An engaging, well-illustrated natural and cultural history of the oldest living organism—the bristlecone pine. Since Edmund Schulman discovered in 1958 that individual bristlecones live nearly 5,000 years, the trees have been investigated primarily for the elaborate record their rings contain. The trees have been "read' closely, with major consequences for natural and human history. Historians have read local and global environmental change. Archaeologists have rewritten the history of civilization. Writers have transformed them into figures pertinent to the human dilemmas of time and eternity. A Garden of Bristlecones investigates professional and popular conceptions as a set of narratives drawn from the outside and inside of the trees. It reveals the premises of the investigators, the nature of their inquiry, and the extent of their knowledge, while also revealing the Great Basin bristlecone itself. Illustrations by Valerie Cohen.
“For every plant enthusiast in the Great Lakes State, and . . . in the adjoining ones as well.”
—John J. Pipoly III, SIDA
“A very handy field guide . . . this book will be of use to anyone in northeastern North America.”
—C. Barre Hellquist, Rhodora
“It can be used to identify most of the plants . . . in Michigan and adjacent areas.”
—James E. Eckenwalder, Wildflower
Gleason’s Plants of Michigan is a major revision and expansion of The Plants of Michigan by Henry A. Gleason—the 1918 classic field guide to the flowering plants and trees found in Michigan, neighboring Great Lakes States, and southern Ontario. Richard K. Rabeler has completely updated the family descriptions and added easy-to-use keys. Information on habitats and geographical distribution is now included as well as a comprehensive index of plant names, an illustrated section on terminology, a glossary, and an introduction to botany in Michigan.
Gleason’s Plants of Michigan will be useful to naturalists, environmental specialists, botanists, and everyone who loves the wildflowers and native flora of Michigan and the surrounding areas.
Since the publication of the first edition of Grasses: Bromus to Paspalumin 1972, twenty-two additional taxa of grasses have been discovered in Illinois that are properly placed in this volume. In addition, numerous nomenclatural changes have occurred for plants previously discovered, and many distributional records have been added. New keys have been prepared for each genus where additional species from Illinois are known. For new species, full-page illustrations are provided. This second edition updates the status of Illinois grasses. The book features 263 figures from the first edition plus 21 new figures for this edition by Paul W. Nelson.
Genera of grasses included in this work are Aegilops, Agropyron, Agrostis, Aira, Alopecurus, Anthoxanthum, Avena, Beckmannia, Briza, Bromus, Calamagrostis, Cinna, Dactylis, Deschampsia, Elyhordeum, Elymus, Elytrigia, Festuca, Hierochloe, Holcus, Hordeum, Koeleria, Lolium, Milium, Paspalum, Pennisetum, Phalaris, Phleum, Poa, Puccinellia, Sclerochloa, Secale, Sphenopholis, Torreyochloa, Triticum, and Vulpia.
Colorado's elevation range of more than 11,000 feet creates a wide variety of habitats that supports a spectacular diversity of grasses. With 335 known species, Colorado has one of the most diverse and extensive grass floras in the United States.
Comprehensive coverage, useful keys, and detailed species descriptions in Grasses of Colorado will make this volume the standard reference for years to come. Robert B. Shaw provides overviews of Colorado's physiography and ecoregions and introduces the grass plant in plain, enjoyable text. He includes a checklist of Colorado grasses, a bibliography, and a glossary of terms that may be unfamiliar to nonspecialists. Line drawings, state distribution maps, and habitat notes for each species enable accurate plant identification, familiarity with regional ecogeography, and increased understanding of plant ecology of the Rocky Mountains.
A monumental accomplishment certain to become the standard work on the subject, Grasses of Colorado synthesizes existing literature and incorporates recent scientific findings to offer a complete, current reference.
Since the publication of the first edition of Grasses: Panicum to Danthonia in 1973, twenty additional taxa of grasses have been discovered in Illinois that are properly placed in this volume. In addition, numerous nomenclatural changes have occurred for plants already known from the state, and many distributional records have been added. This second edition updates the status of grasses in Illinois. Paul W. Nelson has provided illustrations for all of the additions.
Because the nature of grass structures is generally so different from that of other flowering plants, a special terminology is applied to them. In his introduction, Robert H. Mohlenbrock cites these terms, with descriptions that make the identification of unknown specimens possible. Mohlenbrock’s division of the grass family into subfamilies and tribes is a major departure from the sequence usually found in most floristic works in North America.
Synonyms that have been applied to species in the northeastern United States are given under each species. A description based primarily on Illinois material covers the more important features of the species. The common names—Paflic Grass, Billion Dollar Grass or Japanese Millett, Thread Love Grass, and Goose Grass—are the ones used locally in the state. The habitat designation and dot maps showing county distribution of each grass are provided only for grasses in Illinois, but the overall range for each species is also given.
A Guide to Common Plants of Lake Mead National Recreation Area is the definitive book for weekend explorers and botanists alike who venture into LMNRA ready to discover the many wonders of the local flora. The authors highlight 183 plants that hikers are most likely to encounter along popular trails, washes, and surrounding hot springs, helping the area’s millions of annual visitors identify and enjoy these common plants. This guide includes photos and descriptions of each plant, along with a map of LMNRA.
The authors also provide a primer on plant ecology, including a guide to plant structures, desert adaptations and life forms, plant-to-plant interactions, and plant-animal interactions. Plants are grouped by life forms, such as tree, shrub, cactus, or grass, and by flower color within the wildflower section. The guide will encourage readers to pause and look carefully at each plant they encounter, giving them an enriched experience during their exploration.
Guitars inspire cult-like devotion: an aficionado can tell you precisely when and where their favorite instrument was made, the wood it is made from, and that wood’s unique effect on the instrument’s sound. In The Guitar, Chris Gibson and Andrew Warren follow that fascination around the globe as they trace guitars all the way back to the tree. The authors take us to guitar factories, port cities, log booms, remote sawmills, Indigenous lands, and distant rainforests, on a quest for behind-the-scenes stories and insights into how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills that craft those timbers along the way.
Gibson and Warren interview hundreds of people to give us a first-hand account of the ins and outs of production methods, timber milling, and forest custodianship in diverse corners of the world, including the Pacific Northwest, Madagascar, Spain, Brazil, Germany, Japan, China, Hawaii, and Australia. They unlock surprising insights into longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, cultural tensions, and seismic upheavals. But the authors also strike a hopeful note, offering a parable of wider resonance—of the incredible but underappreciated skill and care that goes into growing forests and felling trees, milling timber, and making enchanting musical instruments, set against the human tendency to reform our use (and abuse) of natural resources only when it may be too late. The Guitar promises to resonate with anyone who has ever fallen in love with a guitar.
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