front cover of Taking Liberties
Taking Liberties
Gender, Transgressive Patriotism, and Polish Drama, 1786–1989
Halina Filipowicz
Ohio University Press, 2014

As narrow, nationalist views of patriotic allegiance have become widespread and are routinely invoked to justify everything from flag-waving triumphalism to xenophobic bigotry, the concept of a nonnationalist patriotism has vanished from public conversation. Taking Liberties is a study of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights, respectful of ethnic and cultural diversity, and, overall, open-minded and inclusive.

Moving beyond a traditional study of Polish dramatic literature, Halina Filipowicz turns to the plays themselves and to archival materials, ranging from parliamentary speeches to polemical pamphlets and verse broadsides, to explore the cultural phenomenon of transgressive patriotism and its implications for society in the twenty-first century.

In addition to recovering lost or forgotten materials, the author builds an innovative conceptual and methodological framework to make sense of those materials. The result is not only a significant contribution to the debate over the meaning and practice of patriotism, but a masterful intellectual history.

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front cover of Tales from the Kingdom of Lailonia and The Key to Heaven
Tales from the Kingdom of Lailonia and The Key to Heaven
Leszek Kolakowski
University of Chicago Press, 1989
This volume contains two unusual and appealing satirical works by the well-known European philosopher Kolakowski. The first, Tales from the Kingdom of Lailonia, is set in a fictional land. Each story illustrates some aspect of human inability to come to terms with imperfection, infinitude, history, and nature. The second, The Key to Heaven, is a collection of seventeen biblical tales from the Old Testament told in such a way that the story and the moral play off each other to illustrate political, moral, or existential foibles and follies.
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Theatermachine
Tadeusz Kantor in Context
Edited by Magda Romanska and Kathleen Cioffi
Northwestern University Press, 2019
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
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"Therefore, Choose Life..."
An Autobiography
Moisey Wolf
Oregon State University Press, 2014
An annotated translation of the extraordinary autobiography of Dr. Moisey Wolf (1922-2007), “Therefore, Choose Life...” is an important addition to the literature of Jewish experience and deepens our understanding of the human condition in the twentieth century.

Wolf describes his Jewish childhood and youth in pre-war Poland, his escape from the Holocaust and subsequent medical service in the Soviet Army during World War II and the following decade, his distinguished career in psychiatry in post-Stalinist Soviet Russia, and his final years in Portland, Oregon, after his departure from the Soviet Union in 1992.

Wolf’s narrative skill and evocative personal insights, combined with Judson Rosengrant’s judicious editing and annotation and elegant translation, provide the reader with direct access to a world that has seemingly ceased to exist, yet continues to resonate and inform our own lives in powerful ways.

“Therefore, Choose Life…” will appeal to readers interested in the history of the East-European twentieth century, pre-Holocaust Jewish family life in Poland, and in the survival of a man of deep religious faith and cultivation in the face of the catastrophes and vicissitudes of his time and place.
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front cover of They Were Just People
They Were Just People
Stories of Rescue in Poland During the Holocaust
Bill Tammeus & Rabbi Jacques Cukierkorn
University of Missouri Press, 2009
Hitler’s attempt to murder all of Europe’s Jews almost succeeded. One reason it fell short of its nefarious goal was the work of brave non-Jews who sheltered their fellow citizens. In most countries under German control, those who rescued Jews risked imprisonment and death. In Poland, home to more Jews than any other country at the start of World War II and location of six German-built death camps, the punishment was immediate execution.
            This book tells the stories of Polish Holocaust survivors and their rescuers. The authors traveled extensively in the United States and Poland to interview some of the few remaining participants before their generation is gone. Tammeus and Cukierkorn unfold many stories that have never before been made public: gripping narratives of Jews who survived against all odds and courageous non-Jews who risked their own lives to provide shelter.
            These are harrowing accounts of survival and bravery. Maria Devinki lived for more than two years under the floors of barns. Felix Zandman sought refuge from Anna Puchalska for a night, but she pledged to hide him for the whole war if necessary—and eventually hid several Jews for seventeen months in a pit dug beneath her house. And when teenage brothers Zygie and Sol Allweiss hid behind hay bales in the Dudzik family’s barn one day when the Germans came, they were alarmed to learn the soldiers weren’t there searching for Jews, but to seize hay. But Zofia Dudzik successfully distracted them, and she and her husband insisted the boys stay despite the danger to their own family.
            Through some twenty stories like these, Tammeus and Cukierkorn show that even in an atmosphere of unimaginable malevolence, individuals can decide to act in civilized ways. Some rescuers had antisemitic feelings but acted because they knew and liked individual Jews. In many cases, the rescuers were simply helping friends or business associates. The accounts include the perspectives of men and women, city and rural residents, clergy and laypersons—even children who witnessed their parents’ efforts.
            These stories show that assistance from non-Jews was crucial, but also that Jews needed ingenuity, sometimes money, and most often what some survivors called simple good luck. Sixty years later, they invite each of us to ask what we might do today if we were at risk—or were asked to risk our lives to save others.
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Through Words and Deeds
Polish and Polish American Women in History
Edited by John Bukowczyk
University of Illinois Press, 2021
Though often overlooked in conventional accounts, women with myriad backgrounds and countless talents have made an impact on Polish and Polish American history. John J. Bukowczyk gathers articles from the journals Polish Review and Polish American Studies to offer a fascinating cross-section of readings about the lives and experiences of these women. The first section examines queens and aristocrats during the Polish-Lithuanian Commonwealth, but also looks at the life of the first Polish female doctor. In the second section, women of the diaspora take center stage in articles illuminating stories that range from immigrant workers in Europe and the United States to women's part in Poland’s nationalist struggle. The final section concentrates on image, identity, and consciousness as contributors examine the stereotyping and othering of Polish women and their portrayal in ethnic and émigré fiction.

