A SCHOLARLY BOOK REPOSITORY
Sperling explains how women were not allowed to marry beneath their social status while men could, especially if their brides were wealthy. Faced with a shortage of suitable partners, patrician women were forced to offer themselves as "a gift not only to God, but to their fatherland," as Patriarch Giovanni Tiepolo told the Senate of Venice in 1619. Noting the declining birth rate among patrician women, Sperling explores the paradox of a marriage system that preserved the nobility at the price of its physical extinction. And on a more individual level, she tells the fascinating stories of these women. Some became scholars or advocates of women's rights, some took lovers, and others escaped only to survive as servants, prostitutes, or thieves.
Jay M. Smith argues that the early modern nobility instinctively drew a correlation between the meaning of merit and an image of the "sovereign's gaze." In the early seventeenth century, merit meant the qualities traditionally associated with aristocratic values: generosity, fidelity, and honor. Nobles sought to display those qualities before the appreciative gaze of the king himself. But the expansion of the monarchy forced the routinization of the sovereign's gaze, and Louis XIV began to affirm and reward new qualities--talent and application--besides those thought innately noble.
The contradictions implicit within the absolute monarchy's culture of merit are demonstrated by the eighteenth-century French army, which was dominated by the nobility, but also committed to efficiency and expertise. Smith shows that the army's continuous efforts to encourage and reward "merit" led to a clash of principles. The ever-growing emphasis on talent and discipline led reformers--the great majority of them noble--to attack the most egregious examples of privilege and favoritism in the army. Smith's analysis of the long-term evolution in conceptions of royal service suggests a new explanation for the shift in values signified by the French Revolution. The transition away from the "personal" gaze of the king toward the "public" gaze of the monarchy and nation foretold the triumph of a new culture of merit in which noble birth would have no meaning.
The Culture of Merit will interest historians and other social scientists concerned with issues of aristocratic identity, state formation, professionalization, and the changing political culture of pre-Revolutionary France.
Jay M. Smith is Assistant Professor of History, University of North Carolina, Chapel Hill.
This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy.
Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward.
For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.
Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, in the Bible, in Roman and canon law, in theology and moral philosophy, and in politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education, and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.
In an exploration of the life and customs of the Hungarian nobility, this book compares historical reality and legal literature on the example of one noble family--the Elefánthy kindred from northern Hungary (present-day Slovakia). The author begins by outlining the customary law regarding noble status, inheritance and marriage, as summarized in the famous code of Stephen Werbőczy (1514). He then compares these norms with the documentary evidence and establishes the fact that the legal literature differs in regard to social mobility and kindred solidarity.
With this frame of reference in mind, the fate of the Elefánthy family is traced through several generations, enabling the author to make some general statistical statements on inheritance, the rise and fall of various branches, marriage strategies, and the "survival skills" of the kindred. In his summary, the author outlines some of the major avenues for further research, including the peculiar Hungarian form of retainership (familiaritas), and the relationships between noble families and between the nobility and local communities.
Irina Reyfman illuminates the surprisingly diverse effects of the Table of Ranks on writers, their work, and literary culture in Russia. From Sumarokov and Derzhavin in the eighteenth century through Pushkin, Gogol, Dostoevsky, and poets serving in the military in the nineteenth, state service affected the self-images of writers and the themes of their creative output. Reyfman also notes its effects on Russia’s atypical course in the professionalization and social status of literary work.
While colonial sources that refer to indigenous women are not scant, documents in which women emerge as agents who actively participate in shaping their own identity are rare. Looking at this minority agency—or subaltern voice—in various religious discourses exposes some central themes. It shows that an indigenous identity recast in Catholic terms was able to be effectively recorded and that the religious participation of these women at a time when indigenous parishes were increasingly secularized lent cohesion to that identity.
Indigenous Writings from the Convent examines ways in which indigenous women participated in one of the most prominent institutions in colonial times—the Catholic Church—and what they made of their experience with convent life. This book will appeal to scholars of literary criticism, women’s studies, and colonial history, and to anyone interested in the ways that class, race, and gender intersected in the colonial world.
The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
The seventy-three surviving letters written by Florentine widow, Alessandra Macinghi Strozzi (c.1406–1471), to her distant sons first appeared in print well over a century ago, but are here translated into English in their entirety for the first time. Whether for the professional historian or for the general reader interested in Renaissance Florence, they constitute a most precious testimony regarding both private and public life in the mid-fifteenth century, with themes ranging from familial relations, motherhood, marriage, and aspects of material culture to the harsh realities of political exile meted out by the Medici to their perceived opponents, these latter including her husband and, subsequently, her sons.
