AFTER HOUSES is an extended meditation on homelessness. In unflinching, raw poetry, poet Claire Millikin explores states of homelessness, and a longing for, even a devotion to, houses—houses as spaces where one could be safe and at ease. The poems move through an American landscape, between the South and the North, between childhood and adulthood, reaching toward a home that's never reached, but always at one's fingertips. Throughout this collection, Millikin draws from personal and family history, from classical mythology and architectural theory, to shape a poetry of empathy, in which some of the places where people get lost in America are faced and given place. AFTER HOUSES echo the voices of girls who have not quite survived, but who persist, intact in the way that Rimbaud insists on intactness, in words.
Cities across the globe have been designed with a primary goal of moving people around quickly—and the costs are becoming ever more apparent. The consequences are measured in smoggy air basins, sprawling suburbs, unsafe pedestrian environments, and despite hundreds of billions of dollars in investments, a failure to stem traffic congestion. Every year our current transportation paradigm generates more than 1.25 million fatalities directly through traffic collisions. Worldwide, 3.2 million people died prematurely in 2010 because of air pollution, four times as many as a decade earlier. Instead of planning primarily for mobility, our cities should focus on the safety, health, and access of the people in them.
Beyond Mobility is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
There are many examples of communities across the globe working to create a seamless fit between transit and surrounding land uses, retrofit car-oriented suburbs, reclaim surplus or dangerous roadways for other activities, and revitalize neglected urban spaces like abandoned railways in urban centers.
The authors draw on experiences and data from a range of cities and countries around the globe in making the case for moving beyond mobility. Throughout the book, they provide an optimistic outlook about the potential to transform places for the better. Beyond Mobility celebrates the growing demand for a shift in global thinking around place and mobility in creating better communities, environments, and economies.
During Louisiana’s Spanish colonial period, economic, political, and military conditions combined with local cultural and legal traditions to favor the growth and development of a substantial group of free blacks. In Bounded Lives, Bounded Places, Kimberly S. Hanger explores the origin of antebellum New Orleans’ large, influential, and propertied free black—or libre—population, one that was unique in the South. Hanger examines the issues libres confronted as they individually and collectively contested their ambiguous status in a complexly stratified society. Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the perspective of its free black residents, and documents the common experiences and enterprises that helped solidify libres’ sense of group identity. Over the course of three and a half decades of Spanish rule, free people of African descent in New Orleans made their greatest advances in terms of legal rights and privileges, demographic expansion, vocational responsibilities, and social standing. Although not all blacks in Spanish New Orleans yearned for expanded opportunity, Hanger shows that those who did were more likely to succeed under Spain’s dominion than under the governance of France, Great Britain, or the United States. The advent of U.S. rule brought restrictions to both manumission and free black activities in New Orleans. Nonetheless, the colonial libre population became the foundation for the city’s prosperous and much acclaimed Creoles of Color during the antebellum era.
The Columbus Anthology
Amanda Page The Ohio State University Press, 2020 Library of Congress PS509.C589C65 2020 | Dewey Decimal 818.600803587716
Columbus, Ohio, is a place whose identity centers on its supposed lack of identity—an American “every place” that has launched countless chain dining concepts. Enter the contributors to this wide-ranging volume, who are all too happy to fight back against that reputation, even as they recognize it as an inevitable facet of the ever-growing city they call home. “Maybe we’re not having trouble designing a definitive identity,” writes Amanda Page in her introduction. “Maybe we are a city that is constantly considering what it will become.”
Race, sports, the endless squeeze of gentrification, the city’s booming literary and comics scenes, its reputation as a haven for queer life, the sometimes devastating differences in perspective among black and white, native and transplant residents—and more than one tribute to Buckeye Donuts—make this anthology a challenging and an energizing read. From Hanif Abdurraqib’s sparkling and urgent portrait of Columbus’s vital immigrant culture as experienced through Crew games to Nick Dekker’s insights into breakfast as a vehicle for getting to know a city to the poetry of Maggie Smith and Ruth Awad, the pieces gathered here show us a Columbus far more textured than any test marketer could dream up.
Conceiving Cultures critically reflects on the ways anthropologists come to understand and represent the people and cultures that they study. These ideas are developed through an ethnographic study that explores notions of the gendered person through knowledge and practices relating to reproductive health on the Massim island of Nuakata in Papua New Guinea. Conceiving Cultures makes explicit anthropology's implicit project to understand the self by way of the other.
