front cover of Eye on the Future
Eye on the Future
Popular Culture Scholarship into the Twenty-First Century in Honor of Ray B. Browne
Marilyn F. Motz
University of Wisconsin Press, 1994

This collection includes essays by scholars from around the world and five of Ray Browne's essays which he considers signal. The purpose of this book is to chart Popular Culture Studies into the next century.

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front cover of Making the American Home
Making the American Home
Middle-Class Women and Domestic Material Culture, 1840–1940
Marilyn F. Motz
University of Wisconsin Press, 1988
The transformation of a house into a home has been in our culture a traditional task of women. The articles examine this process as they reflected the role of American middle-class women as homemakers in the years 1840–1940.
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Popular Culture Theory and Methodology
A Basic Introduction
Edited by Harold E. Hinds, Marilyn F. Motz, and Angela M.S. Nelson
University of Wisconsin Press, 2006
Since its birth in the 1960s, the study of popular culture has come a long way in defining its object, its purpose, and its place in academe. Emerging along the margins of a scholarly establishment that initially dismissed anything popular as unworthy of serious study-trivial, formulaic, easily digestible, escapist-early practitioners of the discipline stubbornly set about creating the theoretical and methodological framework upon which a deeper understanding could be founded. Through seminal essays that document the maturation of the field as it gradually made headway toward legitimacy, Popular Culture Theory and Methodology provides students of popular culture with both the historical context and the critical apparatus required for further growth.
    For all its progress, the study of popular culture remains a site of healthy questioning. What exactly is popular culture? How should it be studied? What forces come together in producing, disseminating, and consuming it? Is it always conformist, or has it the power to subvert, refashion, resist, and destabilize the status quo? How does it differ from folk culture, mass culture, commercial culture? Is the line between "high" and "low" merely arbitrary? Do the popular arts have a distinctive aesthetics? This collection offers a wide range of responses to these and similar questions. Edited by Harold E. Hinds, Jr., Marilyn F. Motz, and Angela M. S. Nelson, Popular Culture Theory and Methodology charts some of the key turning points in the "culture wars" and leads us through the central debates in this fast developing discipline. Authors of the more than two dozen studies, several of which are newly published here include John Cawelti, Russel B. Nye, Ray B. Browne, Fred E. H. Schroeder, John Fiske, Lawrence Mintz, David Feldman, Roger Rollin, Harold Schechter, S. Elizabeth Bird, and Harold E. Hinds, Jr. A valuable bibliography completes the volume.
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