Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers).

It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them.

Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.

Purple three-awn.
Tree of heaven.
Alamo vine.
Narrowleaf cattail.

These exotic and fanciful names conjure up visions of lush foliage, colorful grasses, and dense plant life. They are, in fact, names of native and naturalized Texas plants—grasses, pods, vines, and weeds. Lovely and all-too-often overlooked in nature, they become ornamental delights when used imaginatively and decoratively.

Grasses, Pods, Vines, Weeds introduces 44 of Texas' most common and important naturals. Quentin Steitz shows how to recognize them and discover their aesthetic wealth. By taking the reader through all of the steps involved in utilizing naturals—from harvest to design—her book becomes an important tool for floral and landscape designers, decorators, horticulturalists, home gardeners, botanists: all those people who enjoy hands-on experience with Texas' vast array of native and naturalized plants.

The book presents clear and concise descriptions of many Texas naturals, accompanied by approximately 150 full-color photographs showing each in one or more stages of growth and also in a design. The reader can see the plant as it looks not only in the wild but also in an arrangement. The author offers techniques on how the species can be prepared for display, discussing drying and arranging. And a chapter on cultivation and conservation suggests to outdoor enthusiasts species they can grow for decorative natural materials as well as conserve and appreciate in the wild.

Grasses, Pods, Vines,Weeds is enhanced by flora selected, collected, prepared, and dried by the author. These hand-culled materials have been used in designs contributed by some nineteen notable floral designers as well as the author. The text and designs combine to reveal the fresh, creative applications of Texas' decorative naturals and to increase our pleasure in the wonders of natural Texas.