Shelley Mallett is Research Fellow at the Key Centre for Women's Health in Society at Melbourne University.
Candice Rai’s Democracy’s Lot is an incisive exploration of the limitations and possibilities of democratic discourse for resolving conflicts in urban communities. Rai roots her study of democratic politics and publics in a range of urban case studies focused on public art, community policing, and urban development. These studies examine the issues that erupted within an ethnically and economically diverse Chicago neighborhood over conflicting visions for a vacant lot called Wilson Yard. Tracing how residents with disparate agendas organized factions and deployed language, symbols, and other rhetorical devices in the struggle over Wilson Yard’s redevelopment and other contested public spaces, Rai demonstrates that rhetoric is not solely a tool of elite communicators, but rather a framework for understanding the agile communication strategies that are improvised in the rough-and-tumble work of democratic life.
Wilson Yard, a lot eight blocks north of Wrigley Field in Chicago’s gentrifying Uptown neighborhood, is a diverse enclave of residents enlivened by recent immigrants from Guatemala, Mexico, Vietnam, Ethiopia, and elsewhere. The neighborhood’s North Broadway Street witnesses a daily multilingual hubbub of people from a wide spectrum of income levels, religions, sexual identifications, and interest groups. When a fire left the lot vacant, this divided community projected on Wilson Yard disparate and conflicting aspirations, the resolution of which not only determined the fate of this particular urban space, but also revealed the lot of democracy itself as a process of complex problem-solving. Rai’s detailed study of one block in an iconic American city brings into vivid focus the remarkable challenges that beset democratic urban populations anywhere on the globe—and how rhetoric supplies a framework to understand and resolve those challenges.
Based on exhaustive field work, Rai uses rhetorical ethnography to study competing publics, citizenship, and rhetoric in action, exploring “rhetorical invention,” the discovery or development by individuals of the resources or methods of engaging with and persuading others. She builds a case for democratic processes and behaviors based not on reflexive idealism but rather on the hard work and practice of democracy, which must address apathy, passion, conflict, and ambivalence.
A survey of the innovative scholarship emerging at the intersections of rhetoric, and fieldwork
A variety of research areas within rhetorical studies—including everyday and public rhetorics, space and place-based work, material and ecological approaches, environmental communication, technical communication, and critical and participatory action research, among others—have increasingly called for ethnographic fieldwork that grounds the study of rhetoric within the contexts of its use and circulation. Employing field methods more commonly used by ethnographers allows researchers to capture rhetoric in action and to observe the dynamic circumstances that shape persuasion in ordinary life.
Field Rhetoric: Ethnography, Ecology, and Engagement in the Places of Persuasion gathers new essays that describe and theorize this burgeoning transdisciplinary mode of field-based scholarship. Contributors document and support this ethnographic turn in rhetorical studies through sustained examination of the diverse trends, methods, tools, theories, practices, and possibilities for engaging in rhetorical field research.
This fascinating volume offers an introduction to these inquiries and serves as both a practical resource and theoretical foundation for scholars, teachers, and students interested in the intersection of rhetoric and field studies. Editors Candice Rai and Caroline Gottschalk Druschke have assembled scholars working in diverse field sites to map and initiate key debates on the practices, limitations, and value of rhetorical field methods and research. Working synthetically at the junction of rhetorical theory and field practices, the contributors to this collection build from myriad field-based cases to examine diverse theoretical and methodological considerations. The volume also serves as a useful reference for interdisciplinary qualitative researchers interested in doing research from a rhetorical or discursive perspective in various disciplines and fields, such as English, composition, communication, natural resources, geography, sociology, urban planning, anthropology, and more.
In June 1854 the Grand Excursion celebrated in festive style the completion of the Chicago and Rock Island Railroad to the Mississippi River. Hundreds of dignitaries including newspaper editors and other journalists; politicians; academics, writers and artists; business and industry leaders; and railroad officials were among those who traveled by rail from Chicago to Rock Island, Illinois, then by steamboat to St. Paul in Minnesota Territory. The travelers were shown a region undergoing rapid settlement by Europeans—an area of great natural beauty offering many promises for additional development.
One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.
Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
Craig Santos Perez Omnidawn, 2019 Library of Congress PS3619.A598H33 2020 | Dewey Decimal 811.6
With Habitat Threshold, Craig Santos Perez has crafted a timely collection of eco-poetry that explores his ancestry as a native Pacific Islander, the ecological plight of his homeland, and his fears for the future. The book begins with the birth of the author’s daughter, capturing her growth and childlike awe at the wonders of nature. As it progresses, Perez confronts the impacts of environmental injustice, the ravages of global capitalism, toxic waste, animal extinction, water rights, human violence, mass migration, and climate change. Throughout, he mourns lost habitats and species, and confronts his fears for the future world his daughter will inherit. Amid meditations on calamity, this work does not stop at the threshold of elegy. Instead, the poet envisions a sustainable future in which our ethics are shaped by the indigenous belief that the earth is sacred and all beings are interconnected—a future in which we cultivate love and “carry each other towards the horizon of care.”
Through experimental forms, free verse, prose, haiku, sonnets, satire, and a method he calls “recycling,” Perez has created a diverse collection filled with passion. Habitat Threshold invites us to reflect on the damage done to our world and to look forward, with urgency and imagination, to the possibility of a better future.
Heritage and tourism mutually reinforce each other, with the presentation of heritage at physical sites mirrored by the ways heritage ispresented on the internet. This interdisciplinary book uses humanities and social sciences to analyse the ways that heritage is brandedand commodified, how stakeholders organise place brands, and how digital strategies shape how visitors appreciate heritage sites. The book covers a wide geographic diversity, offering the reader the chance to find cross-cutting themes and area-specific features of the field.
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work.
This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee's latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality. Sightings, which opens the book, turns upon a dozen or so celebrated paintings, among them J.M.W. Turner and Frida Kahlo. Galleries extends the usual meaning of the term to include vantage-points like a French archeological cave, a Bosphorus Straits crossing and a Tokyo station. Sightlines frames a run of personal encounters within the heights and widths of buildings and landscapes -- whether different Metro stations, or a major Japanese waterfall or Memphis's Beale Street. IMAGINARIUM explores yet other kinds of seeing, including poems that use bird flight as metaphors of imagination, airplane travel and its larger meanings of self-journey, science fiction film and the envisioning of other worlds, a roster of US photography, and imagination itself as a process to be imagined. In sum the reader is invited into a two-way exchange, imagination as seeing, seeing as imagination.
Equal parts urban culture and poetic travelogue, Looping Detroit is a collection of observations each taking place in and around one station stop of Detroit’s People Mover.
Built in 1987, the People Mover was and is largely regarded as a public transit boondoggle— costly, circumscribed, and, in light of these, a particularly egregious investment within a city lacking sufficient public transportation. At a time when Detroit’s downtown development is booming, with tremendous investment in a downtown that was ignored for decades, the very real possibility exists that this new interest will parallel the same investment patterns that brought the over invested People Mover to a fragment of the city.
Looping Detroit invites artists and writers to ride the small loop as an explorer, mining the environs around each station as a poetic ramble, a psycho geographic wander, a cultural inquiry that simultaneously ponders the poetics of circulating above the city streets while probing the greater narrative of Detroit’s public transit conundrum.
Contributors include award winning Detroit novelists Lolita Hernandez and Michael Zardoorian, poets Gloria House and Walter Lacy, music producer Cornelius Harris, Chace MicWrite Morris, front man of the Detroit hip-hop trio Coldmen Young, and radio producer Zak Rosen.
Beginning in the 1990s, immigrants to the United States increasingly bypassed traditional gateway cites such as Los Angeles and New York to settle in smaller towns and cities throughout the nation. With immigrant communities popping up in so many new places, questions about ethnic diversity and immigrant assimilation confront more and more Americans. New Faces in New Places, edited by distinguished sociologist Douglas Massey, explores today's geography of immigration and examines the ways in which native-born Americans are dealing with their new neighbors. Using the latest census data and other population surveys, New Faces in New Places examines the causes and consequences of the shift toward new immigrant destinations. Contributors Mark Leach and Frank Bean examine the growing demand for low-wage labor and lower housing costs that have attracted many immigrants to move beyond the larger cities. Katharine Donato, Charles Tolbert, Alfred Nucci, and Yukio Kawano report that the majority of Mexican immigrants are no longer single male workers but entire families, who are settling in small towns and creating a surge among some rural populations long in decline. Katherine Fennelly shows how opinions about the growing immigrant population in a small Minnesota town are divided along socioeconomic lines among the local inhabitants. The town's leadership and professional elites focus on immigrant contributions to the economic development and the diversification of the community, while working class residents fear new immigrants will bring crime and an increased tax burden to their communities. Helen Marrow reports that many African Americans in the rural south object to Hispanic immigrants benefiting from affirmative action even though they have just arrived in the United States and never experienced historical discrimination. As Douglas Massey argues in his conclusion, many of the towns profiled in this volume are not equipped with the social and economic institutions to help assimilate new immigrants that are available in the traditional immigrant gateways of New York, Los Angeles, and Chicago. And the continual replenishment of the flow of immigrants may adversely affect the nation's perception of how today's newcomers are assimilating relative to previous waves of immigrants. New Faces in New Places illustrates the many ways that communities across the nation are reacting to the arrival of immigrant newcomers, and suggests that patterns and processes of assimilation in the twenty-first century may be quite different from those of the past. Enriched by perspectives from sociology, anthropology, and geography New Faces in New Places is essential reading for scholars of immigration and all those interested in learning the facts about new faces in new places in America.
