A SCHOLARLY BOOK REPOSITORY
Disasters like earthquakes are known as focusing events—sudden calamities that cause both citizens and policymakers to pay more attention to a public problem and often to press for solutions. This book, the first comprehensive analysis of these dramatic events, explains how and why some public disasters change political agendas and, ultimately, public policies.
Thomas A. Birkland explores important successes and failures in the policy process by analyzing the political outcomes of four types of events: earthquakes, hurricanes, oil spills, and nuclear accidents. Using this empirical data to go beyond an intuitive understanding of focusing events, he presents a theory of where and when these events will gain attention and how they trigger political reactions. Birkland concludes that different types of disasters result in different kinds of agenda politics. Public outrage over the highly visible damage caused by the Exxon Valdez oil spill, for example, ended a fourteen-year logjam holding back Congressional legislation to regulate oil spill cleanups. On the other hand, the intangible effects of Three Mile Island had less concrete results in a political arena that was already highly polarized.
Integrating a variety of theories on the policy process, including agenda setting, policy communities, advocacy coalitions, the political aspects of the news media, and the use of symbols in political debate, Birkland illuminates the dynamics of event-driven policy activity. As the first extensive study of its kind, this book offers new insights into the policy process.
In January 1990, the New York Harbor suffered a major oil spill when an underwater pipe at an Exxon refinery leaked into the Arthur Kill, the fifteen-mile strait that runs between New Jersey and Staten Island. The waterway is home to herons and egrets, fiddler crabs and sea turtles, and a favorite place for recreational fishing, bird-watching, hiking, and boating. It is also lined with refineries and a busy corridor for oil tankers. Because this industrial activity posed such an imposing threat to the fragile ecosystem, biologists had been monitoring the region’s water, soil, vegetation, and wildlife for some time before the oil spill. Thus, we have before -and-after data about the habitat—the only oil spill anywhere for which this is true.
This unique book discusses the human consequences of the oil spill as well as providing detailed studies of its effects on the plants and animals of the Arthur Kill. Biologists, environmentalists, lawyers, and officials worldwide will find this book an essential guide to dealing with—and possibly preventing—future environmental disasters.
The contributors areJohn Brzorad, Angela Christini, Keith Cooper, Lynn Frink, Michael Gochfeld, Paul Hauge, Gordon Johnson, Alan D. Maccarone, Katherine Parsons, Carolyn Summers, Robert Tucker.
Black tides of spilled oil pollute the world's coasts with depressing regularity, giving scientists ample opportunity to observe their environmental impacts and learn how to clean up and restore the affected shorelines. Miles O. Hayes has been a leader in this work for over twenty years. In this highly readable autobiography, he describes his evolution as a scientist, his work in coastal oil spill contingency planning and clean up, and his personal philosophy of one's relationship with nature.
A skilled raconteur, Hayes tells engrossing stories of responding to most of the recent, headline-grabbing oil spills, including the Gulf War spills, the Exxon Valdez, the Amoco Cadiz spill in France, and the Ixtoc I blowout in Mexico. Interspersed among them are personal events and adventures, such as his survival of a plane crash while mapping a remote part of Alaska. From this life story emerges a compelling statement of the ongoing conflict between environmental preservation and the exploitation of natural resources to sustain our modern society.
"You can’t step in the same river twice—although I once believed I could. I believed that the pieces of my life I had chosen, those I held close to my heart, would, once chosen and held, remain the same."—from the book
How does one recover from disaster? That question is at the heart of Marybeth Holleman’s lyrical, elegiac response to the repercussions of the Exxon Valdez oil spill that devastated Alaska’s Prince William Sound in 1989. Twining together the destruction of an ecosystem and the disintegration of her marriage, Holleman explores the resiliency of nature—both wild and human—and the ways in which that resiliency is tested. Like the oil that remains pooled beneath rocks years after the tanker spill, the emotional wounds of the past lie just below the surface. Recovery and restoration from the pain wrought by human hands does not come easily.
If much of nature writing is about the heart’s search for an unspoiled, perfect landscape, The Heart of the Sound is about what happens when the return-to-paradise fantasy is over and paradise is lost. In language rich with passion and hard-won insight, Holleman creates a captivating picture of a woman who found her Eden in the sweeping fjords of Alaska only to lose it to ecological tragedy. But somewhere within that loss, she finds herself.
Oil is one of the world’s most important commodities, but few people know how its extraction affects the residents of petroleum-producing regions. In the 1960s, the Texaco corporation discovered crude in the territory of Ecuador’s indigenous Cofán nation. Within a decade, Ecuador had become a member of OPEC, and the Cofán watched as their forests fell, their rivers ran black, and their bodies succumbed to new illnesses. In 1993, they became plaintiffs in a multibillion-dollar lawsuit that aims to compensate them for the losses they have suffered. Yet even in the midst of a tragic toxic disaster, the Cofán have refused to be destroyed. While seeking reparations for oil’s assault on their lives, they remain committed to the survival of their language, culture, and rainforest homeland.
Life in Oil presents the compelling, nuanced story of how the Cofán manage to endure at the center of Ecuadorian petroleum extraction. Michael L. Cepek has lived and worked with Cofán people for more than twenty years. In this highly accessible book, he goes well beyond popular and academic accounts of their suffering to share the largely unknown stories that Cofán people themselves create—the ones they tell in their own language, in their own communities, and to one another and the few outsiders they know and trust. Their words reveal that life in oil is a form of slow, confusing violence for some of the earth’s most marginalized, yet resilient, inhabitants.
Media, Culture and the Environment provides an accessible introduction to key issues and debates surrounding the media politics of risk assessment and the environment. Anderson looks at nature as contested terrain and reveals how news sources use it to compete for our emotions and attention. She shows how framings of risk in relation to the environment are influenced by social, political, and cultural factors, but she also rejects extreme versions of social constructionism.
The book moves beyond traditional disciplinary boundaries by synthesizing recent debates in cultural theory and media studies with key developments in human geography. It offers an in-depth analysis of pressure politics and environmental lobbying groups, while examining the production, transmission and negotiation language of news discourse. The examples, drawn from both Europe and North America, include the tremendous headline controversies over oil spills and killing of baby seals. Difficult issues, clearly surveyed and incisively presented, make this book essential reading for anyone interested in how and why journalists handle environmental news in the ways they do.
A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? As Pollyanna Rhee shows, the city’s past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends.
Evans’s compelling story, influenced by her own experiences during the Exxon Valdez oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.
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