The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way to display military prowess. The incursion of music into riding schools and infantry drills contributed materially to disciplinary order, enabling the larger and more effective armies of the seventeenth century. This book is a history of the development of these musical spheres and how they brought forth new cultural priorities of civility, military discipline, and political harmony. Music, Discipline, and Arms in Early Modern France effectively illustrates the seminal role music played in mediating between the cultural spheres of letters and arms.
Marinella's masterpiece, The Nobility and Excellence of Women, and the Defects and Vices of Men was first published in 1600, composed at a furious pace in answer to Giusepe Passi's diatribe about women's alleged defects. This polemic displays Marinella's vast knowledge of the Italian poetic tradition and demonstrates her ability to argue against authors of the misogynist tradition from Boccaccio to Torquato Tasso. Trying to effect real social change, Marinella argued that morally, intellectually, and in many other ways, women are superior to men.
Jehan Baptista Houwaert’s Excellence and Nobility of Women constitutes the eighth book of his Plain of the Nine Muses, or The Pleasure Garden of Virtuous Women (1582–1583), an immense conduct book for women in rhymed verse based on the many querelle texts of the French and Burgundian tradition but especially, in its French translation, on the pathbreaking Declamation on the Nobility and Preeminence of the Female Sex (1529) by Henricus Cornelius Agrippa von Nettesheim.
Like its model, Houwaert’s work asserts not merely the equality but the superiority of women. It is unique in that it is addressed not to a wealthy noblewoman or princess, as were most such defenses, but more democratically to the “girls, unmarried women, wives, and widows of Belgica”—all of them!
Skin-clad barbarians ransacking Rome remains a popular image of the "decline and fall" of the Roman Empire, but why, when, and how the Empire actually fell are still matters of debate among students of classical history. In this pioneering study, Ralph W. Mathisen examines the "fall" in one part of the western Empire, Gaul, to better understand the shift from Roman to Germanic power that occurred in the region during the fifth century AD.
Mathisen uncovers two apparently contradictory trends. First, he finds that barbarian settlement did provoke significant changes in Gaul, including the disappearance of most secular offices under the Roman imperial administration, the appropriation of land and social influence by the barbarians, and a rise in the overall level of violence. Yet he also shows that the Roman aristocrats proved remarkably adept at retaining their rank and status. How did the aristocracy hold on?
Mathisen rejects traditional explanations and demonstrates that rather than simply opposing the barbarians, or passively accepting them, the Roman aristocrats directly responded to them in various ways. Some left Gaul. Others tried to ignore the changes wrought by the newcomers. Still others directly collaborated with the barbarians, looking to them as patrons and holding office in barbarian governments. Most significantly, however, many were willing to change the criteria that determined membership in the aristocracy. Two new characteristics of the Roman aristocracy in fifth-century Gaul were careers in the church and greater emphasis on classical literary culture.
These findings shed new light on an age in transition. Mathisen's theory that barbarian integration into Roman society was a collaborative process rather than a conquest is sure to provoke much thought and debate. All historians who study the process of power transfer from native to alien elites will want to consult this work.
One of the goals of Russia’s Eastern policy was to turn Moldavia and Wallachia, the two Romanian principalities north of the Danube, from Ottoman vassals into a controllable buffer zone and a springboard for future military operations against Constantinople. Russia on the Danube describes the divergent interests and uneasy cooperation between the Russian officials and the Moldavian and Wallachian nobility in a key period between 1812 and 1834. Victor Taki’s meticulous examination of the plans and memoranda composed by Russian administrators and the Romanian elite underlines the crucial consequences of this encounter. The Moldavian and Wallachian nobility used the Russian-Ottoman rivalry in order to preserve and expand their traditional autonomy. The comprehensive institutional reforms born out of their interaction with the tsar’s officials consolidated territorial statehood on the lower Danube, providing the building blocks of a nation state.
The main conclusion of the book is that although Russian policy was driven by self-interest, and despite the Russophobia among a great part of the Romanian intellectuals, this turbulent period significantly contributed to the emergence, several decades later, of modern Romania.
Isabella d’Este (1474–1539), daughter of the Este dukes of Ferrara and wife of Marchese Francesco II Gonzaga of Mantua, co-regent of the Gonzaga state, art collector, musician, diplomat, dynastic mother, traveler, reader, gardener, fashion innovator, and consummate politician, was also, as this volume attests, a prolific letter writer with a highly developed epistolary network. Presented here for the first time in any language is a representative selection from over 16,000 letters sent by Isabella to addressees across a wide social spectrum. Together, they paint a nuanced and colorful portrait of a brilliant and influential female protagonist of early modern European society.