OFF COURSE: ROUNDABOUTS & DEVIATIONS is A. Robert Lee's latest collection that interleaves poetry and prose. Beneath the carefully crafted and accessible surface of Lee's work lies a profound, complex voice that deliberately disrupts traditional literary boundaries and distinctions. Different takes on the odd, oftentimes the antic, at work in the daily round. Seamed in wit, dark but congenial humor, Lee's work is aimed to amuse yet at the same time, stir recognitions. Fake correspondence might just be real. Foodways edge towards the gothic. Each composition comes over as slant, diagonal, oblique. Set phrases turn askew. Geographies un-map themselves, whether ostensibly Europe, England Japan, or America. Of course, it's all OFF COURSE. Enchanting tales of travel and transformation, comedy and capitalism, and unforgettable stories that teach us about our present as well as our past, OFF COURSE uses irony to tickle the mind. It reminds us that contradictions in life are inescapable, and how precarious and unpredictable life really is. Acerbic, volatile and incisive. Life episodes take on the patina of waking slumber, not to say japery and the absurd. Read OFF COURSE without discretion and take out some personal insurance before reading.
Our Bearings: Poems
Molly McGlennen; Foreword by Ben Burgess University of Arizona Press, 2020 Library of Congress PS3613.C4838O87 2020 | Dewey Decimal 813.6
Our Bearings is a collection of narrative poetry that examines and celebrates Anishinaabe life in modern Minneapolis. Crafted around the four elements—earth, air, water, and fire— the poems are a beautifully layered discourse between landscapes, stories, and the people who inhabit them. Throughout the collection, McGlennen weaves the natural elements of Minnesota with rich historical commentary and current images of urban Native life. Reverence for wildlife and foliage is pierced by the sharp man-made skylines of Minneapolis while McGlennen reckons with the heavy impact of industrial progress on the souls and everyday lives of individuals.
While working with both traditional and contemporary form, McGlennen’s unique use of space and rhythm creates poetry that is both captivating and accessible. Our Bearings does not attempt to speak for a population; rather it offers vibrant stories and moments that give voice to pieces of a large and complex tapestry of experiences. Through keen observation and a deep understanding of Native life in Minneapolis, McGlennen has created a timely collection that contributes beautifully to the important conversation about contemporary urban Native life in North America and globally.
Paraíso: Poems by
Jacob Shores-Argüello University of Arkansas Press, 2017 Library of Congress PS3619.H6657A6 2017 | Dewey Decimal 811.6
Winner, 2017 CantoMundo Poetry Prize
Paraíso, the first book in the new CantoMundo Poetry Series, which celebrates the work of Latino/a poets writing in English, is a pilgrimage against sorrow. Erupting from a mother’s death, the poems follow the speaker as he tries to survive his grief. Catholicism, family, good rum . . . these help, but the real medicine happens when the speaker pushes into the cloud forest alone.
In a Costa Rica far away from touristy beaches, we encounter bus trips over the cold mountains of the dead, drug dealers with beautiful dogs, and witches with cell phones. Science fuses with religion, witchcraft is joined with technology, and eventually grief transforms into belief.
Throughout, Paraíso defies categorization, mixing its beautiful sonnets with playful games and magic cures for the reader. In the process, moments of pure life mingle with the aftermath of a death.
Written by scholars who specialize in Roman history, religion, and culture, this book is written for travellers in search of inspiration and learning as they tour the streets, churches, museums, and monuments of the Roman past. Combining biographical portraits of some of Rome’s most significant historical figures with a study of the monuments, artworks, and places associated with them, <i>People and Places of the Roman Past</i> offers an informative and insightful look at the human and cultural history of one of the great cities of the world.
