front cover of Fourth Down and Out
Fourth Down and Out
An Andy Hayes Mystery
Andrew Welsh-Huggins
Ohio University Press, 2015

The job seems easy enough at first for private investigator Andy Hayes: save his client’s reputation by retrieving a laptop and erasing a troublesome video from its hard drive. But that’s before someone breaks into Andy’s apartment in Columbus; before someone else, armed with a shotgun, relieves him of the laptop; and before the FBI suddenly shows up on his doorstep asking questions.

Soon, there’s a growing list of people with a claim on the computer, all of them with secrets they don’t want uncovered. When one of those people ends up dead, Andy has his hands full convincing authorities he’s not responsible, while trying to figure out who is—and who’s got the laptop—before someone else dies. Soon the trail leads to the last place Andy wants to go: back to Ohio State University, where few have forgiven him for a mistake he made two decades earlier in his days as the Buckeyes’ star quarterback. That misjudgment sent him on a downward spiral that cost him a playing career, two marriages, several wrecked relationships, and above all his legacy in Ohio’s capital city, where the fortunes of the OSU team are never far from people’s minds.

As Andy tracks a laptop and a killer from the toniest of the city’s suburbs to its grittiest neighborhoods, he must confront a dark figure from his past and prove that this time he won’t drop the ball.

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front cover of From Cameroon to Paris
From Cameroon to Paris
Mousgoum Architecture In and Out of Africa
Steven Nelson
University of Chicago Press, 2007

The kind of extraordinary domed house constructed by Chad and Cameroon’s Mousgoum peoples has long held sway over the Western imagination. In fact, as Steven Nelson shows here, this prototypical beehive-shaped structure known as the teleukhas been cast as everything from a sign of authenticity to a tourist destination to a perfect fusion of form and function in an unselfconscious culture. And in this multifaceted history of the teleuk, thought of by the Mousgoum themselves as a three-dimensional symbol of their culture, Nelson charts how a singular building’s meaning has the capacity to change over time and in different places.

Drawing on fieldwork in Cameroon and Japan as well as archival research in Africa, the United States, and Europe, Nelson explores how the teleuk has been understood by groups ranging from contemporary tourists to the Cameroonian government and—most importantly—today’s Mousgoum people. In doing so, he moves in and out of Africa to provide a window into a changing Mousgoum culture and to show how both African and Western peoples use the built environment to advance their own needs and desires. Highlighting the global impact of African architecture, From Cameroon to Paris will appeal to scholars and students of African art history and architectural history, as well as those interested in Western interactions with Africa.

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