In recent years, there has been an upsurge of interest in Maria Salviati de’ Medici, specifically, in her role in Medici governance and her relationships with other members of the Medici court. Maria Salviati’s surviving correspondence documents a life spent close to the centers of Medici power in Florence and Rome, giving witness to its failures, resurrection, and eventual triumph. Presented here for the first time in English, this book is a representative sample of Maria’s surviving letters that document her remarkable life through a tumultuous period of Italian Renaissance history. While she earned the exasperation of some, she gained the respect of many more. Maria ended her life as an influential dowager, powerful intercessor for local Tuscans of all strata, and wise elder in Duke Cosimo I’s court. The first critical, analytical, biographical work on Maria Salviati de’ Medici’s life and letter-writing in English.
The Strozzi correspondence tells the story of the decline and recovery of one Florentine patrician family. Eventually, the Strozzi brothers earned the greatest fortune of their era, and, after the repeal of their exile, Filippo, the eldest, most successful, and longest lived, spent the last years of his life in Florence as one of its foremost citizens. Set in the context of other documentary evidence and of modern historical and anthropological studies, Crabb's study illuminates the role of women, kinship, solidarity, honor, and profit. These letters provide nuanced insights into values and practices that more impersonal sources cannot rival.
As well as appealing to those interested in the Renaissance, Florence, and Italy, this book will attract those wanting to read about topics in social history that cross time periods: women, family and kinship, business, and honor. It confronts issues of Renaissance Florentine historiography by presenting a more positive view of the role of women than does current orthodoxy, by providing evidence of the impact of extended kinship ties, a controversial issue, and by illuminating further the value placed on honor and profit.
Ann Crabb teaches medieval history at James Madison University.
Grand Duchess Tatiana Nikolaevna of Russia was the second of the four daughters of Tsar Nicholas II and his wife, the Empress Alexandra Feodorovna. Long recognized by historians as the undisputed “beauty” of the family, Tatiana was acknowledged for her poise, her elegance, and her innate dignity within her own family. Helen Azar, translator of the diaries of Olga Romanov, and Nicholas B. A. Nicholson, Russian Imperial historian, have joined together to present a truly comprehensive picture of this extraordinarily gifted, complex, and intelligent woman in her own words. Tatiana Romanov, Daughter of the Last Tsar: Diaries and Letters, 1913–1918, presents translations of material never before published in Russian or in English, as well as materials never published in their entirety in the West.
The brisk, modern prose of Tatiana’s diary entries reveals the character of a young woman who was far more than the sheltered imperial beauty as she previously has been portrayed. While many historians and writers describe her as a cold, haughty, and distant aristocrat, this book shows instead a remarkably down-to-earth and humorous young woman, full of life and compassion. A detail-oriented and observant participant in some of the most important historical events of the early twentieth century, she left firsthand descriptions of the tercentenary celebrations of the House of Romanov, the early years of Russia’s involvement in World War I, and the road to her family’s final days in Siberian exile. Her writings reveal extraordinary details previously unknown or unacknowledged. Lavishly annotated for the benefit of the nonspecialist reader, this book is not only a reevaluation of Tatiana’s role as more than just one of four sisters, but also a valuable reference on Russia, the First World War, the Russian Revolution, and the people closest to the Grand Duchess and her family.
Born in the early 1620s, Anne, Lady Halkett (née Murray) grew up on the fringes of the English court during a period of increasing political tension. From 1644 to 1699, Halkett recorded her personal and political experiences in both England and Scotland in a series of manuscript meditations and an autobiographical narrative called A True Account of My Life. Royalism, romance, and contemporary religious debates are central to Halkett’s vivid portrayal of her life as a single woman, wife, mother, and widow. Collectively, the materials edited here offer the opportunity to explore how Halkett’s meditational practice informed her life writing in the only version of her writings to date available in a fully modernized edition. The forty-four meditations in this volume redefine the importance of Halkett’s contribution to seventeenth-century life writing.
In The Young Descartes, Harold J. Cook tells the story of a man who did not set out to become an author or philosopher—Descartes began publishing only after the age of forty. Rather, for years he traveled throughout Europe in diplomacy and at war. He was present at the opening events of the Thirty Years' War in Central Europe and Northern Italy, and was also later involved in struggles within France. Enduring exile, scandals, and courtly intrigue, on his journeys Descartes associated with many of the most innovative free thinkers and poets of his day, as well as great noblemen, noblewomen, and charismatic religious reformers. In his personal life, he expressed love for men as well as women and was accused of libertinism by his adversaries.
These early years on the move, in touch with powerful people and great events, and his experiences with military engineering and philosophical materialism all shaped the thinker and philosopher Descartes became in exile, where he would begin to write and publish, with purpose. But though it is these writings that made ultimately made him famous, The Young Descartes shows that this story of his early life and the tumultuous times that molded him is sure to spark a reappraisal of his philosophy and legacy.
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