Americans think of suburbs as prosperous areas that are relatively free from poverty and unemployment. Yet, today more poor people live in the suburbs than in cities themselves. In Places in Need, social policy expert Scott W. Allard tracks how the number of poor people living in suburbs has more than doubled over the last 25 years, with little attention from either academics or policymakers. Rising suburban poverty has not coincided with a decrease in urban poverty, meaning that solutions for reducing poverty must work in both cities and suburbs. Allard notes that because the suburban social safety net is less-developed than the urban safety net, a better understanding of suburban communities is critical for understanding and alleviating poverty in metropolitan areas.
Using census data, administrative data from safety net programs, and interviews with nonprofit leaders in the Chicago, Los Angeles, and Washington, D.C. metropolitan areas, Allard shows that poor suburban households resemble their urban counterparts in terms of labor force participation, family structure, and educational attainment. In the last few decades, suburbs have seen increases in single-parent households, decreases in the number of college graduates, and higher unemployment rates. As a result, suburban demand for safety net assistance has increased. Concerning is evidence suburban social service providers—which serve clients spread out over large geographical areas, and often lack the political and philanthropic support that urban nonprofit organizations can command—do not have sufficient resources to meet the demand.
To strengthen local safety nets, Allard argues for expanding funding and eligibility to federal programs such as SNAP and the Earned Income Tax Credit, which have proven effective in urban and suburban communities alike. He also proposes to increase the capabilities of community-based service providers through a mix of new funding and capacity-building efforts.
Places in Need demonstrates why researchers, policymakers, and nonprofit leaders should focus more on the shared fate of poor urban and suburban communities. This account of suburban vulnerability amidst persistent urban poverty provides a valuable foundation for developing more effective antipoverty strategies.
In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the power of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Carol Dine’s narrative moves back and forth in time and place—from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice.
This voice, it turns out, is a chorus—a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite her struggles, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration.
More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, we witness the power of art to refigure a body, to transform suffering, and ultimately, to redeem.
Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders.
Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
In his book 'Higher Education in 2040 - A Global Approach' (2017) Bert van der Zwaan developed a thought-provoking vision of the university of the future, based on a thorough discussion of current trends and on a large number of conversations with leaders in higher education worldwide. This book, 'Places of Engagement', offer reflections on themes discussed by Van der Zwaan, written by twenty of his peers and other opinion leaders from around the world. The book was written in honour of Bert van der Zwaan at the occasion of his departure as Vice-Chancellor of Utrecht University. With contributions by John Sexton, José van Dijck, Karl Dittrich, Dilly Fung, Michael Crow and many others.
Responding to the pressures of current theoretical trends toward models of cultural globalization, the essays collected here bring a historical focus to literary studies. They suggest that only by exploring the particularities of regional historical cultures can the multiple meanings of American identities be understood. Representing a broad range of contemporary criticism, this volume features many short essays by the most well-known and respected Latin Americanists, each devoting attention to specific matters of history. The topics range from Incan architecture to Chicano and Nuyorican habitats; from turn of the century Argentine criminology to Caribbean homophobia; from the rhetorics of independence and dictatorship to Mexican ambivalence about opera and Brazil’s move beyond monarchy; and from the precarious survival of Spanish language in Latin America to its paradoxical legacy of enlightenment in the Philippines. Originally published as a special issue of Modern Language Quarterly (June 1996), this expanded edition includes a new introduction by Doris Sommer and a new essay by Vincente Rafael. Viewed together, these essays reveal a cultural richness that is sure to interest literary scholars and Latin Americanists alike.
Contributors. Carlos J. Alonso, Antonio Benítez-Rojo, John Beverley, Debra A. Castillo, Arcadio Diaz-Quiñones, Juan Flores, Mary M. Gaylord, José Limón, Josefina Ludmer, Francine Masiello, Antonio Mazzotti, Walter D. Mignolo, Sylvia Molloy, Mary Louise Pratt, Vincente Rafael, Julio Ramos, Susana Rotker, Roberto Schwarz, Diana Taylor, Nancy Vogeley
Though we live in a time when memory seems to be losing its hold on communities, memory remains central to personal, communal, and national identities. And although popular and public discourses from speeches to films invite a shared sense of the past, official sites of memory such as memorials, museums, and battlefields embody unique rhetorical principles.
