Distinctive and unmistakable, Pickering’s style deftly mixes the colloquial language of everyday life with references to a lifetime of extensive reading. The seamless blend of these two worlds in his writing is indicative of how they fuse together in his daily life. As Pickering puts it, “All my life I have roamed libraries, almost as much as I have roamed the natural world. I try to get at many truths, but when I tell the truth, I ‘tell it slant.’ I do so to describe life as it is and indeed celebrate that ‘as it is.’”

Praise for Sam Pickering:

"Pickering has all of Thurber's humor, and he writes as well as E. B. White. He writes with passion, wit, and a strange personal note of self-mockery; he is humanely educated, wise, and capable of a wide range of stylistic effects."
----Jay Parini

". . . he writes in the tradition of Montaigne hammering together a ramshackle affair of surprising nooks, crannies and additions-all under the same roof."
---The Oxford American

"Pickering has the natural essayist's intimate yet distanced take on the world that combines a devotion to particulars . . . with a near-indifference to the status- and achievement-mongering that marks modern life."
---Publishers Weekly

"Pickering writes with the sensitivity and craft of a poet, finding meaning in the commonplace and ordinary."
---Library Journal

"Pickering's genre is unique, but I'm not sure anyone else can write this stuff. I can live with that, as long as Pickering himself continues to wend through the forests, classrooms, airports, billiards championships, hometown parades, and his inner world of Tennessee gags and characters."
---Hartford Courant


His writing is as unique and recognizable as the music of Mozart, the painting of Picasso, or the poetry of Dickinson. Yet most Americans likely know Sam Pickering, the University of Connecticut English professor, from the movie Dead Poets Society. In the film, Robin Williams plays an idiosyncratic instructor---based on Pickering---who employs some over-the-top teaching methods to keep his subjects fresh and his students learning.

Fewer probably know that Pickering is the author of more than 16 books and nearly 200 articles, or that he's inspired thousands of university students to think in new ways. And, while Williams may have captured Pickering's madcap classroom antics, he didn't uncover the other side of the author-Sam Pickering as one of our great American men of letters.

The Best of Pickering amply demonstrates Pickering's amazing powers of perception, and gives us insight into the mind of a writer nearly obsessed with turning his back on the conventional trappings of American success-a writer who seems to prefer lying squirrel's-eye-level next to a bed of daffodils in the spring or trespassing on someone else's property to pursue a jaunt through joe-pye weed and goldenrod. Indeed, Pickering's philosophy, at least on paper, may very well be "Now is the only time."

If you haven't met Sam Pickering before, prepare to be surprised and delighted by these wry and sometimes self-deprecating essays that are witty and elegant and concrete yet wander widely, and include Pickering's well-trod fictional Southern town of Carthage, Tennessee, full of strange goings-on. This definitive collection of the best of Pickering is a must for Pickering fans and a fine introduction for the uninitiated to one of our greatest men of letters.

The essays in Sam Pickering’s new collection sing with thoughtful observations on life, death, love, and literature. Whether attending a reunion at Sewanee, cruising the Caribbean, wandering the streets of Storrs, Connecticut, or rambling through Nova Scotia, Pickering is able to work a quotation, insight, or reminiscence into almost every page. His collection sparks with copious observations from other writers and books that he’s devoured through the years. One of the many joys in Happy Vagrancy is finding a new author or essay hiding in the deep foliage of Pickering’s prose. He delivers his insights with humor, wit, and a keen eye for the ordinary wonders that surround us.
Many of the essays touch on death and the dying, and nothing escapes description and fascination whether profound or seemingly less so: the death of a dear friend or two fledgling cardinals blown from a nest in the back yard and now covered with “periwinkle at the corner of the yard.” During a walk down a country lane, the names of flowers, birds, and bugs fill the page. Even in a meadow buzzing with life, there are reminders of our mortality and brief light too soon gone—and they remind us to read, think, and live with gusto and love.

            He describes how his life has been altered by his children leaving home for college, and he ponders the changes aging brings and the things that never change. The consummate teacher, he celebrates academic life and the pleasures of the classroom. Readers will roam familiar ground with Pickering as he explores the fields and small hills of eastern Connecticut and the bogs and woods on his farm in Nova Scotia.

            Indian Summer celebrates hearing and seeing. Butterflies tumble across the pages, flowers bloom and wilt, and dragonflies glitter like stained glass in the sunlight. Pickering teaches us to value our words and to laugh at the world around us. His musings mirror his desire for his readers to appreciate life a little more after exploring this book.

 

Praise for Sam Pickering:

"The art of the essay as delivered by Mr. Pickering is the art of the front porch ramble."
---The New York Times Book Review


"Reading Pickering . . . is like taking a walk with your oldest, wittiest friend."
---Smithsonian

"What a joy it is to 'mess around' with Professor Sam Pickering!"
---The Chattanooga Times

"Pickering is a barefoot observer of the quotidian who revels in the spectacle and its gift for surprise, prefers the rumpled to the starched, has raised puttering and messing about to an art form, and wrings from it more than a pennyworth of happiness and a life well lived."
---Kirkus Reviews


The movie Dead Poets Society is where most Americans first met Sam Pickering, the University of Connecticut English professor. Robin Williams plays the lead character (loosely based on Pickering), an idiosyncratic instructor who employs some over-the-top teaching methods to keep his subjects fresh and his students learning.

Fewer know that Pickering is the author of more than 16 books and nearly 200 articles, or that he's inspired thousands of university students to think in new ways. And, while Williams may have captured Pickering's madcap classroom antics, he didn't uncover the other side of the author-Sam Pickering as one of our great American men of letters. Like the music of Mozart, the painting of Picasso, or the poetry of Emily Dickinson, you can spot Pickering's writing a mile away; there's no mistaking the Pickering pen. As an ample demonstration of the author's literary gifts, Waltzing the Magpies is his unabashedly lush and Technicolor travelogue from Down Under.

On the face of it, Waltzing is the chronicle of a sabbatical year spent with family in Australia. Yet beneath the surface Pickering's big themes-family, nature, seizing the moment-move in a powerful current that frequently bursts out in moments of ecstatic revelation and intense sensual flourish. Through it all Pickering weaves stories from his fictional Southern town of Carthage, Tennessee, especially when the goings of the outside world get rough.

Waltzing the Magpies is classic Pickering at the height of his literary powers, and places him in the company of such great American essayists as E. B. White and James Thurber, but with an irony and observational prowess that is pure Pickering.