The Gazer Within collects the prose of one of America's favorite poets. Refreshingly candid, laugh-out-loud funny, and, at the same time, intimate, the pieces trace Larry Levis's early years growing up on his father's farm, his decision at sixteen to become a poet, and his undergraduate experience in the days of the Vietnam War. In addition to memoir, there are critical reviews, including his seminal essay on the poet Philip Levine, and reviews of poets as diverse as W. D. Snodgrass and Zbigniew Herbert.
David St. John's foreword speaks eloquently of Levis's enduring legacy: "Of the poets of his generation, Larry Levis spoke most powerfully of what it means to be a poet at this historical moment. With the same majesty he brought to his poetry, Larry Levis engaged his readers with the most subtle and disturbing questions of the self to be found in the prose--essays, reviews or interviews--of any contemporary American poet. Broadly international in his scope and deeply personal in his reflections, Levis addressed poetic concerns that are both immediate and timeless. For many of us who struggle with these issues, Larry Levis's prose on poetry stands as some of the most capacious to be found since Randell Jarrell's."
The late Larry Levis was the author of six volumes of poetry. He was Director of the Creative Writing Program, University of Utah; Professor of English, Virginia Commonwealth University; and also taught at the Iowa Writers Workshop.

This exquisitely written biography of major American poet Theodore Roethke by his close friend and fellow writer Allan Seager was greeted with great enthusiasm in the literary community when it originally appeared in 1968. Kirkus Reviews found The Glass House “finely wrought, compassionate, intimate, and bound to be of inestimable value to all future Roethke scholars” in its exploration of Roethke’s life and its relationship to his art; critic Hugh Kenner called it “simply the best American biography.”
 
Biographer Allan Seager interviewed a number of Roethke’s friends and fellow writers, and he had access to the voluminous notes the poet left behind. Seager reveals the Theodore Roethke who existed behind the public persona – a complex, self-contradictory, gentle, often disturbed mysterious, and ruthlessly honest man. One of the book’s most moving passages is the defense of the poet’s role within the university, written by a colleague when Roethke was faced with the threat of dismissal. A committed teacher himself, Seager succeeds in doing justice to an often neglected aspect of Roethke’s achievement, his remarkable power as a teacher, and his unusual and committed teaching style.
 

These essays and interviews from 1970-76 are lively, pointed, often polemical. They derive from a unified point of view about creativity and about the function of poetry. For the interested reader they can provide a key to the universe of the contemporary poet. In this work, Donald Hall speaks in a conversational way about his poetry and about his poetic wishes, endeavors, failures, and successes.