Places of Public Memory: The Rhetoric of Museums and Memorials is a sustained and rigorous consideration of the intersections of memory, place, and rhetoric. From the mnemonic systems inscribed upon ancient architecture to the roadside accident memorials that line America’s highways, memory and place have always been deeply interconnected. This book investigates the intersections of memory and place through nine original essays written by leading memory studies scholars from the fields of rhetoric, media studies, organizational communication, history, performance studies, and English. The essays address, among other subjects, the rhetorical strategies of those vying for competing visions of a 9/11 memorial at New York City’s Ground Zero; rhetorics of resistance embedded in the plans for an expansion of the National Civil Rights Museum; representations of nuclear energy—both as power source and weapon—in Cold War and post–Cold War museums; and tours and tourism as acts of performance.
By focusing on “official” places of memory, the collection causes readers to reflect on how nations and local communities remember history and on how some voices and views are legitimated and others are minimized or erased.
Resource protection and public recreation policies have always been subject to the shifting winds of management philosophy governing both national and state parks. Somewhere in the balance, however, parks and preserves have endured as unique places of mind as well as matter. Places of Quiet Beauty allows us to see parks and preserves, forests and wildlife refuges—all those special places that the term “park” conjures up—as measures of our own commitment to caring for the environment. In this broad-ranging book, historian Rebecca Conard examines the complexity of American environmentalism in the twentieth century as manifest in Iowa's state parks and preserves.
On Melbenan Drive just west of Atlanta, sunlight falls onto a long row of well-kept lawns. Two dozen homes line the street; behind them wooden decks and living-room windows open onto vast woodland properties. Residents returning from their jobs steer SUVs into long driveways and emerge from their automobiles. They walk to the front doors of their houses past sculptured bushes and flowers in bloom.
For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class.
Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs.
Winner of the 2005 John G. Cawelti Book Award from the American Culture
Winner of the 2005 Award for Best Book in North American Urban
History from the Urban History Association.
Protection Spell: Poems
Jennifer Givhan University of Arkansas Press, 2017 Library of Congress PS3607.I78A6 2017 | Dewey Decimal 811.6
Finalist, 2017 Miller Williams Poetry Prize, edited by Billy Collins
“A poet of great heart and brave directness.”
In Protection Spell Jennifer Givhan explores the guilt, sadness, and freedom of relationships: the sticky love that keeps us hanging on for no reason other than love, the inky place that asks us to continue revising and reimagining, tying ourselves to this life and to each other despite the pain (or perhaps because of it). These poems reassemble safe spaces from the fissures cleaving the speaker’s own biracial home and act as witnesses speaking to the racial iniquity of our broader social landscape as well as to the precarious standpoint of a mother-woman of color whose body lies vulnerable to trauma and abuse. From insistent moments of bravery, a collection of poems arises that asks the impossible, like the childhood chant that palliates suffering by demanding nothing less than magical healing: sana sana colita de rana, si no sanas hoy, sanas mañana (the frog who loses his tail is commanded to grow another). In the end, Givhan’s verse offers a place where healing may begin.
From physical location to payment processes to expectations of both patients and caregivers, nearly everything surrounding the contemporary medical clinic's central activity has changed since Michel Foucualt's Birth of the Clinic. Indebted to that work, but recognizing the gap between what the modern clinic hoped to be and what it has become, Rebirth of the Clinic explores medical practices that shed light on the fraught relationship between medical systems, practitioners, and patients.
Combining theory, history, and ethnography, the contributors to this volume ground today's clinic in a larger scheme of power relations, identifying the cultural, political, and economic pressures that frame clinical relationships, including the instrumentalist definition of health, actuarial-based medical practices, and patient self-help movements, which simultaneously hem in and create the conditions under which agents creatively change ideas of illness and treatment.
From threatened community health centers in poor African American locales to innovative nursing practices among the marginally housed citizens of Canada's poorest urban neighborhood, this volume addresses not just the who, what, where, and how of place-specific clinical practices, but also sets these local experiences against a theoretical backdrop that links them to the power of modern medicine in shaping fundamental life experiences.
Contributors: Christine Ceci, U of Alberta; Lisa Diedrich, Stony Brook U; Suzanne Fraser, Monash U; John Liesch, Simon Fraser U; Jenna Loyd, CUNY; Annemarie Mol, U of Amsterdam; Mary Ellen Purkis, U of Victoria.
THE REVLON SLOUGH, Ray DiZazzo's fourth poetry collection represents fifty years of writing that explores life's observations in harmony with both the natural world, and the often anomalous societies we inhabit. This volume is organized into seven sections that explore creatures both exotic and mundane, the fragility of damaged individuals, social and political perspectives, personal observations, science fiction and space, and perhaps most important, what it means to be a human being in this contested, often volatile world. As the collection's title elucidates, DiZazzo has created a narrative initially inspired by his discovery of a farmland slough, with its own biosystem, and natural dichotomy of beauty and ugliness. His poetry, primarily written in free verse (with an occasional haiku) projects an intimacy with nature that resists sentimentality and romanticism, giving the poetry a vivid, unadorned feel throughout the volume. THE REVLON SLOUGH is DiZazzo's most intimate and eloquent poetry collection to date.
Roze & Blud: A Long Poem
Jayson Iwen University of Arkansas Press, 2020 Library of Congress PS3609.W47R69 2020 | Dewey Decimal 811.6
Winner, 2020 Miller Williams Poetry Prize
In this long poem—almost a novel-in-verse—Jayson Iwen examines the intimate thoughts and feelings of two would-be poets: Roze Mertha, a teenage girl growing up in a trailer park, and William Blud, a veteran navigating age and loneliness in an apartment he shares with an Afghan refugee. Deftly crafting distinct voices for these characters in the upper midwestern terrain they inhabit, Iwen explores the quiet heartbreak and tenderly treasured experiences of two apparently unremarkable people using poetry to understand a world that doesn’t make much space for them.
Sacred Objects, Sacred Places combines native oral histories, photographs, drawings, and case studies to present current issues of cultural preservation vital to American Indians, Alaska Natives, and Native Hawaiians. Complete with commentaries by native peoples, non-native curators, and archaeologists, this book discusses the repatriation of human remains, the curation and exhibition of sacred masks and medicine bundles, and key cultural compromises for preservation successes in protecting sacred places on private, state, and federal lands.
The author traveled thousands of miles over a ten-year period to meet and interview tribal elders, visit sacred places, and discuss the power of sacred objects in order to present the essential debates surrounding tribal historic preservation. Without revealing the exact locations of sacred places (unless tribes have gone public with their cultural concerns), Gulliford discusses the cultural significance of tribal sacred sites and the ways in which they are being preserved. Some of the case studies included are the Wyoming Medicine Wheel, Devil's Tower National Monument, Mount Shasta in California, Mount Graham in Arizona, and the Sweet Grass Hills in Montana. Federal laws are reviewed in the context of tribal preservation programs, and tribal elders discuss specific cases of repatriation.
Though the book describes numerous tribal tragedies and offers examples of cultural theft, Sacred Objects and Sacred Places affirms living traditions. It reveals how the resolution of these controversies in favor of native people will ensure their cultural continuity in a changing and increasingly complex world. The issues of returning human remains, curating sacred objects, and preserving tribal traditions are addressed to provide the reader with a full picture of Native Americans' struggles to keep their heritage alive.
Natives who change residence do not settle in the same places as immigrants. Separate Destinations argues that these distinct mobility patterns, coupled with record levels of immigration from impoverished third world nations, are balkanizing the American electorate. James G. Gimpel examines the consequences of different patterns of movement and settlement on the politics of the communities in which these different groups settle.
Newer immigrants are con-strained by a lack of education, money, English literacy, and information--and frequently by discrimination--to live in areas of coethnic settlement. Domestic, native-born migrants--predominantly Caucasian--free of discrimination and possessing more money and information, move where they wish, often to communities where immigrants are not welcome or cannot afford to live. Strong evidence suggests that spatially isolated immigrants are slower to naturalize and get involved in politics than domestic migrants.
Gimpel looks closely at states with very different patterns of migration and immigration: California, Colorado, Kansas, Kentucky, Florida, Pennsylvania, and New York. In these states, Gimpel shows the impact of population mobility on party registration, party votes, and voter turnout and asks whether population changes have changed the dominant party in a state or produced a political reaction from natives.
Separate Destinations contains a number of thematic maps detailing the settlement patterns of internal migrants and immigrants for both counties and census tracts. Blending insights from a number of social science disciplines, including economics, demography, sociology, political science, and anthropology, this book will be of interest to a wide and diverse readership of scholars, students, and policymakers.
James G. Gimpel is Associate Professor of Government, University of Maryland.
