Hidden Empire of Finance follows the rise of new global cities, tracing their roots back to the 1970s global proliferation of neoliberalism and following their fate in the wake of the 2008 financial collapse. As India, China, and other nations sought to develop urban infrastructures that could compete with western hubs like New York, Paris, and London, large-scale flows of capital intruded into national economies to speculate on the growing real estate market. A web of opaque financial products, such as collateralized debt and real estate investment trusts, became alternative vehicles for the speculators’ investments, resulting in vast networks of public goods and services that are now owned and controlled by major financial firms located oceans away. Michael Goldman shows that speculative urbanism relies on dispossession and the racialization of institutional practices to fuel finance's insatiable appetite for capital, determining the ways cities across the global South and North are governed.

This insightful investigation of busking culture confronts relevant truths about power relations, policy, and inequality in contemporary cities across the globe.

What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.

A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.

By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground.