front cover of La Malinche in Mexican Literature
La Malinche in Mexican Literature
From History to Myth
By Sandra Messinger Cypess
University of Texas Press, 1991

Of all the historical characters known from the time of the Spanish conquest of the New World, none has proved more pervasive or controversial than that of the Indian interpreter, guide, mistress, and confidante of Hernán Cortés, Doña Marina—La Malinche—Malintzin. The mother of Cortés's son, she becomes not only the mother of the mestizo but also the Mexican Eve, the symbol of national betrayal.

Very little documented evidence is available about Doña Marina. This is the first serious study tracing La Malinche in texts from the conquest period to the present day. It is also the first study to delineate the transformation of this historical figure into a literary sign with multiple manifestations.

Cypess includes such seldom analyzed texts as Ireneo Paz's Amor y suplicio and Doña Marina, as well as new readings of well-known texts like Octavio Paz's El laberinto de la soledad. Using a feminist perspective, she convincingly demonstrates how the literary depiction and presentation of La Malinche is tied to the political agenda of the moment. She also shows how the symbol of La Malinche has changed over time through the impact of sociopolitical events on the literary expression.

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La Revolución
Mexico's Great Revolution as Memory, Myth, and History
By Thomas Benjamin
University of Texas Press, 2000

The 1910 Revolution is still tangibly present in Mexico in the festivals that celebrate its victories, on the monuments to its heroes, and, most important, in the stories and memories of the Mexican people. Yet there has never been general agreement on what the revolution meant, what its objectives were, and whether they have been accomplished.

This pathfinding book shows how Mexicans from 1910 through the 1950s interpreted the revolution, tried to make sense of it, and, through collective memory, myth-making, and history writing, invented an idea called "la Revolución." In part one, Thomas Benjamin follows the historical development of different and often opposing revolutionary traditions and the state's efforts to forge them into one unified and unifying narrative. In part two, he examines ways of remembering the past and making it relevant to the present through fiestas, monuments, and official history. This research clarifies how the revolution has served to authorize and legitimize political factions and particular regimes to the present day. Beyond the Mexican case, it demonstrates how history is used to serve the needs of the present.

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front cover of Less than Meets the Eye
Less than Meets the Eye
Foreign Policy Making and the Myth of the Assertive Congress
Barbara Hinckley
University of Chicago Press, 1994
Focusing on cases involving major military action, foreign aid authorization, and key controversial votes in both legislative branches, Hinckley shows that—appearances to the contrary—Congress more often than not votes with the President, and has done so for the last few decades. Despite occasional flurries of activity on carefully chosen symbolic issues, most foreign policy issues never even make the Congressional agenda. Those that do are often dispatched with demands for reports that are left unread or with tough restrictions having built-in "escape provisions." Both branches, Hinckley argues, encourage this image of conflict and profit from the symbolic political capital it produces. This process comes to light in her analysis of aid to Nicaragua.

What Hinckley reveals is sharply at odds with conventional wisdom and unflattering to both the executive and the legislative branches of government. More than a critical reassessment, this book also proposes reforms than might result in real congressional participation in the making of foreign policy. With its insight into how our system of checks and balances works—and doesn't—this book takes a first step toward making the peoples' representatives accountable for crucial American interests in foreign matters.
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Levitation
The Science, Myth and Magic of Suspension
Peter Adey
Reaktion Books, 2017
Light as a feather, stiff as a board, light as a feather, stiff as board: anyone who has ever been to a slumber party can probably still conjure these words from deep within their psyche. Sure, anyone can fly these days so long as they have a credit card and government-issued ID, but what does it take to perform that more fundamental magic, to levitate? In this fascinating book, Peter Adey hovers over the peculiar stories of those who have dreamed of, believed in, or—can you believe your eyes—practiced levitation, offering a wide-ranging history of a unique phenomenon that can be found in countless cultures.
           
As Adey argues, levitation is best thought of as a pre- or parallel pursuit to that of aviation—but one that doesn’t cheat by employing aeronautical machinery. As he shows, many people have been certain that it is absolutely possible to float unaided. Early modern scientists believed in the force of levity as an opposite to that of gravity. Many traditional societies have deep-rooted shamanic traditions of spirit and dream flight. And many ancient religions have age-old accounts of ascetic saints hovering in sublime ecstasy. In more recent times, magicians and mesmerists have wowed audiences by seeming to float by the powers of thought alone. Science-fiction writers and urban planners alike have countless designs of floating cities hovering high above the earth, and even artists have experimented with levitation to find new forms of expression—one need just think of Yves Klein’s “Leap into the Void.”
           
Touching upon these and many other examples, Adey demonstrates how significant this magical act has been in our cultural, scientific, and spiritual lives. From poetry to philosophy to technology to even law, he lifts up levitation as a fascinating wonder in our shared imaginations.
 
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front cover of The Longing for Myth in Germany
The Longing for Myth in Germany
Religion and Aesthetic Culture from Romanticism to Nietzsche
George S. Williamson
University of Chicago Press, 2004
Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century.

Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.

A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
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front cover of The Lord's First Night
The Lord's First Night
The Myth of the Droit de Cuissage
Alain Boureau
University of Chicago Press, 1998
From the late Middle Ages to The Marriage of Figaro to Mel Gibson's Braveheart, the ultimate symbol of feudal barbarism has been the droit de cuissage, or right of a feudal lord to sleep with the bride of a vassal on her wedding night. The droit de cuissage even resurfaced in the debate over the French Penal Code of 1992 as a synonym for sexual harassment.

But, as Alain Boureau elegantly demonstrates in this book, the droit de cuissage is a myth. Under contextual examination, nearly all the supposed evidence for this custom melts away—yet belief in it has survived for seven hundred years. Boureau shows how each era turned the mythical custom to its own ends. For instance, in the late Middle Ages, monarchists raised the specter of the droit de cuissage to rally public opinion against local lords, and partisans of the French Revolution pointed to it as proof of the corruption of the Ancien Régime.

A fascinating case study of the folklore of sexuality, The Lord's First Night also offers evocative insights into popular (mis)conceptions of the Middle Ages.

On the French edition: "A richly informative study of attitudes to the past and the manipulation of history down the ages."—Peter Linehan, Times Literary Supplement
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