Sky Below: Selected Works
Raul Zurita; Translated from the Spanish and with an introduction by Anna DeenyMorales Northwestern University Press, 2016 Library of Congress PQ8098.36.U75A213 2016 | Dewey Decimal 861
Chilean poet Raúl Zurita has long been recognized as one of the most celebrated and important voices from Latin America. His compelling rhythms combine epic and lyric tones, public and most intimate themes, grief and joy. This bilingual volume of selected works is the first of its kind in any language, representing the remarkable range of an extraordinary poet. Zurita’s work confronts the cataclysm of the Pinochet coup with a powerful urgency matched by remarkable craftsmanship and imaginative vision. In Zurita’s attempt to address the atrocities that indelibly mark Chile, he makes manifest the common history of the Americas.
A vivid and insightful look at the culture and terrain of Antarctica, as well as the people who choose to live and work there, South × South celebrates and explores life at the extreme edge of our planet. Blending travel narrative, historical research, and the surprises of magical realism, Hood presents life in Antarctica and the history of polar aviation as both a miracle of achievement yet also as a way to understand humanity’s longing to be creatures of the heavens as well as the earth. South × South is poetry at its most inventive and surprising, insisting that the world is stranger and more glorious than we ever might have guessed.
Poetry. Asian Studies. This moving, rich cycle of linked poems journeys from Cambodia's ancient mythic times to the killing fields and to the UN presence during Cambodia's first free elections. It bears witness to the plight of the Cambodian people and to all who have endured holocausts. The reader viscerally experiences the sweet-sour tastes of both jungle fruits and blackened, dead potato patches; the sights and sounds of the bombed Cambodian countryside and its fecund cities--as well as the humanity of others and ourselves.
In this expanded edition of his classic Strangers in High Places, Michael Frome continues to capture the attention and admiration of nature lovers, environmentalists, and professionals as he reviews the last quarter-century in and around the Great Smoky Mountains National Park. Frome's superbly written account tells the story of the Great Smoky Mountains and their inhabitants—Eastern Cherokee, back-country settlers, lumbermen, moonshiners, bears and boars. Frome chronicles the power struggles, legislation, and land transactions surrounding the creation of the national park and discusses the continuing threats to the park's natural beauty.
Frome's recent conversations with residents, new and old, along with a complement of historic and contemporary photographs, confirm the views stated in the book's original 1966 edition.
The author brings his knowledge, experience, and insights to bear on "one of God's special places." He suggests alternatives to commercial overdevelopment and the destruction of the Great Smokies' flora and fauna, citing recent cases such as the Tellico Dam project and the continuing pollution of the Pigeon River. Always emphasizing our inevitable relationship with our surroundings, Frome relates the story of the Great Smoky Mountains with respect and affection for the region, its people, and their history.
Michael Frome ranks among the foremost American authors on travel and conservation. His interests are closely associated with national parks, national forests, and natural beauty in the United States and other countries. He has been a columnist and correspondent for major newspapers and magazines and a university lecturer. He is author of Conscience of a Conservationist: Selected Essays.
TARTESSOS AND OTHER CITIES is Claire Millikin's second book of poetry with 2Leaf Press that continues to explore homelessness. In this collection, Millikin uses the sensitivity of poetry to express some of the emotions surrounded by homelessness and loss. Named for Tartessos, a lost city on the Guadalquivir, a river in Andalusia, Spain that was likely buried by a devastating tidal wave in BC, the poems in TARTESSSOS gather lost cities and places that were not myths, but were once real. Throughout the collection, Millikin addresses questions such as, What happened to home and Where do I come from? that examines American geographies of loss, with the poems serving as archeological elements that persist against these losses. From New York City to Muscogee Country, Georgia, from New Haven, to the Haw River, TARTESSOS charts a map of disappearances and resistances to vanishing that make up part of the ghostly American landscape. In the end, Millikin leads readers to discover that home is not just the place where you happen to live, it is the place where you become yourself.
The Wisconsin Story: 150 People, Places, and Turning Points that Shaped the Badger State offers readers engaging vignettes about everything Wisconsin. From portraits of significant figures like Robert and Belle La Follette, Golda Meir, and Edna Ferber, to stories of important events like the Black Hawk War, 1960s campus protests, and oleo smuggling, The Wisconsin Story takes readers on a fun and informative ride all across the Badger State. Where was Calvin Coolidge’s summer White House? What was the “anti-corset resolution?” And why was a cow named Ollie milked on an airplane? Award-winning newspaper columnist Dennis McCann’s talent for distilling complex subjects into brief stories that pack a punch makes this collection the perfect answer to the question “what makes Wisconsin, Wisconsin?”