew'; and the efforts to imagine a possible future inter-communal 'convivencia'.

Shohat's transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author's intellectual journey.

Focusing on Oriental Jews and their relations with their Arab neighbors in Mandatory Palestine, this book analyzes the meaning of the hybrid Arab-Jewish identity that existed among Oriental Jews, and discusses their unique role as political, social, and cultural mediators between Jews and Arabs. Integrating Mandatory Palestine and its inhabitants into the contemporary Semitic-Levantine surroundings, Oriental Neighbors illuminates broad areas of cooperation and coexistence, which coincided with conflict and friction, between Oriental and Sephardi Jews and their Arab neighbors. The book brings the Oriental Jewish community to the fore, examines its role in the Zionist nation-building process, and studies its diverse and complex links with the Arab community in Palestine.

Analyzing the visual syntax and display rhetoric applied in newspaper photos, national historical albums, and museum exhibitions, Noa Hazan shows that although racial thought was and still is verbally suppressed in Israel, it is vividly present in its nonverbal official and public visual sphere. The racist perspective of newspaper editors, book publishers, photographers, and museum curators were morally justified in its time by such patronizing ideals as realistic news coverage or the salvation of Jewish heritage assets. Although their perspectives played a dominant role in establishing a visual syntax of race in Israel, they were not seen as racially discriminating at the time. The racist motifs and actions are revealed here by colligating multiple cases into a coherent narrative in retrospect. 

This book points to a direct influence of the anti-Semitic discourse in Europe toward Mizrahim in Israel, highlighting the shared visual stereotypes used in both Europe and the fledgling state of Israel. Engraved in their body, these cultural traits were depicted and understood as racial-biological qualities and were visually manipulated to silo Ashkenazim and Mizrahim in Israel as distinct racial types.