Antiquity’s imperial biographer par excellence.

Suetonius (C. Suetonius Tranquillus, born ca. AD 70), son of a military tribune, was at first an advocate and a teacher of rhetoric, but later became the emperor Hadrian’s private secretary, 119–121. He dedicated to C. Septicius Clarus, prefect of the praetorian guard, his Lives of the Caesars. After the dismissal of both men for some breach of court etiquette, Suetonius apparently retired and probably continued his writing. His other works, many known by title, are now lost except for part of the Lives of Illustrious Men (of letters).

Friend of Pliny the Younger, Suetonius was a studious and careful collector of facts, so that the extant lives of the emperors (including Julius Caesar the dictator) to Domitian are invaluable. His plan in Lives of the Caesars is the emperor’s family and early years; public and private life; death. We find many anecdotes, much gossip of the imperial court, and various details of character and personal appearance. Suetonius’ account of Nero’s death is justly famous.

The Loeb Classical Library edition of Suetonius is in two volumes.

Antiquity’s imperial biographer par excellence.

Suetonius (C. Suetonius Tranquillus, born ca. AD 70), son of a military tribune, was at first an advocate and a teacher of rhetoric, but later became the emperor Hadrian’s private secretary, 119–121. He dedicated to C. Septicius Clarus, prefect of the praetorian guard, his Lives of the Caesars. After the dismissal of both men for some breach of court etiquette, Suetonius apparently retired and probably continued his writing. His other works, many known by title, are now lost except for part of the Lives of Illustrious Men (of letters).

Friend of Pliny the Younger, Suetonius was a studious and careful collector of facts, so that the extant lives of the emperors (including Julius Caesar the dictator) to Domitian are invaluable. His plan in Lives of the Caesars is the emperor’s family and early years; public and private life; death. We find many anecdotes, much gossip of the imperial court, and various details of character and personal appearance. Suetonius’ account of Nero’s death is justly famous.

The Loeb Classical Library edition of Suetonius is in two volumes.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive the cultural and moral excellence of ancient Greece and Rome. This two-volume set contains an ample, representative sample from his enormous and fascinating correspondence with all the leading figures of his day, from popes, emperors, and kings to younger contemporaries such as Cola di Rienzi and Giovanni Boccaccio. The letters illustrate the remarkable story of Petrarca’s life in a Europe beset by war, plague, clerical corruption, and political disintegration. The ninety-seven letters in this selection, all freshly translated, cover the full range of Petrarca’s interests, including the rediscovery of lost classical texts, the reform of the Church, the ideal prince, education in the classics, and the revival of ancient moral philosophy. They include Petrarca’s imaginary correspondence with the ancient authors he loved so well, and his autobiographical Letter to Posterity.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive the cultural and moral excellence of ancient Greece and Rome. This two-volume set contains an ample, representative sample from his enormous and fascinating correspondence with all the leading figures of his day, from popes, emperors, and kings to younger contemporaries such as Cola di Rienzi and Giovanni Boccaccio. The letters illustrate the remarkable story of Petrarca’s life in a Europe beset by war, plague, clerical corruption, and political disintegration. The ninety-seven letters in this selection, all freshly translated, cover the full range of Petrarca’s interests, including the rediscovery of lost classical texts, the reform of the Church, the ideal prince, education in the classics, and the revival of ancient moral philosophy. They include Petrarca’s imaginary correspondence with the ancient authors he loved so well, and his autobiographical Letter to Posterity.

This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos—the wretched human scapegoat who is expelled from the city or killed in response to a crisis—after satirizing the Delphians.

In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.