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Firuza Abdullaeva
Bodleian Library Publishing
India has the Mahabharata, Greece has Homer’s epic cycle, and the national history of Iran is chronicled in Firdausi’s epic poem The Book of Kings, or Shahnama. This lavishly illustrated study explores the intricate complexity of this epic as it is beautifully rendered in a rare fifteenth-century reproduction.

The Shahnama positions Iran at the heart of human civilization, and its sprawling and compelling narrative stretches from the beginning of time to the seventh-century takeover of the Persian Empire by Muslim Arabs. Ibrahim Sultan, governor of Shiraz in southern Iran from 1415 to 1435, commissioned an edition of the Shahnama that contained a lavish assortment of intricate original paintings. This version is now in the collection of the Bodleian Library, and The Persian Book of Kings explores this rare text in extensive detail.

The authors investigate the life of the poet Firdausi, unpack the literary context of the poem and its illuminations, and examine the royal court of Ibrahim Sultan for whom the manuscript was commissioned. The richly colored miniatures and illuminations spread through the text are given full exploration in this study, with examinations of both the artists’ techniques that influenced generations of illustrators and the artworks’ meanings. The book also features a helpful glossary of Persian terms and a list of the numerous characters that appear in the epic.

A gorgeously produced study of one of the great literary works of human history, The Persian Book of Kings offers a fascinating look at the myths and legends of an ancient culture.
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Poet and Hero in the Persian Book of Kings
Third Edition
Olga M. Davidson
Harvard University Press
Poet and Hero in the Persian Book of Kings presents a far-reaching reassessment of the classical Persian epic known as the Shahnama or “Book of Kings,” composed by the poet Ferdowsi in the early eleventh century ce. Combining comparative perspectives with a close reading of the internal evidence provided by the text of this epic, Olga M. Davidson argues that the poet of the Shahnama is actually a character in the epic, coexisting with ancient Iranian heroes and kings whose deeds are celebrated by the poetry. The poet can have the role of a character because his poetry comes to life in performance. Whenever the Shahnama was performed by the poet or by later practitioners of his poetry, the performer could interact with his grand characters by re-engaging with their stories, as if for the first time. After documenting the oral poetic performance traditions underlying the text of the Shahnama in all its variations, Davidson argues that the heroic tradition of this epic is deeply ancient, stemming from Indo-European poetic traditions. A primary example is the great warrior Rostam, who upholds Iranian kingship while at the same time posing a threat to kings who prove unworthy of the crown.
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