A valuable and enlightening resource, Through Words and Deeds offers an introduction to the many facets of Polish and Polish American womanhood.

Contributors: Laura Anker, Robert Blobaum, Anna Brzezińska, John J. Bukowczyk, Halina Filipowicz, William J. Galush, Rita Gladsky, Thaddeus V. Gromada, Bożena Karwowska, Grażyna Kozaczka, Lynn Lubamersky, Karen Majewski, Nameeta Mathur, Lori A. Matten, Jan Molenda, James S. Pula, Władysław Roczniak, and Robert Szymczak

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front cover of To Tell At Last
To Tell At Last
Survival under False Identity, 1941-45
Blanca Rosenberg
University of Illinois Press, 1993
      "Searing. . . . With
        an even hand and understated prose, Ms. Rosenberg, now a New York City
        psychotherapist, bravely depicts Nazi carnage in chilling detail."
        -- Susan Shapiro, New York Times Book Review
      "[A] harrowing account
        of intrigue and danger with all the elements of a war movie adventure."
        -- Miriam Rinn, The Forward
      This memoir of how a Jewish
        woman survived Nazi Germany by passing as an Aryan was selected as the
        best book on Holocaust and Jewish Resistance Literature by the Israeli
        committee of the Egit Grants.
 
 
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Tormented Master
A Life of Rabbi Nahman of Bratslav
Written by Arthur E. Green
University of Alabama Press, 1979

“If Hasidism begins in the life-enhancing spirituality of the Baal Shem Tov, it concludes in the tortuous, elitist and utterly fascinating career of Nahman of Bratslav (1722–1810) whose biography and teaching Arthur Green has set forth in his comprehensive, moving, and subtle study, Tormented Master.

            “Arthur Green has managed to lead us through the thickets of the Bratslaver discourse with a grace and facility thus far unequaled in the English language literature on Hasidism. Tormented Master is a model of clarity and percipience, balancing awed respect and honor for its subject with a ruthless pursuit of documented truth. . . . Tormented Master is sufficiently open to the agonies of religion in general and the issues of modern religion in particular to make Nahman a thinker utterly relevant to our time.

            “Nahman of Bratslav is unique in the history of Judaism, Green emphasizes, for having made the individual’s quest for intimacy with God the center of the religious way. He was a Kierkegaard before his time, believing in the utter abandon of the life of faith and the risk of paradoxicality. . . . He was, more than all others, the predecessor of Kafka, whose tales, like Nahman’s, have no explicit key and rankle, flush and irritate the spirit, compelling us—even in our failure to understand—to acknowledge their potency and challenge.”

—New York Times

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front cover of Trap with a Green Fence
Trap with a Green Fence
Survival in Treblinka
Richard Glazar
Northwestern University Press, 1995
Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
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front cover of Tworki
Tworki
Marek Bienczyk
Northwestern University Press, 2008

In Tworki, a village just southwest of Warsaw, there is a psychiatric hospital and in that hospital, the patients and their caretakers are hidden from the war just outside their iron gates. Our hero, Jurek, answers an ad in the paper for a job there and finds himself keeping the books alongside a knockout strawberry blonde named Sonia. They and their group of friends—vital young people like Marcel, an initial rival for Jurek; Olek, Sonia’s chosen love; and Janka, with whom Jurek becomes involved—do their jobs, picnic on the weekends, and dance in the gardens on the grounds of the hospital. Jurek speaks often of, and even in, verse, whether he is talking to his friends or in letters to a distant and admiring cousin. He and his friends live lives that defy the discord and destruction of the war in Europe, striving to rediscover or save whatever beauty they can. Much of this beauty is embodied by Sonia, who is beloved of all the friends and patients at the asylum. But the revitalizing spring they all hope will come for Poland is not to arrive this year. Despite the relative safety of their odd surroundings, the world and the war soon come for the friends. Olek’s absences are longer and unexplained. Marcel is not what he seems, and he and his wife mysteriously disappear, she says, to the gas. And the perfection that Sonia embodies cannot ultimately be kept, by the friends, by the nation, or even by Sonia herself.

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