Completely updated, China: Adapting the Past, Confronting the Future is the latest in a series of classroom units on China from the Center of Chinese Studies at The University of Michigan. It is not only ideal for courses on contemporary China but also an excellent supplement for courses in area studies, international affairs and economics, and women's studies.

Each section, in addition to essay and excerpts, also includes a bibliography of additional topical works as well as suggestions for complementary video and internet teaching resources.

Geography and History: Presents a broad sketch of Chinese history from earliest times and a detailed discussion of the forces that have shaped modern Chinese history. Geography sharpens the focus to China’s rich ecological and ethnic diversity.

Politics: Addresses political issues in post-Tiananmen China, including corruption, human rights, US-China relations, democratic reform, and religious and political dissidents.

Society: Examines contemporary social problems that have emerged in the post-Mao era, including divorce, migrant labor, family planning, problems facing Chinese women, and the proliferation of Chinese and Western religions.

Economy: Assesses the post-Mao economy after twenty years of experimentation and reform, including development of private enterprises, income disparities, case studies in rural and urban economic development, and the prospects for future growth.

Culture: Reviews 20th century Chinese literature, the intersection between politics and the arts, the explosion of popular culture, and changing visual culture in modern China.

Future Trends: Explores the prospects for democratization, generational change in leadership, the direction of modernization, and China’s prospects for political liberalization.

Cinematic Uses of the Past was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

From the first, cinema has sustained a romance with the past. The nature of this attachment, and what it reveals about our culture, is the subject of Marcia Landy's book. Cinematic Uses of the Past looks at British, American, Italian, and African films for what they can tell us about popular history and our cultural investment in certain images of the past.

Landy peruses six different moments in the history of cinema, employing the theories of Nietzsche and Gramsci. Her reading of these films explores their investments in history and memory in relation to ideas of nation, sexuality, gender, and race. Among the films she discusses are A Fistful of Dynamite, The Scarlet Empress, Dance with a Stranger, Holocaust, Schindler's List, Le camp de Thiaroye, Guelwaar, The Leopard, and Veronika Voss.

A thoroughly compelling reading of these emblematic films, Cinematic Uses of the Past is also a revealing interpretation of popular history, exposing the fragmentary, tentative, and invested nature of cultural memory.

Marcia Landy is professor of literature and film studies at the University of Pittsburgh. She is the author of several books, including Film, Politics, and Gramsci (Minnesota, 1995).

Across the United States, people are developing new relationships with the forest ecosystems on which they depend, with a common goal of improving the health of the land and the well-being of their communities. Practitioners and supporters of what has come to be called community forestry are challenging current approaches to forest management as they seek to end the historical disfranchisement of communities and workers from forest management and the all-too-pervasive trends of long-term disinvestment in ecosystems and human communities that have undermined the health of both.

Community Forestry in the United States is an analytically rigorous and historically informed assessment of this new movement. It examines the current state of community forestry through a grounded assessment of where it stands now and where it might go in the future. The book not only clarifies the state of the movement, but also suggests a trajectory and process for its continued development.

In international relations (IR), the theory of constructivism argues that the complicated web of international relations is not the result of basic human nature or some other unchangeable aspect but has been built up over time and through shared assumptions.
 
Constructivism Reconsidered synthesizes the nature of and debates on constructivism in international relations, providing a systematic assessment of the constructivist research program in IR to answer specific questions: What extent of (dis)agreement exists with regard to the meaning of constructivism? To what extent is constructivism successful as an alternative approach to rationalism in explaining and understanding international affairs? Constructivism Reconsidered explores constructivism’s theoretical, empirical, and methodological strengths and weaknesses, and debates what these say about its past, present, and future to reach a better understanding of IR in general and how constructivism informs IR in particular.

What are the political uses—and misuses—of archaeology in the Middle East? In answering this question, the contributors to this volume lend their regional expertise to a variety of case studies, including the Taliban’s destruction of Buddhas in Afghanistan, the commercialization of archaeology in Israel, the training of Egyptian archaeology inspectors, and the debate over Turkish identity sparked by the film Troy, among other provocative subjects. Other chapters question the ethical justifications of archaeology in places that have “alternative engagements with the material past.” In the process, they form various views of the role of the archaeologist, from steward of the historical record to agent of social change.

The diverse contributions to this volume share a common framework in which the political use of the past is viewed as a process of social discourse. According to this model, political appropriations are seen as acts of social communication designed to accrue benefits to particular groups. Thus the contributors pay special attention to competing social visions and the filters these impose on archaeological data. But they are also attentive to the potential consequences of their own work. Indeed, as the editors remind us, “people’s lives may be affected, sometimes dramatically, because of the material remains that surround them.”

Rounding out this important volume are critiques by two top scholars who summarize and synthesize the preceding chapters.

In 1659, a group of Puritan dissenters made their way north from Hartford and Wethersfield, Connecticut, to a crook in the Connecticut River that cut through some of the most fertile land in New England. Three hundred and fifty years later, a group of distinguished scholars mark the founding of that town— Hadley, Massachusetts—with a book that explores a history as rich as that soil.

Edited with an introduction by Marla R. Miller, Cultivating a Past brings together fifteen essays, some previously published and others new, that tell the story of Hadley from a variety of disciplinary vantage points. Archaeologists Elizabeth Chilton, Siobhan Hart, Christopher Donta, Edward Hood, and Rita Reinke investigate relations between Native and European communities, while historians Gregory Nobles, Alice Nash, and Pulitzer Prize winner Laurel Thatcher Ulrich explore the social, cultural, and political past of this New England town. Musicologist Andrea Olmstead surveys the career of composer Roger Sessions, costume specialist Lynne Bassett interprets the wardrobes of the town's seventeenth-century residents, Douglas Wilson investigates the connection between Hadley and the regicides William Goffe and Edward Whalley, and Martin Antonetti charts the course of a 1599 Bible alleged to have belonged Goffe.

Taken together, the essays capture how men and women in this small community responded to the same challenges that have faced other New Englanders from the seventeenth century to the present. They also reveal how the town's historical sense of itself evolved along the way, as stories of the alleged "Angel of Hadley," of favorite sons Joseph Hooker and Clarence Hawkes, and of daughters Mary Webster and Elizabeth Porter Phelps contributed to a civic identity that celebrates strength of character.